Text/Luo Moli Yesterday, I skipped many episodes in the middle and watched episodes 17 and 18 directly. I loved it so much. It is recommended that if you haven’t watched the first four episodes, you must watch these two episodes. To put it simply, in these two episodes, women rel

​Text/Luo Moli

I skipped many episodes in the middle yesterday and watched episodes 17 and 18 directly. I loved it so much. It is recommended that if you haven’t watched the first four episodes, you must watch these two episodes.

To put it simply, in these two episodes, women related to Mr. Bao have "de-Baoized" them.

Bao always becomes a foil, almost all of the scenes are about women. The three women acted really well. I admire Wong Kar-wai's interpretation.

Everyone seems to be independent and self-reliant, and want to seize a place in the world of men, but Reiko has "sophistication", Miss Wang still retains "innocence", and Li Li has not shed her "mystery". There are three details in

that are particularly touching.

First, Reiko asked Mr. Bao to withdraw from Night Tokyo.

In the showdown between Reiko and Mr. Bao, too many people scolded Reiko on the barrage. They thought she was too ruthless and too pretentious. They seemed to have assumed the identity of Mr. Bao’s main palace. They wished that there would be one less woman around him, and they wished that Reiko would never be the same again. Disappeared, and the two of them were cut off.

just rewatched the first four episodes before this, and clearly saw Reiko's righteousness and responsibility after Mr. Bao's car accident, and blocked the bad debts that came to him. When the two of them ran to the wonton stall to hold the shareholders' meeting early in the morning, there was a conversation:

Reiko: "You have forgotten that you were almost hit by a car and died. Who settled the bad debt for you in the hospital? It was the night of Jinxian Road. Reiko from Tokyo! I helped you out. Everyone says you are a treasure trove of gold and silver. I don’t know how powerful you are. When your business collapses, will you rely on your uncle to save you? Or will you rely on your fair-weather friends to save you? It’s not about relying on me, but relying on Ye Tokyo.”

President Bao: “One day I really collapse, and Ye Tokyo can’t save me.”

Reiko: “It’s impossible to be President Bao, but I can’t be the same as before. The person I know has food and tea, a place to live, and that’s okay. At this point, you will miss the fact that we drove such a long way early in the morning, and the rain is dripping, to open the night for Tokyo shareholders The conference is such a worthwhile event."

Because I haven't read the original work, I still don't know whether Reiko's previous calculations about money were just to give him a resurrection pill when Bao Zong was down one day.

But because of this scene, I always have expectations in my heart, thinking that at least Reiko will not really care about Mr. Bao no matter what step she takes.

Jasmine never thinks that one person's strength is just to protect another person's weakness, nor does she think that a person's efforts in life are just to be someone's support. It is normal for people to have good plans for their lives every step of the way. However, I believe that some people are willing to hold an umbrella for the people they love/have loved when they are good enough, or even when they are not bad enough.

I hope Reiko will be such a person.

She wanted Mr. Bao to withdraw his shares in Tokyo, and Mr. Bao returned his luck to her. Mr. Bao gave her a sum of money by discounting the three-year loan. It seemed that he was drawing a clear line with Mr. Bao in everything. In fact, But the name "Ye Tokyo" was left behind. This name should be very meaningful to the two of them.

So when Mr. Bao asked Reiko: "Will the name of Night Tokyo be changed?" and Reiko replied: "No, just keep it as a souvenir." A slight smile appeared on Mr. Bao's face, which seemed to be a tacit understanding between the two of them. It is also Mr. Bao’s retreat and confidence.

Only with such a shore can we sail farther.

Secondly, Mr. Bao slapped Miss Wang on behalf of her.

Mr. Bao and Reiko have a friendship that shares weal and woe, so Mr. Bao always wants Reiko to be his retreat, leeway, and backup, and is also willing to occasionally have Reiko charge into battle for him.

But for Miss Wang, Mr. Bao seemed to just want to protect her well, guarding her as if he were protecting his fragility and beauty from dust.

There is really nothing we can do. Whoever we meet in this life and how we are treated are never what we want. Some people will be favored, favored and pampered by others, and some people are destined to do nothing wrong.

But those who are being protected sometimes want to escape, so some people will become other people.

Passionate people are always annoyed by ruthlessness, and people's wishes are always affected by impermanence.

One detail is quite touching. Miss Wang didn't want to trouble Mr. Bao with anything, so she didn't ask him to help with booking a private room in Jin Meilin.

Because of this, Mr. Bao was eventually slapped. Mr. Bao said: "If you have something to do, just tell me openly. If you need help from me, it's not a big deal. On the contrary, if you care too much and are hesitant, then others will have the opportunity to make fun of you."

It is true that I was too serious about some things, which not only hurt myself, but also lost some time that should have been happy and the fate that should have been cherished.

I don’t know if one day Miss Wang really achieves “her own dock”, will she regret that she will never be able to go back to the silly girl who ran around without thinking.

In short, at this moment, Mr. Bao really does not need Miss Wang to be Wang Mingzhu, but what Miss Wang needs is to prove that she is Wang Mingzhu who can do without Mr. Bao.

going around in circles is nothing more than missing time.

Miss Wang ran over and hugged Mr. Bao. Before he could catch her, she quickly ran away. Going back to the beginning of this episode, it really confirmed this sentence:

"Things like feelings will always be the same as soon as you turn your head." Another way."

Thirdly, Reiko and Li Li fought in Zhizhen Garden.

The scene between Xin Zhilei and Ma Yili was really great.

The rivalry between women, the confrontation is full of understanding.

They are both people with stories, and they are both born in the arena. They are equally powerful and evenly matched. They compete with each other and hope to achieve each other's success.

Putting aside the treasures and emotions, if they work together, they might be regarded as the best duo in Shanghai.

One of them is dignified and respectable, and the other is decent in providing services. One is small but refined, the other is large and complete. One is big and dazzling, the other is long-lasting and smooth.

What I like the most is the cool, free and comfortable scene where Reiko said "let's go" and Li Li said "I'll send you off" at the end. A plot that was originally full of gunpowder was portrayed as silently as a stream. On the seemingly calm water, every sentence is full of wit and connotation.

But from beginning to end, there is no trace of hatred or hostility in the two people's bodies and hearts. It is really a wow scene.

After watching this scene, I realized that Mr. Bao's handsomeness, love, uncle's strategizing, and sagacity were all inferior to the meal of the two women in front of him.

If you understand these two women, you can really understand the deeper meaning of life. There is peace and depth, kindness and cruelty. There is Lingzi's expectation that "if there are other ways, not many women are willing to come out to be the boss's wife", and there is also Li Li's acceptance that "but since I have become the boss's wife, I must find a way to do everything".

Men always yearn to turn the world upside down. But Jasmine is even more fascinated and distressed by the softness, peace and tranquility of women who can always return to calmness from the stormy waves, and return to inner order from the topsy-turvy world.

The author of this article: Luo Moli. Wild writers born in 80 work in the workplace during the day and write for self-entertainment at night. They feel with their heart, express sincerely, live freely, and grow old calmly. Reviews of popular and classic dramas are updated one after another. Welcome to follow and watch dramas with you to talk about life.