Unauthorized reproduction of this article is strictly prohibited. Violators will be prosecuted!
The domestic drama market in March is really lively. From "Flower Order" to " and Feng Xing " to "The Storm Chaser", there are non-stop hot dramas and constant topics. However, what is hidden under this excitement is not prosperity, but the abnormal chaos gradually exposed in the film and television industry.
The biggest topic of "Flower Room Order" is not the plot, but Ju Jingyi's unchanging acting skills; "Hong Kong Feng" simply has no topic of being outside the circle, only the filter of being out of the circle; "The Storm Chaser" The ratings continue to rise, and the outstanding results can no longer hide the shortcomings inside.
Three popular dramas were broadcast at the same time, with large productions and low costs. From the appearance, domestic entertainment domestic dramas are blooming. However, apart from the false appearance of prosperity, what is underneath is the depravity of domestic entertainment dramas.
If the actor is not good-looking enough, he uses filters to slim down his face to make up for domestic entertainment.
Actors are not good-looking enough and are not in good condition. This is not a problem. Once the filter is turned on, everyone has a "beautiful face".
As soon as "Traveling with the Phoenix" aired, it was the first hot topic. Lin Gengxin and 's skin-scaling effect in the drama was criticized wildly by the audience, saying it was like having sex. In the play, Lin Gengxin's whole face glowed under the action of the dermabrasion filter, and the wrinkles on his face disappeared, making him look like a dummy.
Even if the dermabrasion filter buff is filled up, it still cannot hide the fact that Lin Gengxin is in poor condition. In the play, he has "tight skin" but obvious fatigue. With the help of filters, many of his expressions look a little distorted.
Back then, " You Fei " was launched. Zhao Liying , who had come back after giving birth, was also in poor condition during filming, and her fatigue was obvious. The solution given by the director is also very simple, add a filter. Zhao Liying under the filter has pale skin. In a scene where he cried uncontrollably after being separated from his father, because the filter was turned on too wide, the audience could not even see the tears unless they looked carefully.
Here, the controversy over the filters of "Traveling with the Phoenix" has not subsided; over there, "Pearl Curtain" was on the hot search list due to excessive skin polishing after it was finished filming.
The actress didn’t manage her figure well, and her face is round and her chin is wide? It doesn't matter, use filters such as skin resurfacing and face slimming to make you have an oval face and a pointed chin in the drama.
The actress has a disaster profile, a double chin appears when she smiles? It doesn't matter, use filters such as dermabrasion and face slimming to give you a perfect jawline and refined profile in the drama.
His acting skills are not good, but the industry is praising his fans.
As soon as "The Storm Chaser" started airing, topics such as "Wang Yibo's acting skills" and "Wang Yibo's progress" became hot searches. Is there any progress in
? have. Is the progress obvious? Not obvious. The improvement of
is that Wang Yibo has been able to naturally interpret simple emotions such as surprise and happiness; the improvement is not obvious because when faced with complex and multi-layered emotions, Wang Yibo's performance is still superficial.
But, it doesn’t matter. Fans will support their idols. In their eyes, a little progress of idols is enough to boast about them. They use words such as "rapid progress in acting" and "earth-shaking changes" to praise and support their idols. Build momentum.
Wang Yibo is at least making progress, but Ju Jingyi is standing still.
Ju Jingyi's acting skills are very classic, that is, just making some beautiful expressions is enough. When being kidnapped, you need to bite a neat and clean white cloth beautifully; when you are strangled, you need to make a beautiful expression of swallowing hard; when you are hung, you need to make a beautiful expression of panic and helplessness.
The most popular topic in "Flower Room Order" is the comparison of the acting skills of Ju Jingyi and Zheng Hehuizi. It is clear that Zheng Hehuizi only appeared in two episodes but was accused of inferior acting skills to the heroine Ju Jingyi. When two people performed in the same frame, Ju Jingyi was killed instantly.
Even though the audience’s eyes are sharp, they cannot block the filter in the eyes of fans.In their eyes, Ju Jingyi's acting skills are still "progressing greatly" even though she still wears semi-permanent makeup and performs with head-shaking movements.
There are also some people in the industry who blindly tout these actors for publicity, calling them "progressive" and "careful", but what are the facts? Each and every one of them was praised so highly that they really thought that their acting skills were superior, but in fact they were not worthy of their reputation.
The data is not good, and the water injection blows up
"Hong Feng", which originally tried to revitalize the sluggish market, had a good start, but the data did not advance but retreated. However, it is still a "popular" drama, because there is not enough dry content and water to support it.
Netizens concluded that the playback volume of "Hong Feng" is controversial, and the data is suspected of fraud. The platform claims high playback volume and high popularity, but the actual figures are very vague.
Just like opening filters, data falsification is also a common operation in domestic entertainment and domestic dramas. At the beginning, " Chu Qiao's biography " starring Zhao Liying was in the newspapers because of data injection, and was ridiculed that "the seemingly powerful data has a mystery."
The actor's condition is not good, and the director's filter is behind it; the actor's acting skills are not good, and fans are trying to build momentum; the lines are not good, but dubbing is needed; the work data is not good, and capital is poured into it. Nowadays, the upper limit of the domestic entertainment and domestic drama market is not high, but the lower limit is also really low.
From director to actor, from fans to capital, all processes are completed in an all-round way. It seems that there is no need for audience participation at all. It is a fully automatic "explosion". But how long can such false prosperity last? Can the audience come back after losing it? If domestic dramas continue like this, they are just going backwards.
This article is specially published. Any unauthorized reproduction will be punished!
-
-
-
-
-
-
-
-
-
-