made its debut at the Cannes TV Festival not long ago. The new drama "My Altay" adapted from Li Juan's collection of essays was finally aired. I quickly watched a few episodes and felt very comfortable. It was indeed like "the cloud absorbs oxygen" as some comments said. , slowly entering the flow of life away from the hustle and bustle of the city. I was a little worried about the visualization of prose before, but it seems to be redundant. The actor's contribution cannot be erased. I personally feel that actor Ma Yili has quietly changed the perception of this drama from "The Birth of a Female Writer" to a contemporary heroine biography that is still powerful without a quarrel or iron horse. Yes, the character's name is Zhang Fengxia. She has a high spirit, a broad perspective, a lot of survival wisdom and a sense of humor. My favorite sentence from her is: What does it mean to be useful? Were you born to serve others? Look at the trees and grass on the grassland. If no one uses them, it would be just fine for them to stay on the grassland.
still remembers the first episode. When Zhou Yiran left Urumqi, he once straightened a picture frame of a female writer on the stairs. In the third episode, the answer was given. It was the British female writer Woolf. She was quoted in the play: Every Every woman should have a room of her own.
Then Zhang Fengxia's room is Altay's summer pasture, a grassland, mountains and lakes. Although she lost her husband, she has freedom and vastness. I think of a martial arts character who is the gold inlaid jade in "New Dragon Gate Inn". What will happen to the proprietress after she goes out of the customs? I think she is probably like Zhang Fengxia, mingling with the locals, laughing and cursing, sometimes getting close and sometimes pulling away, with a flexible and stretched posture. , there may be a few moments when she will think of the past, with tears in her eyes, but she will never let anyone catch a glimpse of it. Ma Yili's acting can be described in one word: cool. I never thought she was an actor with many skills, but her mental state greatly complemented and enriched the characters, and I even felt that she might quietly transform the roles she got into herself.
In "The Myth of Love", there is indeed a geographical advantage. My favorite scene is when she quarreled with her mother, sent Xu Zheng away, and then lay on the window sill. It was a small, exquisite, literary and sad scene in a Shanghai alley. , are all held at the fingertips, the Bodhisattva is twisting flowers and smiling, and the secular woman is holding a firework to practice, different paths lead to the same goal, it is a kind of power that transcends the present. Then there is the drama "Dragon City". The reviews are not good, but I think the character Dong Ni is still very stable, and the logic and emotions are very smooth. Many people complained about Ma Yili's appearance in the drama, but I just felt that it was consistent with Ma Yili's appearance in the drama. The characters match well, and she has a wildly grown female punk style. This year, among all the female characters in "Flowers", I still think that Ma Yili played the best. Lingzi helped A Bao in Tokyo, and A Bao later reciprocated the favor. The two finally formed a relationship on the road to becoming a virtuous person in Shanghai. It was unexpected. The relationship between words and deeds is very chivalrous in the sense of "a scholar is a confidant". In "Night Tokyo", all visitors come, and it all comes down to their mouths. Reiko is able to stand upright at critical moments, and is also able to cut off the water with a knife.
Actor Ma Yili's most famous saying is "do it and cherish it." Many people only guessed half of it right, thinking that she cherishes the relationship. Now that they know, she cherishes herself even more. "Gold inlaid with Jade" is not a saint, fairy or goddess. She has a lot of market taste and full awareness. The more "indulgent" she is, the better she lives. Although the current actor Ma Yili does not have a knife on her waist, she has There is the freedom and transparency of overcoming thorns and thorns and taking big strides.
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