There is no time to chase the rankings in the draft. Domestic entertainment people have their own fun. Netizens started the selection of the "Domestic Entertainment Male Actor Wimpy Track". Dozens of artists were shortlisted, and "Wimpy 101" is ready to go.
(Note: This term "wimp" does not refer to the actor himself, but refers to their compatibility with the character)
Almost every male actor has his own representative role of "wimp", and he can even be the king in his or her respective niche field. Dominate, but the actors' "wimp" role label is strong, and the competition in the 101 selection is equally fierce.
Who will eventually join the "Wimp League", and who will become the ultimate "Wimp King"? I believe netizens have their own selection criteria. Here, Chapter 7 will also take you to review the popular candidates on the loser track.
Fault c position Lei Jiayin
Some netizens joked that it is difficult to choose the second place in the loser track, but the champion must be Lei Jiayin. For the loser role, he seems to be the "god in charge of losers in ancient Greece" and "invincible in this track."
From Chen Junsheng, the "ex-husband" in the famous movie "My First Half of Life", to Hao Kun, a fitness coach who combines a scumbag and a loser in Jia Ling's new movie "Hot and Spicy", the word "useless" has never left his mind.
Chen Junsheng is obviously a cheating scumbag that everyone hates, but Lei Jiayin completely brought out the cowardly and aggrieved side of the character. The audience scolded the scumbag for leaving and lamented that it was not easy for his ex-husband, and Lei Jiayin reaped all the benefits of being a scumbag.
According to incomplete statistics, Lei Jiayin has played the role of a useless son, a useless husband, a useless father, a useless middle-aged social animal, and a useless old boy. He has covered almost all the identities in the entire industry.
No wonder netizens say that as long as the budget is enough, Lei Jiayin can almost be cast in a coward role. She has a suitable temperament and is popular with the public. However, the problem of the coward image being deeply rooted in the hearts of the people and being popular with the public has also been exposed.
Lei Jiayin At present, there are obvious signs that the audience is tired of aesthetics due to excessive production. From the big screen to the small screen, from costume suspense to urban emotions, from age to youth themes, Lei Jiayin is everywhere.
Objectively speaking, if I choose the king of losers, I would pick Lei Jiayin. However, if I am casting for a new drama, I still hope to let Lei Jiayin take a break first. If there is an overproduction of likable actors, the audience will get tired of it.
"The Master of the Lost" Guo Donglin
Netizens who originally started the selection process for the "Wimp" track mainly focused on nominating actors who were active online. However, they did not want to miss the old friendship, so they all cueed the figure of the "Master of the Lost": Guo Donglin.
In those years, the Spring Festival Gala was still a compulsory course for everyone on New Year's Eve. Guo Donglin was also one of the classic familiar faces who accompanied us when we grew up, and his most popular work is "The Man", a collaboration with Niu Li.
was originally called "Wimpy Husband".
A rake ear who is always ready to kneel down with knee pads, a man who calls his wife "Mom" whenever he disagrees with her, a coward whose wife has to give up for a long time if she wants him to take the lead in a quarrel with others...
From then on, "I and I "My Good-for-Nothing Husband" is a classic IP of the Spring Festival Gala. For a long time, he and Niu Li's Chili Pepper and Good-for-Nothing husband and wife team have brought a lot of happiness to the audience, as well as a popular saying:
"Impulse is the devil".
Impulsiveness is the devil, immobility is a coward.
Although Guo Donglin is not very active on the big screen or the small screen, he belongs to the status of the founder of the useless. Netizens born in the 1980s and 90s will never forget it. He can be called the ancestor of the useless in domestic entertainment (seriously.jpg).
"Cowardly" Guo Jingfei
Lei Jiayin's cowardice always has a bit of "I feel sorry for you". When he plays the husband, he looks like he is forced to play. When he plays the father, he looks helpless. When he plays the son, he still makes the audience endure. I can't help but feel sad that he is a loser who was suppressed by his parents.
His "pitiful" cowardliness is his temperament, and when it comes to Guo Jingfei, he is the king of another subdivided track: the epileptic type of coward, the more epileptic, the more cowardly, and the more cowardly, the more epileptic.The representative characters of
such as Su Mingcheng in "Everyone Is Very Good", Yu Huanshui in "I Am Yu Huanshui", Li Tang in "The Rival", etc., some are real cowards and fake tigers, and some are fake cowards and real tigers, but in the end they all embarked on the path of becoming a public figure.
Su Ming has become a top person, trying to create equal opportunities for everyone. He always struggles to prove that he is not a wimp, but the harder he struggles, the more he looks more like a wimp. It is difficult to accept the reality and use the top to protect his selfish self-esteem.
Yu Huanshui's epilepsy is the madness of an honest man after being teased by life. Li Tang's epilepsy is the struggle of a tiger in a back alley. Lu Sanjin, who is rare without epilepsy and still has charm, also has the characteristics of epilepsy: his predecessor was the Queen Mother. !
There are 10 kinds of cowardice in the world, and Guo Jingfei can perform 100 kinds of epilepsy. On the road of being cowardly and epileptic, no matter what kind of opening method the director wants, I feel that Guo Jingfei can do it with ease.
"The Chosen Social Animal" Baike
"The Annual Meeting Can't Stop" allowed the audience to get the hormones of domestic entertainment Bata. The actor is obviously good-looking, but he has the feeling of a man who works hard as a social animal during the day and goes home to nurse his children at night.
