After the matter is gone, the merit and fame are deeply hidden, the Hong Kong Philharmonic should not let this low-key master get dusted

Li Bai " Xia Ke Xing " in the middle: Zhao Keman Hu Ying, Wu hook Shuang Xueming. The silver saddle shines on the white horse, like a shooting star. Killing a person in ten steps, without leaving a thousand miles. When the matter is over, the clothes are gone, and the merit and fame are deeply hidden.

In the ancient rivers and lakes, there were such swordsmen and warriors. They did not seek fame and fortune, but only for the justice in their hearts. The merits and demerits are left for posterity to comment on. Among the lyric masters of

Hong Kong Philharmonic, there is also such a low-key "hermit", he has won the Best Lyric Award for 's Golden Songs twice in a row within ten years, and he has collected the Best Lyrics Award and the Golden Song Gold Award in one awards ceremony. He faded out at the height of his fame and disappeared from fans for 20 years.

There are many low-key musicians in the Taiwan music scene, from Chen Zhiyuan to Yao Ruolong , from Chen Dali to Li Manting. Relatively speaking, the musicians of the HK Phil are good at entertainment and marketing. Even if they do not compose and write lyrics, they can become the focus of attention under the spotlight.

is only him, low-key like dust, not social and not showing up frequently, and it is difficult to find a frontal photo of him on the Internet.

He is one of the "Five Musts" in the Hong Kong Philharmonic in the 1980s and 1990s, and the other in the "Second Pan" - Pan Weiyuan .

For many passers-by fans, the Hong Kong Philharmonic only pays attention to the kings and queens who sing, and they rarely pay attention to the composers, lyrics and arrangers of songs, let alone musicians who don't want to be named.

When you are intoxicated by the beautiful melody of Ye Qianwen "Blessing", when you are fascinated by Chen Baiqiang 's silky and elegant " What a Lifetime ", when you are in Li Keqin " Flower Messenger" When singing indulgently in the melody of ", please remember that these are the crystallization of Pan Weiyuan's wisdom. The fragrance of

is not afraid of deep alleys. Even if Mr. Pan Weiyuan doesn't care whether the songs he wrote are still remembered, the author would like to share this low-key master's treasure songs with the majority of netizens based on his inner worship and admiration.

Pan Weiyuan has never been known for the number of lyric songs. He also has a passion in his heart for the lyrics work of the HK Phil. However, in the twenty years from 1985 to 2004, the beautiful lyrics he left behind are enough to nourish the HK Phil , enough to make the Hong Kong Phil more brilliant.

to appreciate the wealth that Pan Weiyuan left to the HK Phil.

In 1985, a song "Inaudible Talk" gave the HK Phil Lu Fang , one of the "Gemini".

However, Lu Fang's most popular Cantonese song is not "Inaudible Talk", but the 1987 song "Every Road". This "Every Section of the Road" composed by Lun Yongliang and and written by Pan Weiyuan, let fans appreciate that "The Little Prince of Love Song" Lu Fang is also unequivocal when he sings fast songs. A classic scene.

"How high is the sky, you can climb it with your hands up. If you fall, dare to challenge and go higher. How fast is the wind, I hope I can be for this grass. How deep is the sea, but it can't drown this lonely island. There are mountains outside the mountains. , you should know that it always depends on both hands. I have a few days to live, but I wish I could get up early."

The author once compared Pan Weiyuan to " Beibei " Hong Qigong in the "Five Wonders" of "The Eagle Shooting", Judging from the lyrics of this song "Every Section of the Road", Pan Weiyuan is righteous and awe-inspiring.

Perhaps, Lu Fang, who is limited by his appearance, has no way to become a popular idol of the HK Phil, but Pan Weiyuan has a special preference for Lu Fang. "Bending the Moon" (Cantonese version) and "I Don't Want to Give You", Pan Weiyuan filled in for Lu Fang. Too many classics.

In 1987, before Huang Zhan wrote "Men's Self-improvement" and "Long Road with Me" for Lin Zixiang , Pan Weiyuan first sent the "sweeping monk" a domineering Hong Kong music classic - - "Dare to Love Dare to Do".

"The cold rain rushed towards me, little by little, and thousands of high temperature waves surged up from you. Everyone said that I was laughing too wildly and I was unruly, and it would be contemptible to dare to hand over the truth." Inch " "Two Kings" Alan Tam and Leslie Cheung were hoarse, too domineering and leaking songs, only the "big devil" in the music world could interpret them.Yuan's "Dare to Love, Dare to Do" is really suitable for Lam.

