is produced by Tencent Video and Yaoke Culture, directed by Yang Lei, written by Luo Yiwei, starring Xi Sha, Bao Shangen, Wang Hongyi, Huang Yi , Zhou Yiwei , Gao Weiguang , Peter Ho , Mingdao , Meng Ziyi , and Tian Lei's "Jin Yong's Martial Arts World" special starring " Iron Blood and Heart " will be the first to land on Tencent Video on June 17 to meet the audience. In the play, Guo Jing, a simple young man with a family feud, travels south from the desert to explore the world. With the help of Huang Rong, he experiences strange love and adventures, and eventually grows into a "great chivalrous man". "Iron-Blooded Heart" was born out of Jin Yong's classic martial arts novel "The Legend of the Condor Heroes". It combines family feuds, life and death, love, righteousness and other propositions. Through the ups and downs of the plot and vivid group portraits, it not only vividly restores Jin Yong's works The heroic spirit and chivalrous spirit of the film made young audiences feel the new martial arts spirit from a new perspective.
Zisha and Bao Shangen play Guo Jing and Huang Rong.
famous scenes restore the national-level IP, presenting the authentic martial arts flavor
"Iron-Blooded Heart" uses characters as clues to unfold the narrative, and sets the plot according to the needs of the character's personality development and its inherent possibility and inevitability, cutting out the complex and simplifying it. The series begins directly with the protagonist Guo Jing (played by this sand) growing up on the grassland - Guo Jing follows the "Seven Eccentrics of Jiangnan" to learn martial arts, meets Quanzhen sect Qiu Chuji's senior brother Ma Yu who teaches internal skills, and encounters the "Iron Corpse" Mei The "famous scenes" of the original works such as Chaofeng are all highly restored. In the first episode of "Heart of Iron", Guo Jing left the desert and entered the Central Plains on a little red horse, where he met "little beggar" Huang Rong (played by Bao Shang'en), starting his legendary journey in the world. This concise and lively narrative rhythm not only explains the familiar background, but also allows the audience to enter the plot more quickly.
In "Iron-Blooded Heart", the "Seven Jiangnan Monsters" are not top-notch in martial arts, but they can go to the desert to find Zhongliang for a promise and spend ten years teaching him to become an adult. This is a performance of "chivalry"; Ma Yu clearly knows that his junior brother Qiu Chuji He made a bet with the "Seven Jiangnan Monsters", but still abandoned the sectarian opinions and the dispute between winning and losing, taught Guo Jing martial arts and did not regard himself as a master. This is also the embodiment of "chivalry". "Iron-Blooded Heart" interprets the chivalrous spirit through a rich group of characters and restores the authentic "chivalrous" flavor in Jin Yong's martial arts world to the greatest extent.
Stills of "Iron-Blooded Heart".
The real-life fighting scenes reproduce the style of martial arts, and the film quality brings audio-visual enjoyment
For martial arts film and television works, the chivalrous spirit is its core, and martial arts action scenes are its foundation. "Heart of Iron" invites action director Gu Xuanzhao, who has directed "Crouching Tiger, Hidden Dragon " and "Journey to the West: Conquering the Demons ", to join the cast to ensure the quality of the action scenes. Before the filming started, the crew set the principle that special effects should be avoided as much as possible in the fighting scenes, and real shooting should be the main focus. Whether they are new actors or experienced actors, they all conducted a lot of martial arts training in the early stage, so that every move in hundreds of fighting scenes has a real basis. During the actual filming, many actors also overcame psychological and physical difficulties and tried their best to complete the actions in person. Finally, the audience was presented with "Seven Monsters of Jiangnan vs. Mei Chaofeng", "Mu Nianci's Martial Arts Contest to Recruit a Marriage", "Prince Huang Rong's Mansion Fighting Heroes", etc. Action scenes. These orthodox fighting scenes, which combine martial arts moves with artistic conception, reproduce the style of martial arts and make people dream back to the golden age of martial arts movies.
The audio-visual language of "Iron-Blooded Heart" is quite particular, giving the audience a movie-like experience. In terms of image style, the play does not adopt a unified tone, nor does it use bright or high-purity color settings. It is quite restrained in the use of colors. At the same time, it also combines the historical background and the emotions of the characters, and based on "mood + atmosphere" ” to determine the tone of the picture. For example, in the war-torn towns in the play, the tone and color saturation are lowered, close to a gray texture, to show the cruelty of war and post-war decline; when characters are emotionally charged, warmer tones are used , and prefer to use cold colors when the characters are depressed or in trouble, etc., striving to make the tone of the picture serve the mood and emotions of the characters.Musically, "Iron-Blooded Heart" uses many traditional music elements to combine with the martial arts spirit of Dakai Dahe. The flute is rich and melancholy, the flute is loud and light, the suona is high-pitched and wild...the carefully polished audio-visual forms jointly construct a A world with the charm of oriental martial arts.
Beijing News reporter Yang Lianjie
editor Tong Na
proofreader Xue Jingning
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