Peninsula All-Media Reporter Wang Yue
Most modern urban dramas focus on the love entanglements of young and promising handsome men and beauties, and "The Time Is Right" provides a brand-new solution, focusing on the life status of middle-aged people. people. Starring Qin Hailu , Bao Jianfeng , Zuo Xiaoqing , Tian Yu , Pan Zhilin , Sun Hao, Du Yuan, Jia Xiaohan, and special guests Li Yixiao, Tan Kai, Mu Liyan, Liang Li, and Zhang Tao The modern urban life healing drama "The Time Is Right" recently concluded successfully. The series uses a down-to-earth lifestyle style to shorten the distance with the audience. Whether it is the plot design that makes people laugh and cry or the just-right costumes and settings, they are all real and down-to-earth, greatly restoring the texture of real life, and thus have won It has received high recognition from the audience and delivered an outstanding result at the end of the show. The ratings and popularity are firmly at the top of many authoritative lists.
A glimpse of warmth in the Chinese family relationship
Presenting all kinds of urban life
The structure and relationship model of Chinese families are constantly changing with the deepening of the modernization process of Chinese society. As the smallest unit of society, family is intuitively characterized by the coexistence of intimacy and independence, and the coexistence of tradition and modernity. "The Time Is Right" captures this characteristic, and uses the dramatic narrative mode of "eliminating the plot" to show the dramatic tension of inner emotions and create a family drama that the audience really needs. Its style is different from that of the past two years. Family dramas focus on differences in tearing and conflict, creating a benign and harmonious family and marriage relationship.
While other dramas focus on showing the conflicts between generations due to differences in education, economy, ideas, etc. in the development of modern families, "The Time Is Right" shows a more benign model of communication and getting along, which is different from the Western emphasis on talking. The intimate relationship expressed is more about mutual support in terms of money, emotion and family care. What is different from the previous generation is that this kind of support balances respect for the relative independence of the small family and the maintenance of the close relationship of the extended family. For example, when Xu Guanghua knew that Xu Meng'an and Li Lin's family was in financial crisis, he would take out his savings and say that they would always be their parents' children, but he would respect their decision to have a second child, and would not tell them until he woke up after a stroke and coma. The word "birth"; Li Lin's arbitrary sister Li Jing helped take care of the food, clothing and daily life after learning that Meng'an was pregnant. Different concepts of life and traditional Chinese medicine concepts made the family "turbulent". Li Lin would respect his wife and cover for her quietly, while When Li Lin and Li Jing had a conflict, Xu Mengan chose to protect his eldest aunt and accepted her care.
"The Time Is Right" vividly demonstrates the close connection between parents and children, between brothers and sisters, and between families through the presentation of family relationships. It not only takes traditional Chinese family relationships as the foundation, but also maintains individual family members. independence; it not only integrates the concept of "home" throughout the creation so that it can be continued and developed under the modern discourse system, but also respects the modern family concept, thus advocating a benign and harmonious family relationship. At the same time, in terms of marriage relationships, this generation of middle-aged couples are also different from the previous generation, who are respectful and principled. They will choose smarter and easier ways to deal with issues such as unemployment difficulties, suspected cheating, whether to leave their second child, etc. attitude to face and resolve. The
drama allows viewers to see that there will be conflicts between parents and children, quarrels between husband and wife, and differences between sisters whose blood is thicker than water, but the big family is learning to tolerate the small family, and the small family keeps up. The relationship between generations is also closer, showing a situation of mutual help and dependence, which demonstrates the friendship between family and friends who help each other in the face of hardships.Depicting touching stories with delicate and vivid strokes, touching people's hearts from the details, triggering the tenderest emotional resonance in the audience's hearts, stimulating the audience's desire to discuss, and sharing their own stories in the comment area: some miss their loved ones, and some work hard for their families. Persistence in life, there is intergenerational communication between two generations... Starting from the drama and extending to reality itself, the audience analyzes themselves in a confessional manner, and continues to spread the warmth through mutual encouragement, using literary and artistic works It conveys the power to soothe people's hearts, allowing more viewers to observe themselves and see the various states of life, showing the realistic intensity, resonance temperature and emotional depth of realist-themed works.
