The first "Hell Soldier"
can be said to be the most enjoyable war movie in recent years. From beginning to end, there is no nonsense, it is all about tactics. It is a very hard-core movie. There is a lot of military knowledge that I don't understand. of. The slow motion of various weapons is also very cool. Mao Zi is good at making war movies. There are many places in the movie that moved me. For example, there are two lines: Bai Jun said: "My grandfather fought all the way to Berlin, not to make me surrender to you." Then Huang Jun responded : "My grandfather also went to Berlin." The grandparents were once comrades-in-arms, but the grandchildren killed each other. This is the cruelty of war. There are no cowards at Antonov Airport! vdv doesn’t believe in tears! In short, the biggest feature of this movie is its realism, which presents a street battle of modern war in a relatively realistic way.
The second "Cuckoo on the Battlefield"
is a very interesting movie. The characters in the early stage only have very few lines of dialogue. After the three protagonists get together, it is very comedy, because they cannot speak the same language throughout the whole process, and in the end it is full of Occult spiritualism is another level. The Soviet soldiers, the Nordic ethnic minorities, and the Finns who were mistaken for Germans are all cute. The characters of the three protagonists are very full. The core of the plot is the anti-war spirit and a kind of cosmopolitanism that is rare during war. We don’t know them until the end. All cuckoos. This story tells us the importance of learning a foreign language and dialect. The whole process of thinking that the Soviet people were called Пошёл ты made me laugh to death. The last sentence "All Russians are called Ivan" is even more funny. The director's similar little humor is all There are many films.
The third part "Sister"
The grand background of the war, the harmonious and peaceful nature, the kind and simple people, the innocent and romantic children, everything is so refreshing, and everything is so logical. The film is adapted from the Bashkir novella "The Happy House" by Bashkir Soviet poet, writer and playwright Mustai Karim. The little actors in the film are all natural. The scene where the two little ones secretly go to the front line but run in the wrong direction, get on the train to Siberia, and try to escape from the Lenin Room but get stuck in the head is hilarious. The colors are beautiful and have a texture like an oil painting. Movies about Russia's ethnic minority areas are rare, and movies about the Bashkirs are even rarer. Things are rare, so even if they have shortcomings, they still deserve five stars.
The fourth film "The Dawns Here Are Quiet"
is a touching movie with a tight rhythm and almost no unnecessary shots. The actors' performances are equally concise and real, and the dialogue is simple and sincere, but every sentence makes people think deeply. Meditate on the sins of the initiators of the war, meditate on the fate of the war, meditate on the humanity in the war, meditate on the differences and commonalities between men and women. Of course, women are always the spokesperson of beauty and hope, although they are quiet, they are indeed the dawn. At the same time, while watching the movie, I thought that if it weren't for the war, these women would never be in this forest. Among them are newborn mothers, rich ladies, and half-grown farm girls... Doing monotonous but simple farm work, reading, studying with their lovers... They originally had many choices, but the war left them no choice.
The fifth part "Prisoner of War Plan"
is silent and persevering, whether it is the character status or the presentation of gunfire. Formally, DV videos and interviews are used to emphasize a documentary sense of invisible existence. The same is true for the presentation of violence. The force reflected on the screen when cutting off a finger is so slight, but it reveals so much pain in the character's reaction. Streamlined and deadly. As for the hostage rescue in the second half, the camera only needs to follow the movement of the characters or imitate their point of view, which is wonderful enough. In addition, the post-war discomfort of veterans, the incompetence of officials, the cunning of gangs, the selective misinterpretation of Western media, and even the issue of college education for the children of migrant workers are discussed almost without mentioning anything. This kind of video is not only a must-see for everyone, but it is also worth watching twice.
Five classic Russian war movies, which ones have you seen? Coding is not easy. Welcome to follow, like, and leave a message for discussion.
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