"Xiu Chun Dao" came out, it almost subverted the inherent style of martial arts movies. I still like it very much now. The first time I watched it, I was intoxicated as a whole. I felt that I had two failures: First, Ding Xiu's appearance was disgusting at the time. It may be because the lens was too fancy. The second is the ending, which feels stiff (I didn't know it was forcibly added at the time), but disappointment was inevitable. Even so, I still think it looks good, and I watched it again that night. When I first watched it, I didn't think there was a problem with Liu Shishi's acting. Maybe it was because there were fewer scenes. Besides, it was like this in his lifetime and facial paralysis was not an exaggeration.
Embroidered Spring Knife 2 continues the dark style of 1. Diablo describes the Avengers alliance represented by Xinwang, which is promoted on three levels. The first is Hokusai played by Yang Mi. Her belief is to protect Ming Gong and avenge her family. The second level is Lu Wenzhao, whose belief is also that Ming Gong reorganizes the world in exchange for Haiyan Heqing. The difference is that his belief is that because he has been in the vortex of political struggles for a long time, he understands that beauty must come at the cost of sacrifice, for which he can sacrifice all the people who influence it. On the third level, Ming Gong, Ming Gong can give up everything except himself for his own survival. In essence, he and Wei Zhongxian are the same kind of people. The choice of these three levels of
is also worth playing with. The representative of Hokusai is the representative of the cultural elite, Lu is the representative of the enlightened bureaucracy and the gentry, and Xinwang is the representative of the struggle leader. This arrangement highlights the progressive darkness and portrays the despair of the rivers and lakes vividly. Perhaps this is the real life. The first class of
is the outermost layer of the Avengers and is easily affected by emotions such as revenge control. The second layer is the backbone, which is easily controlled by faith; Lu Wenzhao and Ding Baiying should be in love (at the end of the film Lu Wenzhao rushes to the densely packed Dongchang, Ding Baiying rushes out), but they can throw it away for the sake of faith. For believing in the king, gods and horses are all clouds, and only power is the most important.
Embroidered Spring Swords 1 and 2 are both divine dramas, especially the dialogue, very particular, reminds me of the excellent Hong Kong and Taiwan dramas that joked about Qianlong and Jianghu Enqiulu. This film is very conscientious, and the storytelling is also very smooth. The high-rated Hollywood films are not worthy of scrutiny and are much more illogical.
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