The TV series "Flower Room Order" has recently become popular, and Zheng Hehui has attracted widespread attention from the audience. Although she only had a few episodes, her performance received a lot of praise. Her role as Yang Caiwei in the drama was impressive.
"When we got the script, we immediately decided to participate in this project." Yang Caiwei's identity as the person carrying the body and her bumpy life experience made Zheng Hehuizi and the team feel that the character was very special.
The identity of the person who carried the body left Yang Caiwei scarred.
Zheng Hehuizi has a sweet appearance, and she made her comedy debut. Most of the roles she has played before were lively and happy girls. Characters like Yang Caiwei make her feel fresh, especially since this role requires a line across the face. Zheng Hehuizi found the scar very interesting.
"There is no problem at all in acting ugly in a role."
Zheng Hehuizi found Yang Caiwei's scars across her face interesting.
She really likes this character. It is rare for a character to appear in such a difficult and downcast state, with a low status, and in a relatively embarrassing situation, which makes the audience feel pity for her. "But she is also like a tough grass. The audience You may see thousands of ordinary women in her. They are all ordinary people and have their own bitterness and pain, but they are all living tenaciously. I think this can resonate with the audience.”
. "She is a sunflower that grows silently"
In just two or three episodes, Zheng Hehuizi created the complexity of the character Yang Caiwei: the arrogance and style of the former daughter of a wealthy family, and the tenacity and sobriety of women at the bottom of the family coexist at the same time.
"Her family background and education made her first of all a girl with integrity and structure." Zheng Hehuizi mentioned the screenwriter's description of the character: Even if she is a little person who is as low as the dust, she has no sense of injustice. He is also willing to take action when things happen, he has a tolerant heart for the world, and he is in awe of life, so he can still grow into an optimistic person after experiencing those ups and downs. "Her optimism may not be a happy bird, but a sunflower that grows silently."
A sunflower that has gone through hardships but remains positive.
In the play, the characters Yang Caiwei and Pan Yue have to complete various complex emotional changes such as recognition, resistance, suspicion, and acceptance in a short scene. It is not easy in terms of performance and requires the actors to conduct detailed research and thinking on the characters. In Zheng Hehuizi's view, Yang Caiwei's initial rejection of Pan Yue was not due to inferiority complex. "She can clearly realize the real problem: our identities are no longer equal, and there is still the misunderstanding that you abandoned me in the first place. There is no need for us to be together anymore."
Faced with the misunderstanding being resolved, Pan Yue Confession, in this important emotional scene, Zheng He Huizi's performance did not shed tears, but mixed emotions.
"I thought about it at the time, am I going to cry here? But I also thought: If Yang Caiwei sheds tears at this time, it means that she has been shaken and accepted. But when she was rejected by Pan Mansion, she could not have any resentment in her heart. No, she must have felt a little relieved and understanding at that moment when she knew the truth. He was hurt for her again, and she was definitely sentimental and moved by him at this time, but she felt: No matter in terms of identity or appearance, we were already together. I don't care about public opinion, but what about his family? If you suddenly say you want to marry me after not seeing him for many years, can I safely marry this person?" Zheng Hehuizi asked carefully.
The two resolved their misunderstanding, and the male protagonist confessed.
In the play, Yang Caiwei puts on her wedding clothes alone at home and faces herself in the bronze mirror. In this scene, Zheng Hehuizi talked about her thoughts from the perspective of Yang Caiwei: "I have feelings for him and have expectations for him. I have never worn such beautiful clothes. When I dress up, I hold a gold hairpin." When I was wearing it, I was in a daze, was this my happiness? But did I think about marrying him the moment I put it on? It was like a dream. Is this dream going to continue? I don’t know.” These girlish feelings have almost no lines in the whole scene, but there is emotional flow in her performance.
Yang Caiwei tries out wedding clothes at home
"I don't care about the protagonist or the supporting role"
But as an actor, the opportunity to create characters in detail is rare.
Zheng Hehuizi said frankly that generally speaking, when they first get involved in a project, actors rarely get a complete script, so they don’t know whether the character is full and rich behind the scenes. Zhenghe Huizi particularly resists thin characters with facial makeup, "People should be fresh. They are all alive, with flaws and weaknesses.”
But the problem is that in a crew that works very hard, it is difficult to give actors, especially supporting actors, enough space and time to create. Zheng Hehui will fight for it, "On the basis of respecting the screenwriter and director, we can discuss whether we can make some adjustments to the characters' lines, or add some interactions to make the characters more stand-up?" She said frankly, "But this The discussion depends on the specific situation. First of all, the director's workload is huge, and he may not have time to discuss these things with you. And if you make adjustments, will it affect other characters' scenes? Will it cause the script to become incoherent? Do you feel like you are making the decision without authorization? "So most of the time, when faced with relatively weak roles, actors can only make improvements within their own capabilities. "
The broadcast effect of "Flower Order" and the response brought about by Yang Caiwei's role were something Zheng Hehuizi and the team did not expect. But after the surprise, she and the team became more determined to choose the project "based on the script and the role. "Main".
