People have filters, including me. When facing a singer like Sun Nan, no matter how many mistakes he makes, I will still like it very much when a4 comes up in the chorus.
Of course, I can understand that some netizens don’t like Sun Nan. After all, some of the things mentioned in the comments do exist. For example, Sun Nan nowadays likes to lay back, and his enunciation and singing are not very pleasing. I have my own personal aesthetic.
However, I saw a strange post: Why does Na Ying’s pronunciation sound quite accurate but people think she is always out of tune?
No, a certain group's filter on Na Ying is really too thick. Let's talk in detail about what problems Na Ying has and why she makes the public think she is out of tune.
01
Take "Stranded" in the picture as an example. The information cocoon on the Internet is really serious, and everyone can only see the information they want to see.
But please at least watch the show?
Although the pitch is quite accurate, is it always questioned that it is out of tune? Let’s take a look at Naying’s own reply.
Na Ying's "Stranded" was sung in the fourth episode of the show. In the fifth episode, Na Ying directly faced this problem, and she admitted that she was out of tune.
will give you some specific directions. At 2.23 seconds in the fifth episode, Na Ying looked directly at her singing: "After reading the dependence, I will leave soon."
At the beginning, Na Ying was still confused: "Am I out of tune? ”
It wasn’t until he saw his singing video that he said: “Oh this.”
In fact, I personally still think that Na Ying’s biggest problem is not that he is out of tune. During the singing of a song, it is inevitable that the sound will come out. There is an out-of-tune sound, but Na Ying’s pitch is online most of the time.
But!
If there is a small out-of-tune problem and there is a serious lack of singing skills, then the flaws will be completely amplified.
02
Na Ying is now widely criticized for her singing skills, mainly for three reasons.
First point:
bass.
From the beginning to the end, I think Na Ying never sang at the level of a queen. Her singing skills are far behind her peak, and it is even more difficult to compare with Sun Nan. The instability of the bass part of
is reflected in the lack of chest voice support, and the "voice trembling" state frequently occurs in a single word at the end of the verse part.
I thought it was nervousness before, but I don’t think so now.
This is when the bass reaches the limit of penetration. The uncontrollable breath results in insufficient breath to continue outputting sound, which leads to the sound being closed in advance before the sound value is enough.
fans say this is a small vibrato, but everyone, any small vibrato should consider the pitch value.
This problem can be clearly felt in the song "If You Also Heard"...
"Suddenly I found that I had been standing for a long time", the word "I" here is d, and there is no problem in singing. After
, the word "go" in "I don't know where to go" goes down to sharp a. It can actually be heard here that it is almost out of control, but the listening experience is still good. The dry sound can be heard, but the live sound The reverb is almost perfect.
The words "I" and "lonely" in the two sentences "I don't want to go home yet" & "Any more people will only make me lonelier" have been explored to g and c respectively. You can compare and hear the difference. .
If it is true that the vibrato was deliberately processed and the note value was not sung on purpose, then why were the first two sentences not processed in this way?
Moreover, this problem does not only appear here. If you listen carefully, you will find that it exists in many songs. As long as the bass reaches Na Ying, there will inevitably be instability at the end.
second point:
treble.
Let me first take as an example a song that everyone generally thinks Na Ying performed best, including one that I also think Na Ying performed best: "Brilliant You"
"The Meaning of Brightness" has actually been sung very well, and Na Ying's timbre is very good. There, the overall sound is good.
However, objectively speaking, the channel is narrow at the d sharp position, the sound is tight, and there is not much thickness left.
Through this song, I personally think that the young Na Ying has put a lot of effort into his head voice and has been training the "i" sound for a long time. However, he lacked training in the later period. Now he is resting on his laurels when singing.
So obviously you can get d sharp in "Brilliant You", and it's so shocking, why is it so hard to get d, c and a sharp 4 in "If You Also Heard"?
In fact, the difficulty of singing the two songs is not at the same level at all.
"Brilliant You" has a higher pitch, but there is no long continuous high-pitched sound. "If You Also Heard" is very difficult to sing. For those of you who have a male voice habit of practicing your voice (for female voices, please use Na Ying's version) If you sing this song down three semitones, you will know how uncomfortable it is. I keep fighting when I change my voice.
Na Ying's performance is already very good, but this feeling of difficulty will greatly affect the listening experience of a song, which will lead to critical comments from everyone.
The third point:
music critic.
Various press releases and various negative reviews of Na Ying's singing skills by various influential music critics will lead to some netizens who do not understand vocal music but still give "negative reviews" because of their own hearing discomfort.
I think this does have an impact, and it has a big impact.
However, the objective fact remains: Na Ying's singing skills are insufficient.
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