I don’t know when it started. It seems that every time a drama is broadcast and watched by fans, it must have achieved brilliant results, had such beautiful numbers, and created what kind of records. The platform has given it high recognition. , it must fall into the category of explosive drama.
Therefore, the four recently aired dramas "Storm Chaser", " and Feng Xing ", " Flames ", and "Flower Order" have all become big hits in the mouths of their respective fans. Especially people like , Zhao Liying, , , Ju Jingyi, , etc. have so many fans that even ordinary passers-by can’t escape the extremely hyped data of these two dramas. However, although the fans are very fierce, passers-by are not willing to agree.
The data is more detailed than the plot.
If we search the Internet for keywords related to these dramas and search the content, we will find that each of their dramas has very beautiful data. Whether it is online platforms or satellite TV data, from Kuyun to cvb, from the so-called official to the so-called unofficial, we can name them and we can’t, they all look very good.
Words such as: explosive and explosive, popular reputation with no shortcomings in all aspects, full and wide start, etc., are dazzling to see. Sometimes I really admire the breadth and depth of our Chinese culture. The skill of choosing words and making sentences is world-class. Most passers-by will definitely be frightened by these words. However, it is precisely in this highly hyped data that people discovered something different.
That’s what everyone sees. Their eyes are full of data, not the plot everyone is discussing. This actually allows people to instantly understand where the problem lies. A drama depends on the plot, not the numbers. When normal viewers watch a drama, what they usually watch is the plot (the core of the drama is the drama, and all the extras are based on the plot) rather than how impressive the numbers of the drama are. When most people discuss a certain work, they will discuss the plot in a very brief sentence or two instead of seriously laying out the numbers.
Besides, who knows how to read data when watching a drama? Logically speaking, data is difficult to remember. I think everyone who has gone through high school, college entrance examination, and went to school will have this impression. Historical events are easy to remember, but it is difficult to remember the corresponding year when the historical event occurred. When everyone saw that their data was written in more detail than the plot, everyone understood that this was a drama where the data flow was greater than the internal plot.
Fans pretend to be passers-by and cover their mouths, they are real viewers
So, who is counting the strange and complicated numbers for these dramas? The results are ready to come out, and they are still those die-hard fans.
These fans, who have always been the toughest talkers, pretended to be passers-by and went around saying that they were following this show. They expressed their feelings about how great it was from a pure passerby’s perspective, and then posted a set of numbers.
A drama really wants to have a menacing feeling of breaking out of the circle. That kind of impact is known to ordinary people who don't usually watch dramas. For example, the super hit drama "Crazy", the normal hit drama "The Hidden Corner", and the small hit drama " Sauvignon Blanc ". Even though many people don't watch it, they can physically feel their popular memes spreading on various platforms.
Change it to "Traveling with the Phoenix". At first glance, it seems that there is still some discussion, but that is all supported by Zhao Liying's national popularity and popularity. The real situation of this show is that most of them rely on the show's own marketing to find topics and promote it, and there is no spontaneous audience.
Fans' pretentious behavior is understandable. As fans, they hope that their idols will be seen by more people, and then pretending to be passers-by and watching dramas to benefit everyone is also a understandable marketing method. However, what really disgusts everyone is that they have to cover their mouths to other real viewers. If we think it's boring, it's boring. If we don't think it's good, it's not good. They have to say, look at how eye-catching our data is, don't you? It’s good to understand this. The real ordinary audience who comes to cover their mouths is the most unacceptable thing.
It depends on the time whether the drama is a hit or a hit.
As for this drama, whether it is a hit or a hit, or whether it ends without any surprises, there is no need to look at the data. The audience will vote with their feet. All these will take time. test.
As you can see, Zhao Liying's "Know or Not", even seven years later, is still on the top of the annual drama list, and has even become the platform's retirement drama. Fans don't need to talk about it. How good is its data. Explode, feel at ease.
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