Why is the female star of the literary label always scolded as "green tea"

article丨Uncle Qian Figure丨The Jay Chou super-talking contest, which originated from the network

some time ago, finally ended.

seems to be a competition between two idols of different eras, but behind it is: from the 70s to the 00s, the relationship between celebrities and fans has already begun to undergo substantial changes. The star fortune of

stars and the mutual influence of fans during the same period have a special sense of the times, for example: Liu Ruoying.

Liu Ruoying was a small assistant before his debut. He looked ordinary. If it is put today, the words of Yang Tianzhen would be: the person is not clear.

How can she break through without being prominent? The answer to

is: rely on literary labels.

Let’s take a look at her songs first. They are all light and bitter, but the bitterness is very advanced, with a cold black and white tone, such as: "I want to ask if you dare to love like you said. Me", such as "I think I will always be alone, and I will be so alone all my life."

In 1991, Rene Liu was 21 years old. After being introduced by a friend, she met Chen Sheng, the music godfather 10 years older than herself, and became his assistant.

This autumn, Rene Liu went to Beijing on a business trip and made a long-distance call to Chen Sheng. In the end, she did not express her feelings, but sent an express mail to Chen Sheng: Maybe I will never be with you, but my heart will always follow you .

After returning to Taipei, Chen Sheng and Liu Ruoying took a walk and said literary words: You are a very talented girl, like a kite, the sky that belongs to you is very high, you should fly freely, don’t be given to you by me Limited. Rene Liu is also very emotional: But the kite string is in your hand, as long as you pull the kite string, I will come back no matter where I fly.

But they all know that the relationship can only go to this point and cannot be crossed. The by-product of the relationship

: Chen Sheng gave Liu Ruoying the nickname "Milk Tea", and his writing "Kite" and "Crazy for Love" were all the rage. Because of the combination of her emotional state, these songs were almost felt by Liu Ruoying at that time, and this sense of substitution became her biggest advantage.

So Rene Liu received a large number of female fans of the same art: wearing long robes, traveling, single, feeling lonely, representing the anxiety that every girl loves but cannot.

After the millennium, Liu Ruoying's song path has changed slightly. In 2004, he released an album "Downstairs to Fall in Love", which was probably to encourage herself to take a step forward.

But the "kite" metaphor of the year has not failed.

In 2005, Liu Ruoying and Chen Sheng participated in the "Peachy Protein" hosted by Patty Hou. Patty Hou directly asked Chen Shengxi whether he liked Liu Ruoying, and Chen Sheng directly replied: Of course I like her, otherwise why I did so much for her. But I added: Now she is like a kite, I don't know where she has drifted.

Liu Ruoying burst into tears on the spot: If I fly far, you can pull the string, the string of the kite will always be in your hands. As soon as you pull the string, I will be back.

In the end, Chen Sheng used "I will be the kind of father you will never find" closing the case, which gave the relationship a rest. What

talks about for this purpose is a relief. Within a few years, Liu Ruoying registered her marriage with Zhong Xiaojiang, who was a business man—not a master, a talented man, or an insider. After

took the initiative to post a group photo on Weibo to announce the joy, implying that he was happy.

She has been single for so long, but she got married and had children in a short time. At the age of 45, she completed a desperate decision to land: she looked like a literary and artistic youth, but she caught fireworks. When the time and place are right, I will marry a reliable man and have children, and enter the next stage of life.

And the group of young literary and artistic women who listened to her songs also went ashore, regardless of their previous love, and once the 40-year-old threshold passed, they would eventually shake hands with life. After

got married, Liu Ruoying made a movie: "The Later Us", which is obviously the mentality of middle-aged women. The male and female protagonists were crazy about love and became decent adults. The emotions of meeting again are also restrained and stable. The movie

is a collective farewell to youth by Liu Ruoying and those born in the 70s who like Liu Ruoying. It is said that the group of people crying in the cinema are all 40+.

is different from the forbearance born in the 70s. Because of the changes in the growth conditions, the celebrities and fans have changed a lot.

is the most typicalThe representative is SHE. In the early days of

, ​​the other two sisters were a little princess and a tomboy. Tian Fuzhen, who is also a member of the combination, often avoided the limelight intentionally or unintentionally, and was teased by her teammates: she likes Faye Wong and she likes to be Faye Wong.

But later facts proved: often those girls who look weak are actually very creative. The other two sisters of

have successively transformed to be presenters and actors. She actually had the opportunity, but she focused more on music and was the first to leave the group solo. After

developed in his personal capacity, Tian Fuzhen swept away the girlish idol atmosphere and only sang the songs he wanted to sing.

What impressed me the most was the songs she sang for the movie.

For example, the beginning of "Love" is Tian Fuzhen's whisper: I love you, you love her, she loves her, she loves him... That kind of annoying, unclear entanglement, stringed up this fragmentary movie.

For example, "My Girl's Generation" plays "I love someone, so I really don't have the courage to tell him", and she sings "The decision to fight the world for me, the rain that accompanies me"... and the plot Seamless.

Tian Fuzhen’s song is a bit petty at first, and there are few grand propositions. However, some fans have analyzed: She has never let herself go.

Contradictions, see-saws, impermanence... Basically the state of ordinary women, if Huang Xiaohu and Cai Jianya's songs reveal a sophisticated atmosphere, Tian Fuzhen's songs retain a trace of precious innocence.

Many girls regard Tian Fuzhen as a spiritual confidant, because only her songs make people feel that they are both a woman and a girl. This is probably the resonance of girls born in the 1980s: left-handed girls love themselves, right-handed women do careers.

Compared with the tradition and stability of women born in the 1970s, as the first generation of only children, born in the 1980s have clearly opened up a lot and began to pay attention to their own growth. Feminism began to rise, and they began to bravely express their true side. Tian Fuzhen’s song In fact, it is spoken for them: why not live a little bit of yourself?

Liu Ruoying got married and had children at an advanced age and stepped into the mainstream trajectory; after the age of 30, Tian Fuzhen was still independent, which is cool. The changes in the two generations of female celebrities prove that there is no sample to explain what a woman must have. It also means that from the 70s to the 80s, the choice given to women by the era has become wider and wider.