explores new solutions to life in the expression of characters
reflects the character’s growth arc
At the same time, there are also breakthroughs in the shaping of female characters, using a unique female perspective as an entry point to explore diverse social issues, such as the birth of a second child, struggles in the workplace, and Look at the balance between career and family from a female perspective. There is a new trend in modern families of paying equal attention to both the paternal and maternal lines. On the one hand, the awareness of equality between men and women and the status of women in the family are gradually improving. On the other hand, the traditional family model still exists, thus forming a series of problems and triggering the thinking and exploration of some modern women. . Xu Mengan, played by Qin Hailu, is a resolute working woman, but she is different from the image of the omnipotent heroine in the past. She will encounter various crises such as malicious competition in the workplace, family financial difficulties, and the pressure caused by an unexpected second child. Under the dual pressure of work and life, she still strives to explore the wisdom of balancing family and career; Chen Wanzhen, played by Zuo Xiaoqing, pursues the realization of women's social value and self-worth. When the social system around her does not support her pursuit, she resolutely ends her pursuit in the eyes of outsiders. With a perfect marriage and a comfortable life as a full-time housewife, she chose to return to the workplace to pursue her dreams. This is the awakening path for mature women to face up to their self-worth and personal development; Xu Mengxin, played by Pan Zhilin, was deeply troubled by progesterone imbalance and postpartum depression before and after giving birth. , even showed a willful and self-willed side, but when her husband went bankrupt, she chose to share the hardships with him. She had the determination and courage to make a comeback, showing the tenacity and high-spirited fighting spirit of women.
In addition to female characters, male characters also have their own highlights. Li Lin, played by Bao Jianfeng, is a technician and a house-husband. After being laid off, he did not feel sorry for himself, but worked hard to overcome difficulties and find new opportunities; Yu Hai, played by Tian Yu, is a typical male chauvinist who slowly grows up after his marriage ends. Beginning to understand his wife; Jia Haowen, played by Sun Hao, is a rake, and even when he is bankrupt, he also wants to pay off the loan so that his wife and children can have a place; his father, Xu Guanghua, dotes on his mother, Wu Lining, as a little fairy, breaking the previous relationship. the traditional impression of our generation. The male characters in the play do not have a stereotyped image of a scumbag, nor do they have an absolutely perfect Su Gan character. They are dressed in the cloak of "useless", and the underlying logic is persistence and responsibility for the family, tolerance and understanding of the wife, and the relationship with the children. Communicate on an equal footing, and be able to wake up in time when you find your own mistakes. The quality of a good man is fully reflected.
allows the audience to see the life status of different people through differentiated character creation. The problems faced by women such as childbirth, career, and emotions are not focused on the results in the play, but on the process of facing and solving problems. During the childbirth process, they will self-regulate their emotions, actively get out of depression, and work hard in the workplace. The audience will pursue the realization of self-worth, protect their own rights and interests, and be emotionally sober and rational, allowing the audience to reflect on themselves and provide them with a reference for solving real-life problems. The process of hard work and the warmth and growth gained in the process are more important than the results. The tenacity and courage to overcome difficulties and the transformation brought about by strong self-drive seen in the female characters are all It can give female audiences more spiritual strength and realize that people in middle age are still in the midsummer of life. The male characters can also see their respective management methods in marriage and family relationships. The support of love between family members can allow more viewers to perceive the true meaning of life.
uses characters as the basis for creation. It writes about the crises encountered by people in middle age, the family encounters that have changed, and the fate of ordinary people caught up in the tide of the times. However, it is completely different from many urban life dramas. It does not present anxiety, but Instead, it writes about the healing behind anxiety; it not only shows the state of marriage, but also reflects on the relationship between the sexes, conveying the value that true feminism is to find a harmonious way of coexistence outside of opposition, and fully embodies the basis of character creation in the work. on deeper thoughts and expressions about gender relations.
The actors use their life-like acting skills to interpret
characters with real and palpable details.
's restoration of middle-aged life is also inseparable from the actors' passionate interpretations. Qin Hailu and Bao Jianfeng will draw inspiration from life to show the versatility of their characters. Qin Hailu, who looks strong, will go home and say "Husband, hug me" when she is wronged. This has also been applied to the daily lives of Xu Mengan and Li Lin. The two have always adhered to a loving relationship and faced responsibilities together. many problems. Also in order to more realistically present the state of a middle-aged woman with her second child, Qin Hailu gained nearly 30 pounds. The first step before playing a role was to completely transform herself into the role. And Bao Jianfeng will share the very wise rules of getting along with each other, such as "talking about things at home" and having to express them in the family. He will also learn from Li Lin the way of running a house by "pretending to be timid to keep things safe". It is a two-way shaping between the character and the actor. "The Time Is Right" depicts a vivid picture of middle-aged urban life for the audience, allowing the audience to see more real life details. With creations based on a sense of life and reality, and with current emotional thinking and healing expressions, it achieves A powerful breakthrough in a series with warm realism themes.
"The Time Is Right" takes family as the center and life status as the axis. It constantly explores the truth, goodness and beauty of human nature, and also reflects the dimensions and infinite unknown possibilities of people's continuous development in family, workplace and society. Focusing on emotions, people and hearts, looking at the "small self" of the family and the "big self" of society, it conveys positive and vigorous energy, and also conveys a family culture full of positive values. The midsummer of life is always in the present. If you raise your head and move forward, you will see the right time. Life is slow and has its own answers. Learn to be self-consistent in life, learn to face all problems and gifts calmly, believe that every choice will lead to happiness, and live your own wonderful life.
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