On the evening of July 5th, the Tianjin Jinwan Grand Theater was crowded with more than a thousand seats, and the cross talk show of Jin Helan and Zhu Hesong was filled with laughter. Tickets for the Friday weekday performance were sold out early, which is enough to illustrate th

On the evening of July 5th, the Tianjin Jinwan Grand Theater was crowded with more than a thousand seats, and the cross talk show of Jin Helan and Zhu Hesong burst into laughter. Tickets for the Friday weekday performance were sold out early, which is enough to illustrate the extremely high popularity of this pair of young actors from Deyun Society. Both actors were born and raised in Tianjin, and it was not their first time to hold a special performance in Tianjin. However, in the face of the enthusiastic reception of the Tianjin audience, the works they chose to perform were obviously carefully prepared, and the experienced audience applauded in unison.

The never-ending "Sitting with Treasures" is not only the essence of traditional cross talk, but also one of the must-know works for cross talk actors. From artists of the Bao generation to young actors who are just getting started, this work has been performed. Jin Helan and Zhu Hesong made witty remarks on the stage, showing their profound skills. They interpreted this classic work in a playful and contagious way. In the new cross talk "You Want to Go on a Variety Show", Jin Helan wore a crisp suit on stage based on the persona of a variety show director in the joke, which was in sharp contrast with Zhu Hesong who was dressed in a big coat next to him. One is modern and the other is traditional, the other is fashionable and the other is conservative. Visually outstanding. In terms of content expression, this piece of work analyzes the reasons for the poor quality of current variety show columns. The baggage frequently appears and is deeply recognized by the audience.

The joke "Strange Cure" has become a classic in cross talk works since Young Master Ma Zhiming put it on the stage. Since then, Guo Degang and Yu Qian adapted this work and integrated it into their own characteristics, which became their signature work when they first debuted. Although Gao Feng , Luan Yunping later performed this work, it did not exceed the level of "Guo Yu", so many young actors did not dare to try it easily. Jin Helan and Zhu Hesong boldly created this classic work for this performance, from the rhymes to the liveliness, and then to the twists and turns, making the audience feel familiar but full of freshness. In this piece of work, Zhu Hesong performed particularly well, showing his "offensive form and admiration" characteristics on the stage. As a recognized "master of praise" in Deyun Club, his performances are unconstrained and he never follows routines. He often catches Jin Helan off guard and often brings some unexpected effects to the scene, making everyone laugh.

The supporting performances in this special performance are also very exciting. Zhao Yunxia from Yunzike demonstrated his profound Liu Huoer skills in "Butterfly". The traditional work "Six People" performed by Gao Feng's disciples Wang Haoyue and Li Haoyang was quite like their teachers. Yang Heling and Wu Xiaoze's "Stuttering" "On" made full use of body movements to make the audience burst into laughter.

At the end of the performance, the atmosphere reached a climax. Zhu Hesong performed a self-composed Allegro "Praise to Tianjin" solo, and Jin Helan sang a pop song composed by himself. The whole place was filled with fluorescent lights, and the cross talk special turned into a concert in an instant. The combination of tradition and modernity received bursts of applause from the audience.