"Films and TV dramas sometimes need to borrow seats, and sometimes they need to rely on imagination; standing on the stage, the actors have rehearsed 100 times and know when the music starts and when the light changes, but you have to really receive these messages, I think it comes out The work will be beautiful." Zhang Zhen described his feeling of acting in a drama for the first time. On July 20, the launch ceremony of "Ding Naizhu's Living Room 'Chang Chen: It's Zhang Zhen'" and the 2024 "Jiang/Yun·Zhi/Jian" tour was held at the Shanghai Theater. The new version of "Jiang/Yun·Zhi/Between" will tour in Xi'an, Shanghai, Beijing, Hangzhou and other places starting from October, and will land at the Shanghai Theater from November 1st to 3rd.
"Jiang/Yun·Zhi/Jian" is Lai Shengchuan's 40th work. It is a continuation of the love story between Jiang Binliu and Yun Zhifan in "Secret Love in Peach Blossom Spring". Through the form of letters, it shows the four-year relationship between the two. Ten years of correspondence between each other and the life experiences behind them. Thirty-five years after the premiere of "Secret Love in Peach Blossom Land", Lai Shengchuan once again took up the pen and created this sequel, answering "Have you ever thought about me in these years?" He compared the works 35 years ago to sketches, and "Jiang/Yun" "Between/Between" uses more delicate and rich brushstrokes to depict the love story of Jiang Binliu and Yun Zhifan on top of those blank spaces.
《江/云·中》
《江/云·中》
《江/云·中》
《江/云·中》
《江/云·中》 Starring Zhang Zhen and Xiao Ai. When Zhang Zhen was 14 years old, he became well-known to everyone for his role in "The Murder of the Boys on Guling Street". In 2021, he handed over the drama stage to Lai Shengchuan for the first time and took up the challenge of interpreting Jiang Binliu's life in "River Clouds Between". Xiao Ai played Yun Zhifan as early as 1991. In "Jiang/Yun·Zhi/Jian", he will fill in the 40-year blank life of Yun Zhifan.
"Every time I go on stage, I treat it as my first performance." Zhang Zhen said frankly that he often has nightmares about being pushed onto the stage before he has memorized the lyrics. "I'm fully prepared, and I'm so familiar with the lines that I may stare at the audience and forget everything." Zhang Zhen said, "The drama is a very big challenge, and it will be very satisfying after the performance."
When I was young, I made movies. Zhang Zhen likes to mingle with the staff, "Now, I focus more on doing what I should do well. Rehearsing a drama is very different. The drama is also a big family. Every day I get along with a group of people and rehearse again and again. Naturally, the emotions It will be different." However, facing so many people and so many rival actors, Zhang Zhen is still getting used to it, "I am a person who is easily nervous, and I can't be too tight when acting in a drama. My colleagues on the crew can tell you at a glance. It’s not about being nervous, it’s about shaking your hands, so you have to find a balance between relaxation and tension.”
When performing a drama, Zhang Zhen learned that “every day’s routine should be the same as the day of the performance.” The experience comes from "accidents", "One day before the performance, I drank a cup of Pu'er tea made by someone else, and my voice fell down that day. After the performance, I cried when I went back and couldn't cry. After that, I never stopped crying. Drinking Pu'er tea."
Before the show, Zhang Zhen was used to walking around backstage, "I hope I can find a more comfortable state. In fact, people can't be exactly the same every day. I had a stiff neck when I slept yesterday, a little pain in my waist today, and a sore throat tomorrow. I seem to be a bit dumb, what should I do? I have to prepare myself well."
《江/云·中》
《江/云·中》
《江/云·中》
Zhang Zhen Zhang Guozhu's father is also an actor. In Zhang Zhen's eyes, his father is a very self-disciplined person. "When I get a role, I practice it repeatedly at home and read the script every day." Seeing his father working, Zhang Zhen originally didn't have much interest in the actor's career. Since making a movie meant he didn't have to go to school, go to many different places, and meet many new friends, Chang Chen still took on the role of his first movie, "The Murders on Guling Street" directed by Edward Yang.
“We get along day and night, and we don’t have to go to school, memorize texts, or do math problems, so we are very happy."It was his first time acting in a movie. Zhang Zhen skipped the acting classes, "Actually, I had no idea what I was doing here. The group scenes were fine. It was quite natural to make a fuss with my classmates. The difficult part was the individual scenes. In the
film, Xiao Si, played by Zhang Zhen, witnesses a vicious gang fight, "In real life, I have never seen such a fight with weapons, and I have no real understanding of life and death." "After Yang Dechang arrived at the scene, he called Zhang Zhen into a room without lights, scolded him, and asked him to face the wall and think for half an hour. When he acted again, Zhang Zhen fully acted out Xiaosi's fear, "Maybe I was scared by being locked in that small dark room. broken. After the director scolded me, my personality changed. The process of playing the role of Xiao Si had a lot of influence on me. Maybe it was just during puberty that I suddenly became introverted and less talkative.
met Lai Shengchuan for the first time in a play. Zhang Zhen said that Lai Shengchuan and Yang Dechang have completely different personalities, "very different. Director Lai let the actors participate in the creation, and Director Yang must follow his lines. His script has been set, and the tempo, commas, periods, exclamation points, and question marks cannot be changed. Director Yang also used comics to draw the characters, including their stance and walking, which he had already thought about. Director Lai allows the actors to find the rhythm that they feel comfortable or appropriate over and over again. In Zhang Zhen's view, the two directors also have something in common, "Both play basketball, and both are taller than me, hahaha." "
The origin of "Jiang/Yun·Zhi/Between" - "Secret Love in Peach Blossom Spring" has been a regular show since its release in 1986. Among them, the story of "Secret Love" tells the story of young men and women Jiang Binliu and Yun Zhifan who met in Shanghai due to the war. , were also separated due to the war, and could not meet again after 40 years. This story about the regret and miss moved countless people to tears, and also made many viewers curious about the 40 years in between, and "Jiangbin Liu". "Yun Zhifan" is full of imagination.
"Jiang/Yun·Zhi/Between" supplements the story of the two protagonists of "Secret Love". Ding Naizhu shared that he and Jin Shijie developed "Secret Love in Peach Blossom Land" based on Lai Shengchuan's collective improvisation. Story. There was a very special experience during the reunion in the ward in the last scene. Ding Naizhu said: "At this moment, both Jin Shijie and I suddenly entered an indescribable emotion. Suddenly we seemed to have touched a core, a huge thing. , I suddenly felt a strong sympathy for the displacement and helplessness of our previous generation, and tears flowed down involuntarily..."
Like "Secret Love in the Peach Blossom Spring", "Jiang/Yun·Zhi/Jian" is not only about love, There is a deeper attachment to their hometown behind them. Jiang Binliu and Yun Zhifan are the epitome of people in the great era. The story between the two is not a "bloody" style sensation, but the regret and impermanence of life. This emotion will not change with the passage of time. Although the era is different, the stories of the characters in that era still bring strong emotional resonance to generations of audiences.
Zhang Zhen and Ding Naizhu share their performance experience
"Jiang/Yun· "Between/Between" tour starts
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