Li Wen's story is that it is basically based on facts. In fact, it is easy to expose flaws in large-scale lies, because it is difficult to compile the whole logic from beginning to end, and it is difficult for the fabricator to maintain the consistency of the narrative. But if the facts are said to be different, there is no need to bother to fabricate and memorize lies, and there will be no problems of incoherence.
Chow Yun-fat plays the painter, the king of counterfeit bills, he has an independent small team of dollar bills, and the whole team has a clear division of labor. The film introduces the paper, ink, watermark and other aspects of the production of counterfeit banknotes to how to jointly complete a counterfeit banknote that is more real than a real banknote. The painter passed down three generations to make fake banknotes, but he was never caught. The reason was a little bit bloody, because they abide by the rules. Aaron Kwok plays Li Wen, a desolate painting genius. He can reproduce any painting perfectly, but he just can't paint his own original works, so he has been unwilling.
was escorted by the police back to the police station, while staring at the police officer driver, he had already planted his crimes on this innocent police officer from beginning to end, and he had deceived everyone from this panic. . As a painter, his inherent insight is beyond ordinary people. What's more, he is a criminal who makes counterfeit banknotes. A portrait of a person can be drawn after just a few glances and a stroke of a pen.
Of course, there is a psychological blind spot in Aaron Kwok's narrative which is quite wonderful. Aaron Kwok portrayed himself as a player who accidentally boarded a thief ship. Chow Yun-fat took him every time he acted just to tie him down. In addition to Aaron Kwok's futility in the beginning of the movie, the police easily believed Aaron Kwok. This It is an inertial psychology, which is also the truest part of the whole story.
-
-
-
-
-
-
-
-
-
-