However, after the film was released, there was such a comment on Douban (the lack of punctuation, etc. in this comment is the behavior of the publisher and will not be corrected here):
The emotional and action scenes are very good, the original two However, gd's inspection was very strict. In one hour, Zhao Hongbing's three scenes were deleted to one. In order to pass the review, Xie Wendong also became Xie Wendong. It was not easy to film in 19 years after so long.
Obviously, this commenter is the internal creative staff of the movie "Brother Dong Enters the Northeast". Otherwise, he would not know how much the movie was cut and how it was required to be re-edited after it was submitted for review. Judging from this short review by the main creator, it is very dissatisfied with the review of "Dong Ge Chuang Northeast", believing that the review by the General Administration restricted them, thus preventing them from performing well and becoming a classic.
In fact, this is a typical blame-shifting. I have always believed that if these films, which focus on Northeastern gangster themes, were not controlled by the General Administration's review standards, they would be able to do anything, and a large number of stories that exceed the ethical bottom line would be created. On the contrary, the General Administration's review standards are there to provide macro control. Only then do they know that narratives cannot exceed the ethical bottom line and cannot be messy.
In the black land of Northeast China, there have been a lot of content about martial arts competitions. This is true. To present these contents is also within the scope of literary, film and television works. However, the key point is the narrative attitude with which it is presented. It is of course wrong to sing the praises of these big brothers and sisters of the underworld with enthusiasm, and to present an envious narrative attitude towards the content of the martial arts fight.
For example, in the movie "Brother Dong Enters the Northeast", the male protagonist is surrounded by a group of people who look like migrant workers. He and his younger brother start fighting with this group of people. At this time, passionate music actually sounded in the movie, which seemed to be a grand narrative and song about this martial arts fight. This is a typical narrative value error. What is the value of a movie that praises a male protagonist fighting with a group of small fish and shrimps who are treated as migrant workers?
What should the narrative of normal values look like? It should be a compassionate narrative. Both the male protagonist and the participants in this group of fights treated as migrant workers are truly tragic characters. Their animality is greater than their humanity. They think that fighting with each other is everything in life. However, they do not know that they are all fighting with each other. Just a victim.
When a group of poor people are fighting, the soundtrack of this movie is not tragic, but high-pitched, trying to excite the moviegoers. This is actually a typical error in narrative values. The narrator himself feels that it is more powerful than martial arts. He wants to pursue it, which is wrong in itself. Using a movie to promote the mistake is adding mistake to mistake. A group of migrant workers fights another group of migrant workers, and the two sides fight. This is a tragedy, not a heroic drama of Young and Dangerous. After a movie like
was submitted for review, the comrades responsible for review by the General Administration did not reject it all at once, but hoped that it would be revised and gave various revision opinions. They were already serious and responsible. A movie about martial arts had nearly an hour deleted. This is not an honor to the creator of the movie, it is a shame. Film workers are not second-rate stinky dog food with no knowledge and culture, but people with humanistic qualities.
As I said before, in the black land of Northeast China, there have indeed been such ferocious martial arts competitions, and some people have indeed been superstitious about the fact that hard fists are the real truth.However, literary and film and television workers cannot have this low-level thinking mode and think that martial arts competitions are worthy of praise. On the contrary, we should use compassionate narrative feelings to discover the tragedy in this kind of content and create a more stalwart one. The brilliance of human nature to fight against the misery caused by the darkness of human nature.
At least, the scene of a group fight between migrant workers and migrant workers cannot be paired with high-pitched and exciting music. Singing this is really nonsense. Based on this type of soundtrack, we can also see the true level and quality of the creators of this type of movie. It is inevitable that this kind of people cannot produce good works that are compassionate and compassionate, and they blame the General Administration. (Text/Ma Qingyun)
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