" There is an indisputable fact: Chinese film and television dramas are moving towards the recognition of the rich. There are only two situations for rural people in domestic film and television dramas, one is to disappear, and the other is to become a symbolic expression in urban dramas. "
Among the new generation of directors in China, Hao Jie has always been paranoid like a disobedient child, he only shoots what he wants to shoot, such as the most fundamental primitive desires and the most direct things of people.
His shots are very calm, but calm things make people feel more objective, real, and more touching. The
movie " Bachelor " is Hao Jie's debut film. The film is based on the barren fields of China, and to a certain extent shows the real scene of the current countryside: in the process of modernization, in the invisible remote mountain village, I Tuwumin, and some people are doing their best for the most basic needs of survival, sex and reproduction, even paying the price of blood or life.
are also unmarried men. The remaining men in the city are called singles, while in the countryside they are old bachelors.
"Singles" and "Old Bachelors" are the distance between the city and the countryside, a derogatory term, which determines that this movie is rough, it is not refined, and even a bit cruel, which is unacceptable to many people would consider it unreal.
But this is really a rural corner of China.
In 2010, the unbalanced development in China has reached an outrageous level, one after another hollow villages, wave after wave of young people working in cities, and groups of old bachelors who have been left behind.
So, this group of forgotten groups was brought to the screen by Hao Jie. With calm camera language and an attitude without moral stance, he established a world of primitive sexual needs, a Chinese countryside under the crotch. These old bachelors laughed and laughed, showing the sad and heavy countryside of the .
In a poor little village in the north, there is a group of old bachelors.
They are men who are reluctant to leave at Gujiagou, unable to leave, struggling in this barren land.
The women in the village either marry the city or marry the rich village, and the men left behind from poor families become the stagnant goods in the marriage market. They all have one common feature: sexual distress. The
movie expresses the past and present life of the bachelors represented by Liang Datou, Lao Yang, Gu Lin, and Liu Ruan by way of interlude.
Liang Datou, who was the captain of the production team when he was young, was lustful when he was young. Because of eating tofu from a female member, his left arm accidentally got involved in the threshing machine and became disabled, and he never married.
Gu Lin, originally had a wife, but because of her cowardice, she tried to get in on her sister-in-law. On a kang where three people sleep, Gu Lin actually touched his sister-in-law who was sleeping in the middle. His wife slapped Gu Lin with a big mouth in resentment and left him with his sister.
Liu Ruan was forced to marry at the age of 12. On the wedding night, he was forced to have sex with his eldest daughter-in-law. Liu Ruan was reluctant and became a quasi-gay after being beaten by his daughter-in-law.
Lao Yang is the youngest of the four bachelors. He was a poor shepherd when he was young, and he talked to the second girl in the village.
The second girl's parents thought that Lao Yang's family was poor, and used their words to be "so poor that they don't even have a seat, and their buttocks are still covered with tiles." It sounds rough, but it makes sense.
After all, marriage is not a family game. What does Lao Yang, who is poor and poor, use to support his family?
In order to force the two to break up, the second girl's father threatened the two with her life, and the second girl destroyed the child in her womb and was forced to marry the village chief. For more than 30 years later, the two often cheated on each other and maintained a lover relationship.
There was a funeral in the village, and they invited the performance of the folk two-person team. The performer asked the host for advice, and the host did not hesitate: "It's even more meaty and singing."
So, the performance for the funeral was an explicit song of a big girl taking off her pants, and both men and women were full of excitement.
There are no entertainment, pastimes in the village, peopleTheir lives are nothing but sex.
Sex is the most vigorous vitality in the barren Gujiagou.
After the second girl came out of Lao Yang's room, she moved to Gu Lin and Liang Datou's room. For the second girl, this was the way to exchange her son's college tuition. Behind the money transaction is the sexual distress that the bachelors can't let go of.
Unable to bear the loneliness, Lao Yang decided to marry a daughter-in-law at Gu Lin's suggestion.
But which girl is willing to marry a poor farmer who is over fifty years old? So Lao Yang spent all his savings to buy a Sichuan woman from the traffickers.
