There are two ways to remember the late mentor in the cross talk world. One is to put the mentor's name on your lips and hang the mentor's photo on the wall. The other is to write down the teacher's achievements in the book and show the teacher's glory on the stage.
In September 2024, Guo Degang announced the rearrangement of the crosstalk drama "The History of Chinese Crosstalk". The most concerning question is whether he will delete all the peak periods of the crosstalk industry in the 1980s and 1990s, as he did when it premiered in 2011. .
You must know that in that period of history there were not only Ma Ji, Jiang Kun, Feng Gong, but also Guo Degang’s mentor Hou Yaowen.
1. Guo Degang tampered with the history of cross talk
In 2011, Guo Degang imitated the cross talk drama "Ming Chun Song" starring Jiang Kun and also launched the cross talk drama "History of Chinese Cross Talk" with the same theme. Unexpectedly, the result was "" people are more likely to die than others, goods. "You have to throw away when comparing goods." Compared with "Ming Chun Song" which was a huge success and toured across the country and overseas, Deyun Society's "History of Chinese Crosstalk" was a disaster at its first premiere.
The failures of "History of Chinese Crosstalk" include There are many reasons. In addition to publicity errors and low standards, there is another flaw: tampering with history.
Guo Degang deleted all the peak periods of crosstalk in the 1980s and 1990s in "The History of Chinese Crosstalk". According to the plot of "The History of Chinese Crosstalk", after the reform and opening up, crosstalk was directly crushed by pop songs. It was not until the emergence of Guo Degang in 2005 that the crosstalk was saved.
The real history is that the crosstalk industry was at its peak in the 1980s and 1990s. It entered a period of decline only in the late 1990s.
It is understandable that Guo Degang wants to praise himself, and the cross talk circle also recognizes that he has indeed brought traffic and attention to the entire industry, but Guo Degang's practice of tampering with the history of Chinese cross talk has undoubtedly caused public outrage.
The outside world actually knows that Guo Degang did this to continue to brainwash his fans and make his fans believe that Ma Ji, Jiang Kun, Niu Qun, Feng Gong, Li Jindou Crosstalk in their era was not good. Without Guo Degang, crosstalk would be dead.
The problem is that there is one place where Guo Degang cannot get around tampering with history, and that is Hou Yaowen.
2. Hou Yaowen’s achievements
Although Hou Yaowen is the son of master Hou Baolin, Hou Baolin has always been He was not allowed to speak cross talk until Hou Yaowen was admitted to the railway art troupe when he was 17 years old, and his cross talk career truly began.
Before Hou Yaowen was thirty, he and Shi Fukuan were already well-known in the crosstalk circle and the railway industry, but they were not well-known in the country. He is relatively transparent to the audience.
In 1979, Hou Yaowen and Shi Fukuan starred in the cross talk documentary "Laughing". In 1980, Hou Yaowen and Shi Fukuan's "The Money-Crazy Father-in-law" won the National Outstanding Short Folk Art Work Award. In 1981, "Opera Talk" was also featured in the National Excellent Folk Art Program. He won awards in performances. In the national cross talk competition held in Qingdao in 1984, Hou Yaowen and Shi Fukuan's "Sweet and Sour Fish" won the first prize.
In addition to frequent awards, Hou Yaowen and Shi Fukuan participated in the CCTV Spring Festival Gala continuously, which directly made them two crosstalk stars popular with audiences across the country. In 1985, Hou Yaowen and Shi Fukuan were both selected in the selection of the top ten laughing stars in the country.
In 1985, Hou Baolin led Hou Yaowen, Shi Fukuan, Shi Shengjie and others to the United States for a crosstalk tour. This was also the first time for Chinese crosstalk to tour abroad.
In the 1990s, Hou Yaowen and Shi Fukuan revived the traditional program "Spitting Lotus Flowers", created and performed the classic cross talk "Beijing-Kowloon Romance", Hou Yaowen also participated in the group cross talk "New Trend Businessman" and other works. Please also pay attention to one thing here. The second author of "Hou Dabai", one of Hou Yaowen and Shi Fukuan's masterpieces, is Jiang Kun.
With his own strength, performance and influence, Hou Yaowen later served as the deputy leader of the railway art troupe and the leader of the rap group. Together with his apprentices and colleagues, he became the backbone of the Chinese cross talk circle.
It can be said that although Hou Yaowen's overall performance was not as good as Ma Ji Jiangkun in the 1980s, and he was suppressed by Niu Qun and Feng Gong in the 1990s, but overall, Hou Yaowen's achievements during the peak period of crosstalk in the 1980s and 1990s were significant. And brilliant, he was also the vice chairman of the Chinese Folk Artists Association before his death.
3. Guo Degang’s Choices
Looking at Hou Yaowen’s brilliant cross talk career, it is indeed related to a certain extent that he is Hou Baolin’s son, but most of his achievements were achieved by himself.
