Text | Editor-in-Chief Jiang Xiaoyu | Xiang Wanwan Ma Yili is really good at picking dramas. At the beginning of the year, Lingzi, the Shanghai beach proprietress, was still very charming and exquisitely dressed. Now she suddenly transformed into a village woman with unkempt hair

text | Jiang Xiaoyu

editor | Xiang Wanwan

Ma Yili is really good at picking dramas.

suddenly transformed into a village woman with unkempt hair and freckles on her face.

Moreover, Lingzi, who has never been able to win Mr. Bao's heart, this time she was so proud that she actually won the network's most sexually charged man - Jiang Qiming .

Some people say that the existence of this relationship destroyed the warm and literary nature of "My Atele".

Some people said that it was the director, screenwriter or the actor's own bad taste, mocking it as "mother-son love".

After all, the audience has been suffering from the "eye-catching sister-brother relationship" for a long time, so when they saw Ma Yili also dating Jiang Qiming, who was more than ten years younger, they naturally felt physically uncomfortable.

But, does the plot really develop like this?

01

says its own audience's own evidence.

Because in the past two years, the relationship between siblings has reached an extreme level.

And the more you shoot, the bigger the age difference becomes.

has this:

and has this:

These sisters are without exception greedy for the fresh flesh of their younger brothers. Although

has become a senior executive and is nearly 40 years old, he still has no wisdom in life and is very superficial and mentally retarded.

And "My Altay" is essentially different from these bloody idol dramas.

It is warm, healing and literary. It was shortlisted in Cannes and won the first place in the ratings during its broadcast on CCTV.

Douban score is as high as 8.6.

So it is not unreasonable for the audience to worry that the relationship between siblings will ruin the show.

Besides, at the beginning of the series, it should be easy to believe that the heroine and Jiang Qiming are a couple.

In the first episode, the heroine and Jiang Qiming both work in a restaurant. When the two chatted on the rooftop, the atmosphere was quite ambiguous.

At least the signal conveyed to the audience is relatively ambiguous.

Both parties are of the same age, and they discussed each other's ideals in depth.

When the heroine, who was still a waiter at the time, said that she wanted to be a writer, the boys not only did not laugh at her wishful thinking. Instead,

praised the heroine’s hometown of Altay and expressed his infinite yearning.

develops according to the general plot. There must be some emotional entanglement between these two people.

Who knew that the plot would take a turn for the worse later on? There would be emotional entanglements, but it would not be love.

has directly risen to the level of ethics.

Because the boy fell in love with the heroine’s mother.

made the audience who were originally very optimistic about this drama shout that it was a bit shocking, because Teacher Zhang Li said this:

is somewhat black humor.

This is not the category of sister-brother love, it has to be called "mother-son love", right?

The audience is even more worried that if they accidentally see an intimate scene, it will really ruin the tone of the drama.

However, if you look down, you will find that there is nothing that the director would not dare to shoot unless you can imagine it.

02

The mother of the heroine is Ma Yili.

Her character in the play is called Zhang Fengxia.

is not the usual "Xia" in women's names, but the word "Xia" that has a certain meaning to Bo Yuntian.

As the name suggests, Zhang Fengxia is indeed free and bold.

As soon as he appeared on the stage, this character surprised people.

According to her daughter, her mother is a Han Chinese living in Altay. She wears two braids and runs a mobile tuck shop.

Just when the audience was looking forward to the image of the mother, the camera turned and revealed Zhang Fengxia, unkempt and deeply asleep, snoring loudly and loudly.

Compared with the elegant image of Shanghai Kuotai, which Ma Yili usually stars in, the contrast between this character and the character is completely different.

In order to further prove the heroism and freedom of this character, the director then used several scenes of "teaching a group of local old ladies to curse in Chinese" and "quarrels with their daughters" to fully demonstrate Zhang Fengxia's character traits.

This widowed middle-aged woman from a foreign land is often drunk, but she is very sober inside.

Not only is she well versed in the worldly ways of survival, she also does not interfere with her idealistic daughter, but instead allows her daughter to keep trying and making mistakes.

When her daughter complained to her that she felt insecure because she moved frequently, she said: "What sense of security do you have to rely on me?"

And, "Even if the sky falls, it won't affect my sleep."

When a daughter Finally, when I arrived at Luotuo, I asked my mother for credit: "I'm not useless, right?"

's mother Zhang Fengxia said these very philosophical words:

"What does it mean to be useful? You were born to serve others?

Look at this The trees and grass on the grassland are useful if someone eats them, but if they are of no use, it is fine just to stay on the grassland and be free."

In this era of involution and anxiety, I suddenly saw it. Such a transparent attitude towards life is like an enlightenment.

is so cool.

Zhang Fengxia's heart is so broad that it can hold the entire boundless prairie of Altay.

So, for such a casual and open-minded woman, is it any wonder that she is in a relationship with a boy who is more than ten years younger than herself?

03

This relationship certainly did not blossom.

Because Gao Xiaoliang, the character played by Jiang Qiming, came to Altay for the purpose of making money.

When he left the restaurant, the manager asked him: "How will you live in the future?"

He said: "It depends on women."

It was like a joke, but it also contained a hint of his true thoughts.

So it is not surprising that Gao Xiaoliang is attracted to Zhang Fengxia.

Zhang Fengxia is enthusiastic and open-minded. With such a way of survival and connections in the local area, how can it be possible for a young man from a foreign country who comes to gold hunting not to have any wrong ideas?

However, no matter how good the love is, it cannot hold him back.

In the end, this man who came for money really took away the money.

But Zhang Fengxia did not cry and cry. She was angry and sad, but she said "fuck it" and the story was over.

He's just a man, he just ran away. Do we still want to die for this?

Failed and short-lived love is not only not a failure, but also enriches Zhang Fengxia's life.

She is nostalgic for her deceased husband, but she will not restrain herself with the memorial arch of Sanzhenjiulie.

She truly shines with the light of feminism.

Be brave, open-minded, and be the master of your destiny.

She can accept the gift of fate.

She can also bear the tricks of fate.

Therefore, the sibling relationship between Zhang Fengxia and Gao Xiaoliang seems to have a bloody start.

But as long as you read it carefully, you will not feel abrupt, but will feel that this kind of Zhang Fengxia is complete and three-dimensional.

Directors of domestic entertainment should learn from Zhang Fengxia on how to write and shoot a real heroine.

is definitely not someone who wears two black eyeliners, shuttles around high-end office buildings, lives on a flat floor by the Huangpu River, and speaks a few pretense of sophisticated industry terms.

But she still followed the path of 18th-rate romance novels in which she was jealous of her young boyfriend.

The charm of women is by no means an objectified appendage, nor is it a hatred of love and a pretext for focusing on career.

But have the courage to give, the openness to accept harm, and take the initiative in life into your own hands.