"Buying a wife" has become the most natural thing in remote rural areas. There is only the most primitive way of living, morality is chaotic, and laws are obscured.
The Sichuan woman's mother died early when she was young, and her father was seriously ill. She hoped to find someone to live a good life. Although the woman looked down on Lao Yang, she could only nod silently.
On the night of the bridal chamber, after the shrill screams of the Sichuan girl, Lao Yang was relieved to smoke after the incident.
In extreme poverty, all people need are natural attributes, men and women, food and sex.
Chuan girl is not interested in Lao Yang, and she was caught after escaping twice.
Qiaosan likes Sichuan girl, fell in love with her at first sight, and soon the two hooked up. In response, Lao Yang had to sell Chuanmeizi to Qiaosan at the purchase price.
's daughter-in-law flew away before she was covered in heat. In the empty room, Lao Yang was confused and thirsty.
As a result, a horny old Yang went to the city to find a way for "Huang Mi" (street girls) to solve his needs. At the
high-end hotel, Lao Yang opened his mouth to the front desk and said, "Girl, is there any yellow rice here?" In a dark alley, a street girl found Lao Yang. The
woman saw that Lao Yang was from the village and had never seen anything in the world, so she deceived Lao Yang, saying that referred to "masturbation" as "cannonball". For 80 yuan, Lao Yang was kicked out of the room without even touching it.
Full of exhaustion and grievances, Lao Yang returned to the house. But at this time, Chuanmeizi, who was Qiaosan's daughter-in-law, took the initiative to find Lao Yang and was willing to help him solve his needs. It turned out that Chuanmeizi's father died of illness and was in urgent need of travel expenses. After
borrowed the whole family to buy the woman, Qiaosan was so poor that she was penniless. In order to raise money, Sister Chuan had to go to Lao Yang's kang, and because of this, Lao Yang was also broken by Qiao San.
Later, in order to take refuge, Lao Yang went to Liu Ruan's house, and the two slept on a kang. The
movie mainly focuses on close-ups and close-ups, showing the erotic and fragrant pictures completed by two old men. Liu Ruan keeps seeking comfort from Lao Yang.
Lao Yang first resisted verbally: "Sleep at your house for a night, you can't stop picking it up, squeezing and rubbing, you six soft, rich to get a woman, I can let you use this man? Stay away from home for a night, either smashing or stirring, the ball is getting rough, you can sleep alone."
Liu Ruan did not stop, Lao Yang couldn't bear it anymore, so he had to leave Liu Ruan's house. In
, an older unmarried man in rural areas struggling with sexual repression and loneliness. He sucks the money from the countryside, sucks the things from the countryside, and sucks up all the girls in the countryside."
This sentence reflects the powerlessness of the squeezed rural existence. The saddest thing about 's "Bachelor" is that they Even the desire for reproduction has been abandoned, leaving only the extremely repressed primitive sexual desire.
Their bodies are depressed and their spirits are depressed.
So we see a group of old bachelors talking about sex recklessly in poor, backward, closed villages, because it is their human dignity. No matter how you look at
, I feel that this is arrogantThere is a bit more sadness behind the meaning. After all, on the barren land, the excessive vitality is doomed to the tragedy of the bachelors in Gujiagou.
"The Bachelor" is really not beautiful at all. The dialect is foul, abducted, and wild. Women have become the link between people. After watching it, I can't help feeling a little bit.
seems to be a comedy, but it makes people want to run and feel suffocated, just because behind those absurd behaviors, there are reflections of reality.
is real, so oppressive, so unacceptable. This work has not been released in the country to this day.
People always need some courage to face reality.
Gujiagou, like many desolate villages, is closed and poor.
- The old have nowhere to go
Poverty forces the loss of resources for women, many men are left in the countryside, their unresolved sexual needs are only a part of their misfortune, and what is even more cruel is that they will become part of the empty nesters. What should they do in the future?
- The savagery brought by the closure
The women of Gujiagou are for entertainment.
Although the second girl was married to the village chief, she roamed several bachelor rooms in the village for her children's tuition.
Because of poverty, it seems that we can no longer judge them with morality.
Many people think that such films are ugly, vulgar, brutal, and procrastinated.
But who says movies have to be detailed.
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