Since its release, the comedy "Catch a Baby" starring Shen Teng and Ma Li has quickly resonated with the audience for its unique humor and profound social implications, earning both praise and box office success. As of 10 a.m. on July 17, 2024, the film's box office has reached 6

The comedy film "Catch a Baby" starring Shen Teng and Ma Li has quickly resonated with the audience for its unique humor and profound social implications since its release, and has been both well received and well-received. As of 10 a.m. on July 17, 2024, the film's box office has reached 673 million, and the final box office is estimated to exceed 2.7 billion. As of midnight on July 16, Ma Li's personal box office has exceeded 20 billion, becoming the first actress in Chinese film history to have a box office of more than 20 billion.

Counting actors, there are only four people whose box office has exceeded 20 billion: Shen Teng with 34.1 billion, Wu Jing with 33.4 billion, Huang Bo with 23.3 billion, Zhang Yi with 22 billion, and Ma Li is the fifth person with a box office exceeding 200. Billions of actors. Shen Teng and Wu Jing took the lead alternately in the competition for "The Strongest Box Office Actor", while Ma Li stood out in the competition for "The Strongest Box Office Actress": 11.9 billion Zhou Dongyu , 10 billion Jia Ling , 100 Billion's Zhang Xiaofei .

Zhou Dongyu does not pose any threat to Ma Li, because she has been acting in literary films in recent years, and a box office of 100 million is not bad. Zhang Xiaofei also poses no threat to Ma Li, because she can hardly perform without Jia Ling. Zhang Xiaofei relies more on Jia Ling than Ma Li relies on Shen Teng. Jia Ling is Ma Li's biggest competitor, but Jia Ling has 10 billion less than Ma Li. And Jia Ling has a shortcoming: she can only fully demonstrate her box office appeal by starring in movies directed by herself.

The output of Jia Ling’s films as a director was very low, with one film being produced every two years. Ma Li can act in at least two movies a year, and the gap in the number of will become wider and wider. So it can be predicted that in the next 10 years, no actress will pose a threat to Ma Li. Ma Li's acting career can be said to be one step at a time. From stage plays to the big screen, she continues to break through herself. From Ma Dongmei in the early "Charlotte Troubles " to Chunlan in "Catch a Baby", Ma Li has left her own unique mark in every role.

Ma Li won the audience's love with her natural and real performance style. Ma Li's success is no accident. She has always insisted on exploring and innovating on the road of acting. Whether in movies or on stage, she presents one vivid character after another to the audience with her extremely high professionalism and love for art. Every step of her growth is a reflection of her hard work and sweat, and it also allows the audience to witness an actor's glorious transformation from stage to screen.

Although Ma Li's cooperation with Shen Teng has earned her a high reputation and they are called the "best partners", Ma Li is also working hard to prove that she can achieve high box office without Shen Teng, such as 2.627 billion. ", the killer is not very calm " and " article 20 " worth 2.454 billion. In "Catch a Baby", Ma Li's superb acting skills allow the audience to see a mother's tenacity and wisdom in the face of life pressure, demonstrating the independence and strength of women in modern society.

"Catch a Baby" tells a heartwarming but twists and turns parenting story of an ordinary family. Ma Chenggang, played by Shen Teng, and Chunlan, played by Ma Li, are a couple living in Xihong City. Their son Ma Jiye is the hope of the family. Although life is full of challenges, the couple has always adhered to their educational philosophy. Even in the face of social problems such as the wealth gap and educational anxiety, they have worked hard to create a loving and hopeful growth environment for their son.

Non-famous entertainment critic Wu Qinggong pointed out: Ma Chenggang and Chunlan pretended to be poor, wore shabby clothes and lived in an old house, trying to cultivate a tough and outstanding son in a poor environment. This setting not only adds to the comedy, but also gives the film a style that combines absurdity and reality.