Pan Weiyuan can not only write masterpieces for Lin Zixiang, but also let Lam's "life love" Ye Qianwen stand out from the queen camp, before Chen Huixian touches Anita Mui is about to "give up" the "queen" throne.

In 1988, Chinese music master Liang Hongzhi wrote the beautiful song " The Heart ", Jiang Yuheng 's interpretation is also very popular, I didn't expect Ye Qianwen to adapt it, and it became his own way to become a queen The most powerful "siege hammer" on the The past four Golden Melody Awards of

have all been rounded up by Alan Tam and Leslie Cheung, and even Anita Mui couldn't get a piece of the pie from the "Two Kings", but Ye Qianwen and Pan Weiyuan staged a good show of "Tiger's Mouth".

's "Blessing" brought her signature song of Hong Kong Philharmonic to Sally and , which also allowed Sally to win the 1988 Golden Song Gold Award and helped Pan Weiyuan to become the best lyricist of the Golden Song.

"Ah, how many times in the past I have been upset. Today, as the clouds drift away, I listen to the bird's voice and wait for the rain to break. The quiet wind gives me my heart and a bunch of blessings."

Pan Weiyuan's "Blessing" is such a poetic and idyllic landscape painting!

In addition to "Blessings", Pan Weiyuan's song "Respect" written for Sally in 1990 is also a classic work of her Hong Kong Philharmonic. This "Respect" was praised by Ye Qianwen's little fan brother - " Chief Jia " Jia Zhangke I don't like it, and he also used this song as the background music for his masterpiece "Mountains and Rivers".

If you don't appreciate the beauty of Pan Weiyuan's words and sentences, then I recommend another piece of his beautiful work - "Li Ge".

Luo Wen is a hall-level singer of the Hong Kong Philharmonic, and he has composed too many classics of the Hong Kong Philharmonic together with the "Huang Huang Ersheng". In the late 1980s, Luo Ji had faded out of the music scene. In 1989, Pan Weiyuan gave Luo Wen the best gift to bid farewell to fans - "Li Ge".

"Looking at the river, the mist and rain accompany the passenger ship. In the end, the river is tired and paused for a moment, so don't drift away. Worry is like a swirling rain, watching the birds bid farewell to the hometown. Every sound of the pattering rain drills into my heart. Today, I will run thousands of miles away. You and I have endless thoughts."

Luo Wen once said that "Li Ge" is his "Legacy of the Sea", but fans who like Hong Kong Philharmonic will not forget such a good song. Pan Weiyuan is like " Mr. Wuliu " Tao Yuanming , as soon as he starts to write, he is a landscape idyll "picking chrysanthemums in the southeast, leisurely seeing Nanshan". In

"Three Kings and One Queen", Alan Tam and Leslie Cheung are the objects of cooperation among other lyricists, but Pan Weiyuan discovered the charming temperament exuding from Chen Baiqiang. Going back to the Top Ten Golden Songs list again, the song "What to Want in Life" helped Danny to collect his masterpiece again, and at the same time he won the Best Lyrics Award for Golden Songs.

"What do I want in my life, I often decide to give up and have possessions, exhaust my life, run away when I can't touch it. What do I want in my life, I can never see through in my confusion, I didn't expect what I lost, it's all I have "Because Chen Baiqiang's "What to Expect in Life" is so good, people forget that this is an adaptation of Wang Jie 's Mandarin song " Remembering These ".

Anita Mui was the only celebrity in the "Three Kings and One Queen" in the 1980s. She is known as "The Queen of Changes" for her diverse styles. She can be hot and sexy, she can be tired and affectionate, and she can be arrogant. Sister Mei's cooperation brings Anita Mui's temperament into full play. The hot and sexy in

's "Love General", "Lady" and "Red Lips", the exhaustion and affection in "Manzhu Shahua" and " Yelia ", in Pan Weiyuan's pen, there is always a special one. Anita Mui.

In 1989, Wang Jie came over from Taiwan. Before he was shortlisted for the Golden Songs and Chinese Golden Songs by " Who is the Prodigal Son", he was the most well-known song by Hong Kong music fans. The Cantonese version of "Dream " " is a little sad and a little crazy ".

"Separation is never easy, you and I have known this, but by this nightI found that love and love are so naive, if you love one more time passionately, it will be easier to give up. "

's "Somewhat Sad and a Little Crazy" is not the best lyrics, but it expresses the acceptance and eclecticism of Hong Kong Philharmonic musicians. It was Pan Weiyuan who completed the Cantonese lyrics of the song. Before the "Golden Boy and Girl" Mao Ning and Yang Yuying took off, the HK Phil created its own golden boy and girl. They are Zhang Zhilin and Xu Qiuyi of Feitu Records . A "Modern Love Story" album, which has become a pair of popular idols of the Hong Kong Philharmonic.

