first, , Li Jindou, , and on the stage made a blunt tone not to let the audience fight, he said that this would destroy the integrity of art.
Not long afterward, Zhou Wei , who hid because of the Zhengzhou rain disaster last year, angered netizens by saying the wrong thing, accused him of hanging up.
Does the audience have the right to fight? Audiences are consumers, and they have the right to fight when they listen to cross talk. This is a tradition left by the older generation of cross talk theaters. Moreover, if the actor is artistically coping with stubbornness, it contributes to the integrity and interest of the art. For example, when Mr. Hou Baolin performed Guan Gongdou Qin Qiong , he once successfully dealt with the audience's troubles and achieved his reputation as an artist.
As for the live show, this is the right of the small theater cross talk performers. In order to make the audience happy, the performers should flexibly make use of all temporary factors on the scene and add some burdens related to the audience. The advantage of hanging now is that it can increase the audience's sense of participation as much as possible, and at the same time prolong the performance time.
Li Jindou and Zhou Wei are actors in the system. They can follow the steps in party and TV cross talk performances, regardless of the audience's reaction or the market. But since Li Jindou occasionally goes to sea to participate in commercial performances, he should abide by the rules of small theater performances and accept the audience's stubbornness. As Zhou Wei,
should understand the difficulty of private cross talk groups, and should not stand on the moral high ground and accuse folk artists who follow the laws of the market to perform. The chairman of
said that everything was because the audience ignored them, which made them not keep up with the times. Think about how arrogant this is to say such a thing. The audience ignores this group of people, isn't it because they always think about educating and shaping the audience for so many years?
As an ordinary audience, we hope that the artists in the system can improve their performance level, improve their service awareness, and enhance their market awareness. Based on the standpoint of serving the people, they will support folk performance groups and ensure a cultural atmosphere where a hundred schools of thought contend and a hundred flowers bloom. Only in this way, the art of cross talk will not be reduced to endangered, degenerate into heritage. What do you say?
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