"Hong Kong films are still stable". This is the current evaluation and impression of Hong Kong films, especially Hong Kong's own leading-produced films, from inside and outside the industry. So what kind of routines do Hong Kong films, or Hong Kong films, rely on to fight the mainland film market?
Judging from the popular Hong Kong movies in recent years, the duo or the Audio-Technica setting is the most successful, which also takes into account the rationality and equivalence of the actors. Although "Crime Scene" is the best-known Hong Kong this year Movie, but there are some regrets in the combination of roles. After
has entered the era of the great development of mainland movies, the status of Hong Kong movies has actually gradually changed from a dominant position in Asia to a leading position serving China. The film industry technology that is ahead of all regions in the Mainland will enable Hong Kong movies to gain in the future More possibilities.
In fact, in the decades of film development in the Mainland, each region has been staged and has led the way, whether it is Changchun movies, Beijing movies or Shanghai-style movies, including movies from ethnic minority regions that have once been brilliant. It is an important pillar of Chinese film.
Hong Kong and Hong Kong movies, including Taiwanese movies, are actually Chinese movies in terms of their core and essence. However, mainland audiences have long regarded Hong Kong movies as a more special category of Chinese movies. When watching Hong Kong movies , He has a Cantonese version and a Mandarin version, which is also a unique landscape of Chinese movies.
Flowing Hong Kong films, the iron-clad Louis Koo, if Andy Lau was the representative of Hong Kong movies in the Mainland more than ten years ago, now Louis Koo has taken over most of the representatives of Hong Kong filmmakers and has become the most popular Hong Kong filmmaker in the Mainland. , Outstanding character and outstanding personality charm, which is difficult for most mainland actors to match.
From the human to the technical level, Hong Kong has always used the most professional spirit and attitude to face the domestic and overseas markets. Compared with the more stringent censorship constraints of the Mainland and (once) Taiwan, Hong Kong films are only at the time when the local market is opened up. He has missed a better local market and opportunities. With the help of the huge market foundation in the Mainland, he has gained a new life.
The argument that "Hong Kong movies are dead" has been on the rise in the past two years. Unlike the rapid development of mainland movies, Hong Kong movies are gradually learning and understanding the development trend of the mainland movie market. With its excellent industrialization model and still enough Talent reserve, Hong Kong film will still be the most important branch of Chinese film in the future, and he still has the opportunity to reproduce the glory of the year.
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