At the same time, Hou Yaowen, Shi Fukuan’s achievements in cross talk art are highly bound to cross talk peers such as Ma Ji, Jiang Kun, Niu Qun, Feng Gong, and Li Jindou. After all, they were all the backbone of cross talk in the 1980s and 1990s. Dividend is also the promoter of the times and the creator of the peak period of cross talk.
If Guo Degang wants to include his mentor Hou Yaowen in the "History of Chinese Crosstalk", he must not ignore Ma Ji, Jiang Kun, Niu Qun, Feng Gong, and Li Jindou. For example, the top ten laughing stars in the country in 1985 cannot be ignored. Hou Yaowen, Shi Fukuan, let’s not mention others.
The problem is that if Guo Degang's "History of Chinese Crosstalk" truly reproduces history, it will inevitably cause an uproar among Guo Degang's fan groups. After all, in the "education" they receive, the so-called "mainstream crosstalk" is the system that includes Hou Yaowen and Shi Fukuan. None of the internal crosstalk actors can speak crosstalk. They all read newspaper dialogues, so how can they still be in their prime?
Because of this entanglement, Guo Degang made a selective choice.
On the one hand, Guo Degang spoke highly of his mentor Hou Yaowen in his daily performances, and also spoke highly of his partner Yu Qian's master Shi Fukuan, and of course Sun Yue's "grandfather" (actually uncle) Li Wenhua.
On the other hand, Guo Degang completely erased the peak period of crosstalk in the 1980s and 1990s in "The History of Chinese Crosstalk", and also deleted the crosstalk achievements of Hou Yaowen, Shi Fukuan and Li Wenhua.
The problem is that Hou Yaowen, Shi Fukuan and others really became famous nationwide in 1979, and their brilliant achievements lasted throughout the 1980s and 1990s. However, "The History of Chinese Crosstalk" said that in that era, no one heard or watched crosstalk, and crosstalk actors were old He was kicked off the stage by the audience.
If "The History of Chinese Crosstalk" is true, how did Hou Yaowen and Shi Fukuan become a famous crosstalk master? How could Hou Yaowen, Shi Fukuan and others dare to accept Guo Degang and Yu Qian as his disciples?
On the one hand, Guo Degang kept saying that Hou Yaowen was his mentor, hung Hou Yaowen's portrait on the wall, and talked about Hou Yaowen's name. On the other hand, Guo Degang ignored Hou Yaowen's brilliant achievements and directly deleted the peak period of cross talk that Hou Yaowen participated in creating. This is really a wonderful irony.
There are two ways to remember the late mentor in the cross talk world. One is to put the mentor's name on your lips and hang the mentor's photo on the wall. The other is to write down the teacher's achievements in the book and show the teacher's glory on the stage.
In September 2024, Guo Degang announced the rearrangement of the crosstalk drama "The History of Chinese Crosstalk". The most concerning question is whether he will delete all the peak periods of the crosstalk industry in the 1980s and 1990s, as he did when it premiered in 2011. .
You must know that in that period of history there were not only Ma Ji, Jiang Kun, Feng Gong, but also Guo Degang’s mentor Hou Yaowen.
1. Guo Degang tampered with the history of cross talk
In 2011, Guo Degang imitated the cross talk drama "Ming Chun Song" starring Jiang Kun and also launched the cross talk drama "History of Chinese Cross Talk" with the same theme. Unexpectedly, the result was "" people are more likely to die than others, goods. "You have to throw away when comparing goods." Compared with "Ming Chun Song" which was a huge success and toured across the country and overseas, Deyun Society's "History of Chinese Crosstalk" was a disaster at its first premiere.
The failures of "History of Chinese Crosstalk" include There are many reasons. In addition to publicity errors and low standards, there is another flaw: tampering with history.
Guo Degang deleted all the peak periods of crosstalk in the 1980s and 1990s in "The History of Chinese Crosstalk". According to the plot of "The History of Chinese Crosstalk", after the reform and opening up, crosstalk was directly crushed by pop songs. It was not until the emergence of Guo Degang in 2005 that the crosstalk was saved.
The real history is that the crosstalk industry was at its peak in the 1980s and 1990s. It entered a period of decline only in the late 1990s.
It is understandable that Guo Degang wants to praise himself, and the cross talk circle also recognizes that he has indeed brought traffic and attention to the entire industry, but Guo Degang's practice of tampering with the history of Chinese cross talk has undoubtedly caused public outrage.
The outside world actually knows that Guo Degang did this to continue to brainwash his fans and make his fans believe that Ma Ji, Jiang Kun, Niu Qun, Feng Gong, Li Jindou Crosstalk in their era was not good. Without Guo Degang, crosstalk would be dead.
The problem is that there is one place where Guo Degang cannot get around tampering with history, and that is Hou Yaowen.
2. Hou Yaowen’s achievements
Although Hou Yaowen is the son of master Hou Baolin, Hou Baolin has always been He was not allowed to speak cross talk until Hou Yaowen was admitted to the railway art troupe when he was 17 years old, and his cross talk career truly began.
