Dawan News When the reporter was watching "Stop and Go", teacher Zhou Yemang appeared on the stage, and some audience members were muttering, "Isn't this Wu Di's father Lin Chong?" In fact, except for Hu Ge, who played twice in a row " "Screenwriter", Mr. Zhou Yemang also acted in two "life flow" movies: the "romantic" Lao Wu in "The Myth of Love", and the "artistic" Xu Mingfa in "Stop and Go". When accepting a WeChat group interview with the media at noon on the 14th, teacher Zhou Yemang said bluntly that life is flowing, life is ups and downs, and life is always moving forward. It is necessary to take a deep breath and pause for introspection.
Zhou Yemang and director Shao Yihui collaborated on "The Myth of Love"
In Zhou Yemang's view, Wu Mingfa is not a traditional Chinese man, but a man who has always had a small artistic impulse, so he has always "played the pipe", "He has his own dreams, these It also appears in my son. I don’t think he is a particularly traditional person. Traditional people may be more accepting of fate and more disciplined. "Learning Sichuan dialect is not a challenge in Zhou Yemang's opinion, "The farther away the language is, the better it is. There is room for shaping. It’s hard for me to say whether there are any skills in learning dialects. The key to learning a language is imitation. I think there is nothing special about Sichuan families except that they like to eat spicy food. "
Previous drama " "Myth of Love" is a collaboration with young director Shao Yihui, and "Stop and Go" is also a collaboration with young director Long Fei. When the veteran actor talks about cooperation with young creators, he does not show off at all, "The director is sincere and sincere, and he will not compromise easily. , he will not tell you his thoughts in a tactful way, which saves us the time of guessing. He will directly tell you what I want to do. Both parties communicate and express very directly. Maybe sometimes the director has thought of it. But when his expression is not that rich, or lacks some feeling, as actors we should have the obligation and responsibility to help the director improve his ideas. "
As a 68-year-old veteran actor who graduated from theater, he has a deep understanding of "stop and go". "See clearly, " Life is flowing, life is moving forward, life is constantly ups and downs, and everyone is running around and busy. Thinking is to move forward better. It’s okay to take a few steps back if you really have to.” In Zhou Yemang’s view, a big breath is needed in life, and paused self-examination is also needed. “Accumulate yourself, I feel that there is no blank life, in fact, people never live.” The days after you are born are not blank. You are growing every day. It depends on whether you choose to fill it in. My choice is to fill it in. No one will give up the opportunity to fill it in. "
talked about Wu Di's father playing Wu Di's mother. Regarding the filming scene, Zhou Yemang said not to treat it as a gimmick, "After Wu's mother passed away, Wu Di and I had a scene face to face. I asked him, how far is your mother's scene? This is to have a sense of preparation and to mobilize ourselves. I want to do something. In fact, this scene is more important to me than the scene where I played Wu’s mother.” From Zhou Yemang’s point of view, all this is a father looking for a way to communicate with his son. “He will miss his mother after she passes away. "After the mistress leaves, as the man of the house, how to deal with the children is a real problem for him." Dawan News reporter Jiang Nannan
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