Yu Shi's performance in "My Altay" is natural and real. He is not Yu Shi on the screen, he is Batai. Batai loves the grassland and trains horses. The solid foundation Yu Shi laid in the "Fengshen" training camp allowed him to show off his skills in "My Altay". He also became the

Yu Shi 's performance in "My Altay" is natural and real. He is not Yu Shi on the screen, he is Batai. Batai loves the grassland and trains horses. The solid foundation Yu Shi laid in the "Fengshen" training camp allowed him to show off his skills in "My Altay". He also became the riding and shooting instructor in the drama, which shows his professional level. In the original work of

, Messila is a handsome man "like a king". The audience will think that Bartai is Messila.

However, the director denied it. She said that Batai is an original character, inspired by the work of the writing and directing team. When the director was casting, " Conferred Gods Part 1 " had not yet been released, so she could not see Yu Shi's riding and shooting skills. However, the moment Yu Shi walked into the crew and became Ba Tai, the character and the actor became one, a wonderful encounter between the character and the actor.

The use of light and shadow in "My Altay" is amazing. Director Teng Congcong used the film production concept to shoot the TV series. In the scene where Batai is reflected in the water, the sun shines into the woods, and the character is quiet and meditative. Batai stares at the water without saying a word, and the branches tap the water to create ripples. In a few seconds of footage, the director used characters and environments to create a dreamland, which is breathtaking.

The key to the reason why "My Altay" is insulated from idol dramas is Yu Shihe's accurate interpretation of and .

Batai, played by Yu Shi, has the youthfulness of a boy, the bravery of a knight, and the gentleness of a man. He loved Li Wenxiu, but he loved the Altay Grassland even more, so he asked about Li Wenxiu's future plans.

Li Wenxiu, played by Zhou Yiran, has a literary dream, loves his mother, and loves the grassland. She accepted the writer's advice: "To love, to live, to get hurt." In Altay, she grew from a girl who was unfamiliar with the grassland to a girl who was attached to the grassland.

In the play, Wenxiu found a piece of grass to sleep when she was tired. Once, Batai tied her shoelaces with a shepherd's buckle, causing Wenxiu to trip. This small detail with a touch of life highlights the character's deep integration into the natural environment. Wenxiu unknowingly became a beautiful scenery in Altay. In the eighth episode of

, the scene where Batai shoots in the snow is the most ruthless scene in the whole drama. Ba Tai protects Ta Xue and runs wildly, thus endangering Wenxiu's life. Ba Tai has no choice but to shoot Ta Xue. The moment Batai took away the horse's head, the world turned blood red, which is a projection of the character's inner situation.

Director Teng Congcong uses romantic and realistic shooting techniques to focus on the symbiosis between characters and the environment. "My Altay" allows the audience to see soft scenes of people being close to nature. Urban people are so far away from nature that they forget how beautiful nature is. Altay is like a fairyland, a long-lost paradise for urban people.

"My Altay" can be called a unique product among domestic TV dramas. It composes a song of humanity with delicacy, delicacy, nature and sincerity, and the audience's audio-visual experience is a baptism of beautiful images.

Cui Ting/text