"Modern Love Story" is a very classic album. This album combines many classic songs of Chinese music with male and female duets. Express it, do not have a taste, such as the duet version of "Dream Break" of "A Thousand Thousand Que Song", such as the duet version of "The Heart of the Post" ("Blessing") "Sorrows and Joys".

But the two most outstanding songs in the entire album Songs, such as the title song of the same name and "Love of Maple Leafs", are really amazing for an era. The lyrics of these two songs are from Pan Weiyuan. , I hope you can easily put me down, and leave some happy memories to send me away, because after understanding, I will recognize it clearly, when I leave with a smile, Mingchen is the only one left, and I will remember the original time in the coolness."

song " "Modern Love Story", Li Ziheng 's composition is great, worthy of the endorsement of his generation, and the most outstanding song is Pan Weiyuan's lyrics, he makes boys and girls have the greatest desire to sing this song.

in Li Keqin When he was still vying for the candidates for the Heavenly King, when he had not yet expressed his intention to withdraw and wrote "Red Sun", Li Keqin's nickname was "The Messenger of Flowers", because it was his most famous masterpiece before "Red Sun".

"I met her in my heart in the street this night, and decided to go home with her without listening to the call. The cold wind of the late night was not allowed to blow her away, and her faint eyes were about to speak to me. Slender figure, fluttering figure, turn around silently, and tell me that romantic lover loves me. "

"The Messenger of Flowers" can definitely be regarded as a classic of the HK Phil, and its lyrics work was also completed by Mr. Pan Weiyuan.

"Love is like a hungry wolf, and her mouth is very sweet, if you approach her and play with her, her fierce appearance will appear. Love will be like a hungry wolf, how can I hug and sleep, she will give me a remembrance of my severe injury. "

's early Jacky Cheung is very good at interpretation of love songs. He sings many lyrical slow songs, but masterpieces like Andy Lau " I Hate My Infatuation " and "Stealing Love Alone" are not More.

In 1994, Poly Gold invited Canadian musician Liu Nuosheng to compose the song " Legend of the Hungry Wolf " for Jacky Cheung. The lyrics of the song were handed over to Pan Weiyuan. It can be seen that Pan Weiyuan's creative talent is very comprehensive. Such a fast love song will not be difficult for him at all. Before

did not concentrate on the TV drama field, Zhang Weijian was the "Uranus" supported by the Hong Kong Philharmonic, the movie had the special support of Wang Jing , and Zhang Weijian signed a contract on the music It is the international recording giant - Warner .

In order to make Zhang Weijian popular in the music world, Warner plans to copy the UFO's Lin Zhiying route. Zhang Weijian, who was not a "bright egg" at that time, has a handsome face and a temperament that is smaller than "Asian" "Whirlwind" Lin Zhiying is not far behind.

, who didn't want to be too brainy, directly adapted Lin Zhiying's famous work " is not every love song has a good memory ", leaving Zhang Weijian in the music world. There are many excellent songs - "True and False".

"There are always hallucinations in love. There are always false stories in love, so don't trace the truth. It's okay to have it really once, and then I'll just cheat and forget about it. "

doesn't need too much ingenuity for such commercial songs, as long as you pay attention to the producer's intention and the melody that fits the song, you can just fill it in fluidly.

Since the 1990s, "Er Lin", "Er Pan" "And Xiang Xuehuai , because he has been in the work of writing lyrics for too long, he is well versed in the management of the Hong Kong Philharmonic, there are too many stereotyped lyrics, and the originality in the lyrics in the early years.Slowly disappearing, the loss of the direction of writing lyrics is also the loss of the Hong Kong Philharmonic.

Due to space limitations, Pan Weiyuan wrote "Half-Awake and Half-Dream" for Alan Tam, "Love Broken" for Grasshopper , " Starry Night " for Li Guoxiang , and "Harmonica" for Andy Lau Don't Love" and "Fate" written for Wen Zhaolun will not be listed anymore.

In the mid-to-late 90s, Pan Weiyuan basically stopped writing, and in 2004, Pan Weiyuan directly announced the closure of his pen. From then on, he was like an accomplished man who had seen through the red dust when he became famous, drifting away without taking a cloud with him. There are too many classics in

Pan Weiyuan's pen, enough to wake up the ears of fans. Therefore, when we reminisce about the HK Phil, we cannot forget this master, and we cannot forget his name because he does not want to be famous.

would like to express my respect to Mr. Pan Weiyuan, the master of lyrics of the Hong Kong Philharmonic, with this article. I hope that I will work hard in exchange for one of your attention and likes.