It is easy to be overthrown by those who come before others and those who come after others. The chosen social animals are chosen by nature to look at the free guests.
When Baike plays the role of a loser, the audience can even feel the joy of the bully (bushi). When seeing his boss abusing him, the audience's mind is: abuse him hard, he looks good when he abuses him.
When they saw CP abusing him, the audience's thoughts were: push, push, push! Before Baike, I believe the audience has never seen a person who exudes an inexplicable sexual tension while working hard...
Others have distorted facial features, but he is a coward with distorted outlook. , it can be seen that there is a strong sense of useless atmosphere in the workplace. In the current online nominations, he and Guo Jingfei basically jumped between the second place and the third best.
"Rich Waste" Sun Yizhou
90 out of 100 kinds of useless things are caused by lack of money. Because he has no money, he has to be a humble social animal for the sake of his eyes. He has no money, so he works submissively in society. He has no money, so he cannot bear the burden of the current family member. Can't afford the waist.
But Sun Yizhou is the opposite. The useless subdivision track he rules is: is rich, but useless.
This temperament has also been accurately captured by Zhang Yimou. In "Above the Cliff", he played the submissive son-in-law who is submissive on the surface but cheats on him but embodies Sun Yizhou's cowardly temperament.
Just look at the appearance. Children from rich families, or at least the type of children from rich families, look at the inside. They always have a sense of coward with some twisted thoughts. They are either the rich second generation or the leader.
"Grassroots loser" Dapeng
The loser track that Dapeng dominates is the completely opposite type to Sun Yizhou. They both carry the loser, but they are the opposite of loser. They often start as poor and frustrated grassroots, very ordinary. Resonance with the human condition.
This image is down-to-earth and realistic.
However, Dapeng’s unyielding determination to compromise is often well suited to his role, so most of the losers he plays are counterattack players who are submissive at the beginning but kill everyone in the end.
However, the competition in this track is also quite fierce. In addition to Dapeng, Yang Haoyu, Wang Yanhui, Wang Baoqiang, and Pan Binlong in "Article 20" have a tendency to gradually swarm into this track.
"Laid-off and re-employed loser" Qin Hao
Looking at the appearance alone, Qin Hao's image and temperament are actually more suitable for characters in gray areas. This is why he became famous, such as "The Hidden Corner" or the movie "There is a Cloud Made of Rain in the Wind" That hangs up.
But it is amazing. He is obviously a gloomy and ruthless person, but he is also quite suitable for being a coward, and he is a very detailed coward. In the field of "laid-off and re-employed", he has the most masterpieces.
In "The Long Season", a laid-off worker re-employed and opened a rental business; in "Dear Child", the scumbag cheated on his colleague and got divorced and then left the company; in "Little Man's Life", the unprogressive husband quit his job and became a daddy...
belongs to Qin Hao's attributes of being useless, always It was because I was a bit lethargic and waited until life became a mess before I started to work hard to make up for it. Coupled with the metaphysics that the characters are always unemployed, I created a segmented track of laid-off and re-employment.
His compatibility with such losers is not inferior to that of gray characters, but to be honest, Qin Hao and Lei Jiayin also have the same problem. They have acted in too many scripts that are not outstanding, which gradually makes the audience feel tired.
coward 101 He can compete, but the script seems to be more carefully selected.
"Crying wimp" Luo Jin
It is not uncommon for wimpy men to shed tears, and the tear attack can make the audience remember it deeply. At present, Luo Jin is the only one. There is something very suave about his image. When his eyes burst into tears, his character becomes It has a sour feel to it, which is very catchy.
Encountering a helpless character is even more tense.
's representative character is the tragic prince Xiao Dingquan in "Crane Huating". The character's tears flowed from beginning to end, and the audience's heart throbbed from beginning to end. They felt sorry for his grievances and were aggrieved by his inability to fight.
If a director needs a loser who can cry beautifully and is heart-wrenching, Luo Jin is basically invincible in this field.
"The more useless you are, the more you become a monster" Ni Dahong
There are white guests in the youth track, and Lei Jiayin and others in the middle-aged track gather together. The god of the coward in the old track is none other than Ni Dahong. His coward is also the most lethal coward. .
The word "old" and the identity of "father" are destined to hurt others with his cowardice, and he will always be proud of himself. Therefore, the more cowardly the old coward becomes, the more he acts like a monster, and the more he acts like a monster, the more cowardly and miserable he becomes.
classic representative: Su Daqiang.
There are thousands of wimps, and two representatives of the Su family are also gods. The heroine of "Everyone is Good" was not well established, but the wimps created a very image. Su-style father and son team up, maybe they can both make their "debuts."
In addition to these actors, Pan Yueming, who loves suspense and adventure themes but still has a cowardly temperament, Xu Zheng, a mommy-type coward, Huang Lei, a daddy-type coward, and Huang Bo, a veteran counterattack grassroots type, are all very popular.
Li Zefeng, a bad man and a loser, Zhang Yi, a little bitter melon who is always wronged, Imperial Doctor Wen who cuts flesh for love, and Fang Yilun, a young artist with potential to be a loser, also received a lot of votes.
Looking at it as a whole, the audience can also find that this "coward track" actually has a wide range of values. Some cowards are praiseworthy, some are derogatory, and some even have corresponding temperaments but are not cowardly in nature.
No matter what kind of loser he is, he will eventually become a finalist in the loser track. It is up to you to choose the "king of loser".
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