"We still don't consider the protagonist or the supporting role. I happily accept the supporting role in the script to come to me. I don’t think that just because a role has become popular, I feel that I have to play the leading role now, or that I have to star in a really awesome big project or something like that. I don’t have this kind of thinking. She said, "We will be more cautious in accepting roles, and we hope to live up to everyone's expectations." So many people like you and praise you, but if you hand over substandard things, it will hurt the audience and myself. "
The "sacredness" of actors has nothing to do with me.
Unlike many "little flowers" who debuted with sweet pets and idol dramas, Zheng He Huizi signed with Wanhe Tianyi as soon as she debuted, and Bai Ke, Zhang Benyu, Liu Xunzimo, etc. I have collaborated with young comedians who are amateurs and have appeared in many comedies. “The director and the brothers in the company are very nice people and very interesting. They naturally interacted with me when I was acting. "
At that time, as a host, she believed that she relied on instinct and aura in acting. "I used to think that aura and talent were the most important things in acting. "When he first entered the industry, many people praised Zheng Hehuizi for his aura, but the "aura" itself was easily consumed, so Zheng Hehuizi became more and more sober, "Later I felt that aura and talent were the foundation, but more needed The key is hard work, concentration, and exploration. "
How to stay focused, you still need to be an ordinary person outside of all kinds of colorful scenery. When not filming at home, Zheng Hehuizi went shopping with her family downstairs, "They are all floral pajamas, and there are big slippers. I didn’t even put on makeup, so I wore a sun protection hat. She said with a smile that her back looked like "a grandma picking up her grandchildren from school."
"My mother thinks I'm sloppy. My mother said you are an artist after all. I said artists can't wear florals?" It doesn’t matter if I wear big pants and take pictures with people. I feel like I'm just my mother's daughter. After dinner in the evening, we go for a walk in the nearby park and climb mountains. This is my life. "
Behind-the-scenes photos of "Flower Order"
"What is 'sacred' is the professional attribute of an actor, which has nothing to do with me as a person. "In her opinion, the "sacredness" of an actor lies in the fact that it is a job that requires the efforts and assistance of many people. "You need rival actors, you need the efforts and assistance of teachers from various lighting and art departments of Fuhua Road. , everyone's efforts make you the one who shines most in front of the stage, so this profession is 'sacred' and you must respect this profession."
" But when you are not performing, are you just an ordinary person in life? You can't enjoy the glamor of being an actor and say you don't have time to live, right? Can you give up a little something and slow down a little? When I don't come across a suitable script, I sometimes go months without taking a role, but it's not like I have to act. "
"Everyone in your company seems to have a very low desire to make money? "The reporter asked.
"That's not the case. I still like to make money, but some money can be avoided. "Zheng He Huizi said with a smile.
"When you are not involved, live a good life"
Young actors are easily stereotyped by the market. At the beginning of his debut, with a "sweet girl face", most of the projects that Zheng He Huizi came to come to him were school dramas. , sweet pet drama. “Maybe because I don’t have much of a girly heart and have no feelings for school dramas and sweet pets. At that time, I wanted to try different roles, so I declined many such dramas. "
But later she became more mature. In retrospect, she should give it a try. "Because I still lacked the accumulation of works at the time, I should accumulate recognition and polish my acting skills within the range of works I could choose, and then at a more suitable age To be transformed and challenged. "
Stills from "The Summer Solstice Is Not Here"
She said bluntly, "I used to have some fantasies about whether I could suddenly become famous and have more good projects, but now I feel: If I don't improve my performance, give me good projects. Can I handle it? Do I deserve a good project? What do the audience see in me? So now it will be more down to earth. "
At the age of 20, Zheng Hehuizi felt that the most important thing was to "make progress and keep making progress." Now, she feels that the most important thing is to "live a good life down to earth" so that she can have more things to enrich herself and then enrich her role.
"A sister told me that the most important thing you need to do is to 'not be stressed'. "Being unstrength" seems to refer to a very light state, allowing some complicated things to flow through one's body without stopping. "If you care too much about something, the burden on your mind will be very heavy, and you will not be able to focus." On the performance. If you are dissatisfied with something or the current situation, don't fight it. Just quietly do what you should do first. "
Now she feels that the "progress" pursued at the age of 20 is more of a conceptual and secular progress. Now, she hopes that she can face all the good and bad in a healthier and more peaceful way.
"Qixing After so many years in the industry, Zheng He Huizi admits that she has never had much "baggage". In addition to her own personality, there is also the influence of Wan He Tianyi's "brothers" in the company. Even if he counts the papers, he will not be forced to work overtime. During the holidays, he will send flowers and shopping cards to everyone, and he will go skiing and to Universal Studios for team building.
Zheng Hehuizi is very confident in his luck, because "I win every annual meeting lottery." , “I won the Apple headphones last year and the shopping card this year. I’m so lucky! "But when it comes to acting, the company's artists are also very focused, with no rules or ideological baggage, and are down-to-earth." She smiled, "I think our company may indeed be like what netizens said, not quite like this industry." Yes, a 'class smell'. "
" Anyway, when you are not curling up, just live a good life and live happily every day of ordinary people. This is what everyone should do. "
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