Hello everyone, this is Yiliu Dujiang who is worried about bringing something to his family during the Chinese New Year. The new year is approaching, let’s talk about the Spring Festival Gala sketch tonight. What is the skit that impressed me most recently... Ah, yes, it was "Fir

Hello everyone, this is Yiliu Dujiang who is worried about bringing something to his family during the Chinese New Year. The new year is approaching, let’s talk about the Spring Festival Gala sketch tonight.

What is the skit that impressed me most recently...

, yes, it was the "First Meeting Photo Studio" that appeared on the Spring Festival Gala last year.

It doesn’t matter if you haven’t seen it. I can give you an abstract description of the main content of this skit:

“Get married~”

“Get married!”

“Get married?”

“No more!”

“No more. ?!"

"If you don't want to get married, you won't get married!"

"If you don't want to get married, you won't get married?!"

"Get married~"

"Get married..."

"Love↑love↑true~strange↑wonderful~"

( Sparse applause)

I still remember the scene when I watched this sketch last year. At that time, my brother and I were sitting in the house watching "Hurry Up", and the old man outside was playing mahjong and cursing what was on the TV. **stuff.

As a Tieling native, I miss the sketches of the past very much, especially those of Uncle Benshan.

Zhao Benshan These three characters are almost one of the most recognizable business cards of the city where I was born.

The year I was born happened to be the last year of the 20th century, and that year " yesterday, today, tomorrow " was also broadcast. From the time I can remember, this uncle has become a reflection of my impression of the Spring Festival Gala skits. Of course, in that era of sketches, it was not just one or two people who excelled, but the contention of a hundred schools of thought among a group of old artists.

Actually, strictly speaking, the last year of the 20th century is the year 2000... Anyway, you just need to understand the spirit.

"Yesterday, Today, Tomorrow" is great, I like it very much. But personally, my favorite is the second part of this series:

"Speaking of Things".

Yes, it’s the one with the roar of gongs and drums and the blast of firecrackers, and the one where I wrote "Confinement 2".

Probably on the eve of the first wave of masks, I replayed this sketch.

In fact, Kurotsuchi had almost no lines at the beginning - but when he burped in the opening scene, I fell on the bedside laughing.

From that moment on, I seemed to suddenly understand why the current sketch was so lame. In addition to the reproduction of vulgar Internet memes, frequently sensational tragic dramas, and stereotyped application of themes,

has another most direct reason:

is "noisy".

is like the yelling of people with a guilty conscience, like the yelling of people who have no confidence and lack of quality; it's like they can't drive emotions to advance the plot without yelling, like they can't cover up the fact that they read lines well without yelling.

Ah, if I talk too much, I will shed tears.

So until now, I will dig out some old sketches from time to time.

In my mind, the pinnacle of sketches over the years is undoubtedly "The Protagonist and Supporting Role" by Chen Peisi and Zhu Shimao. teacher.

I won’t go into too much analysis on how awesome the jokes are, as well as the positioning and facial expressions*. This skit also has a self-defeating part that impressed me deeply:

The gun belt.

Due to some reasons, the belt of the pistol used as a prop broke accidentally. If the normal process was followed, the gun would have fallen to the ground, which was a serious mistake. But on the stage, our Lao Mao (Zhu Shimao) handled it very calmly. He tied the gun belt while performing the scene correctly, and did not tie the belt until the two people exchanged identities.

But when it came to the scene where the two exchanged identities, and when Chen Peisi put on a gun, the shorter gun belt turned out to be a magic touch, bringing an even stronger comedy effect. This scene is what I remember all the way to this day.

Over the past twenty years, the taste of the year has changed, and it has begun to become something else. It may be the fireworks outside the building, it may be the "Gong Xi Fa Cai" single in the shopping mall, it may be the banned and loosened firecrackers, It could also be a family member who is still alive - but in short, it is unlikely to be the current sketch. Although now every year during the two days of Chinese New Year, I will book an entire house to celebrate with my kids; even though Chinese New Year is still the happiest time, I always feel that something is missing, something that is not just for BGM. thing.

So much gossip. Which sketches remain fresh in your mind?