With the finale of " The Story of a Rose ", online reviews are polarized. The beauty of "Fairy Sister" Liu Yifei is unquestionable. The whole drama has a great background, a good lineup, a great IP, and is very popular. , the actors are all good-looking and have basic acting skills.
But this drama is still too bad! ! !
The screenwriter is really bad!
Huang Yimei's setting is that she is a working-class child of a college student, and her family conditions are very good. However, in the play, all the Huang family's love for their daughter is just lip service, with no actual action.
Her mother doesn’t have any objections to her renting such a shabby house? My daughter and son-in-law bought a house and didn’t look at it. What parent doesn't care about the quality of the decoration of their daughter's future home, whether it's close to work, and whether there are good kindergartens and schools nearby?
When your daughter’s living environment is so bad and she has a wicked mother-in-law, why not take her back to Beijing to wait for the birth? The plot is full of loopholes. What kind of bad plot did the screenwriter write? ! ! !
The heroine’s brother was meticulous about renovating his girlfriend’s house, but when it came to his sister, he didn’t help her at all and even complained about her brother-in-law’s purchase of an off-plan house. Her brother knows the address of his brother-in-law's hometown but doesn't know how his sister lives? Screenwriter, do you think the plot is reasonable?
Secondly, the editing is outrageous for computer graduate students in their early 20s.
In the past few years, who in Zhongguancun, Beijing, has never heard of calling a tutor "boss" for nothing? Fang Xiewen still needs to be a tutor and wash the dishes? Everyone in the play actually feels that Fang Xiewen is reluctant to give up his job in Shanghai and can only find state-owned enterprises in Beijing where his expertise is not suitable. Didn't you, the screenwriter, do any background work at that time? Does the plot fit the contemporary background?
The fundamental contradiction in the relationship breakdown between Huang Yimei and Zhuang Guodong is not that Zhuang Guodong is a scumbag, but that Zhuang Guodong puts his career first and Rose puts his relationship first, so the two are not suitable.
But the problem with the screenwriter is that he only wrote that Zhuang Guodong focused on his career and lost his relationship, but Rose's career, which focused on emotion, was not affected. This will make the audience feel that everything is Zhuang Guodong's fault.
Rose met Fang Xiewen who put her first after breaking up with Zhuang Guodong. At this time, the screenwriter should carefully write about how Rose and Fang Xiewen were taken care of and how happy they were together, so that the audience could fully realize that Rose enjoyed the sweetness of love, and then after they got married, things changed and Fang Xiewen changed. Xie Wen has changed, and Mei Mei thinks that it would have been excusable not to divorce immediately.
Screenwriters often write things that are illogical. In the pursuit stage, they write about how much Fang Xiewen paid while carrying Rose on his back. From forced injury to conflict, and from gratitude to emotion, the audience will have the feeling that Rose has been kidnapped by morality.
When Rose was pregnant, Fang Xiewen went directly to the workplace to resign from Rose... In such an outrageous plot, Rose still refused to break up, and there was a big gap between before and after and the character.
When Rose was getting divorced, Brother Guodong, who had not returned to the first love group for five years, came online again. This plot was very bloody, and it was torture for the sake of torture. Since the first relationship has already been completed, don’t keep pulling it again, screenwriter He had to arrange a scene where his first love returned to China and begged Rose not to get married.
While the audience was still immersed in the sadness of the first part, and the anger of the second bloody and outrageous plot, Huang Yimei fell in love with someone else again! The first and second parts seem to be two different stories about different people. The third part was offline after only four episodes, but the second part of the family ethics drama was filmed for 20 episodes.
hereby advises screenwriters, if you can’t edit it, don’t force it!
The character of the heroine has collapsed
There are a lot of discussions on the Internet about how bad the men in the drama are and how miserable the heroine is. Isn’t there a problem with the character of the heroine? A good film is so messed up that her misery is inevitable.
When Rose's first suitor Pu Xinnan showed his affection to Rose, Rose not only did not draw a clear line immediately, but also praised him for choosing a good restaurant and attending appointments on time. Both his actions and words gave the man hope and made him feel that women The Lord is interested in him.What Rose said gave the other party a lot of hope, which led Pu Xinnan to suddenly give up his seven-year relationship when the marriage was registered.
does not refuse, accepts others' kindness to her, cares about the other person, and calls it "being friends".
Secondly, it is Rose’s first love. The heroine in the play is a young lady from a scholarly and intellectual family, but after receiving a distant text message from someone else, "When will you come back?" she calls her in a hurry. Without any love process, when I came back from a business trip, I would rush to someone else’s bed with my suitcase... This kind of behavior shocked everyone! ! !
The scene when Rose breaks down emotionally makes people speechless. She is so pure and crazy about love that she blinded Liu Yifei's face.
When Su Su and Zhu Zhu persuaded her not to fall in love, Rose attacked Su Su as being too cold-blooded, saying that Zhu Zhu was too powerful and indiscriminate, as if her own feelings were the most noble in the world.
When Rose decided to marry Fang Xiewen, she did not discuss it with her family and got married hastily. The unsatisfactory life after marriage can only be said to be her own doing. It is very sad but not worthy of sympathy.
The whole drama is supported by Liu Yifei’s appearance, otherwise most viewers may have abandoned the drama long ago.
This drama can be called "Rose and Her Men". Novels that were popular more than ten years ago may not necessarily be suitable for today's values. Screenwriters should take into account the mainstream values of society when adapting them. Growth cannot be for the sake of growth, but for the sake of growth. Torture and abuse.
"The Story of a Rose" is a very popular drama. Behind its popularity are countless complaints. I hope that the screenwriters of domestic entertainment can break the constraints of the rules and create a drama that is truly lovable and worthy of repeated consideration.
Author of this article | Editor in charge of Xia Sanyue
| Blue Orange
Planning | Light Green
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