Before Hou Yaowen was thirty, he and Shi Fukuan were already well-known in the crosstalk circle and the railway industry, but they were not well-known in the country. He is relatively transparent to the audience.
In 1979, Hou Yaowen and Shi Fukuan starred in the cross talk documentary "Laughing". In 1980, Hou Yaowen and Shi Fukuan's "The Money-Crazy Father-in-law" won the National Outstanding Short Folk Art Work Award. In 1981, "Opera Talk" was also featured in the National Excellent Folk Art Program. He won awards in performances. In the national cross talk competition held in Qingdao in 1984, Hou Yaowen and Shi Fukuan's "Sweet and Sour Fish" won the first prize.
In addition to frequent awards, Hou Yaowen and Shi Fukuan participated in the CCTV Spring Festival Gala continuously, which directly made them two crosstalk stars popular with audiences across the country. In 1985, Hou Yaowen and Shi Fukuan were both selected in the selection of the top ten laughing stars in the country.
In 1985, Hou Baolin led Hou Yaowen, Shi Fukuan, Shi Shengjie and others to the United States for a crosstalk tour. This was also the first time for Chinese crosstalk to tour abroad.
In the 1990s, Hou Yaowen and Shi Fukuan revived the traditional program "Spitting Lotus Flowers", created and performed the classic cross talk "Beijing-Kowloon Romance", Hou Yaowen also participated in the group cross talk "New Trend Businessman" and other works. Please also pay attention to one thing here. The second author of "Hou Dabai", one of Hou Yaowen and Shi Fukuan's masterpieces, is Jiang Kun.
With his own strength, performance and influence, Hou Yaowen later served as the deputy leader of the railway art troupe and the leader of the rap group. Together with his apprentices and colleagues, he became the backbone of the Chinese cross talk circle.
It can be said that although Hou Yaowen's overall performance was not as good as Ma Ji Jiangkun in the 1980s, and he was suppressed by Niu Qun and Feng Gong in the 1990s, but overall, Hou Yaowen's achievements during the peak period of crosstalk in the 1980s and 1990s were significant. And brilliant, he was also the vice chairman of the Chinese Folk Artists Association before his death.
3. Guo Degang’s Choices
Looking at Hou Yaowen’s brilliant cross talk career, it is indeed related to a certain extent that he is Hou Baolin’s son, but most of his achievements were achieved by himself.
At the same time, Hou Yaowen, Shi Fukuan’s achievements in cross talk art are highly bound to cross talk peers such as Ma Ji, Jiang Kun, Niu Qun, Feng Gong, and Li Jindou. After all, they were all the backbone of cross talk in the 1980s and 1990s. Dividend is also the promoter of the times and the creator of the peak period of cross talk.
If Guo Degang wants to include his mentor Hou Yaowen in the "History of Chinese Crosstalk", he must not ignore Ma Ji, Jiang Kun, Niu Qun, Feng Gong, and Li Jindou. For example, the top ten laughing stars in the country in 1985 cannot be ignored. Hou Yaowen, Shi Fukuan, let’s not mention others.
The problem is that if Guo Degang's "History of Chinese Crosstalk" truly reproduces history, it will inevitably cause an uproar among Guo Degang's fan groups. After all, in the "education" they receive, the so-called "mainstream crosstalk" is the system that includes Hou Yaowen and Shi Fukuan. None of the internal crosstalk actors can speak crosstalk. They all read newspaper dialogues, so how can they still be in their prime?
Because of this entanglement, Guo Degang made a selective choice.
On the one hand, Guo Degang spoke highly of his mentor Hou Yaowen in his daily performances, and also spoke highly of his partner Yu Qian's master Shi Fukuan, and of course Sun Yue's "grandfather" (actually uncle) Li Wenhua.
On the other hand, Guo Degang completely erased the peak period of crosstalk in the 1980s and 1990s in "The History of Chinese Crosstalk", and also deleted the crosstalk achievements of Hou Yaowen, Shi Fukuan and Li Wenhua.
The problem is that Hou Yaowen, Shi Fukuan and others really became famous nationwide in 1979, and their brilliant achievements lasted throughout the 1980s and 1990s. However, "The History of Chinese Crosstalk" said that in that era, no one heard or watched crosstalk, and crosstalk actors were old He was kicked off the stage by the audience.
If "The History of Chinese Crosstalk" is true, how did Hou Yaowen and Shi Fukuan become a famous crosstalk master? How could Hou Yaowen, Shi Fukuan and others dare to accept Guo Degang and Yu Qian as his disciples?
On the one hand, Guo Degang kept saying that Hou Yaowen was his mentor, hung Hou Yaowen's portrait on the wall, and talked about Hou Yaowen's name. On the other hand, Guo Degang ignored Hou Yaowen's brilliant achievements and directly deleted the peak period of cross talk that Hou Yaowen participated in creating. This is really a wonderful irony.
Looking at it from Hou Yaowen’s perspective, his own apprentice actually deleted the master’s artistic achievements in the “History of Chinese Crosstalk”. So what’s the use of putting up a photo, leaving it to deceive others?
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