1, "Still Water City"
are very delicate, I like this narrative style very much, very comfortable. The story itself is a bit lacking. It is said that it is an adaptation of a real person. I am not asking how to restore this incident, but the main event itself has no other details to make people impressive, and there is always a sense that it is not in place. In any case, the language of the film is sometimes more important than the story, and I personally like it.
2, "The Last Duel of "
Individuals from different eras have their visions and definitions of beauty. The story takes place in a time when women were considered the property of men because they were not financially independent (supported). If women are violated, unless men defend their rights, and the men who defend their rights are strong enough, they will either endure half their lives or be put on the gallows. In the first half of the film, Margaret now seems to be a typical example of misfortune. With her insistence, her perpetrators are finally tried and punished, and the result is justice. Most importantly, Margaret made people see and motivated some to believe that women had the same free will as men and were not vassals of each other.
3, " Speed King "
speed, racing , this movie is much more than that. When Shelby had to leave the game due to physical reasons, when Ken finally got the chance to play, this was our battle and compromise with our dreams and life. When Leo takes revenge for a personal feud, it feels familiar, and when Ken breaks lap records time and time again, you believe he's going to be a champion and become a legend. Yet an absurd idea of hitting the line at the same time makes a great driver's dream shattered. You think you won, but you lose. This is something that every dreamer will feel the heart bleed without experiencing it personally.
4, " The Bourne 5"
are cute and old, but mature men don't have a taste. It can still be seen that this is a hard shot. Don’t tell me there is a next one. Even if there is one, polish the script well. After watching too many dog-tailed sequels, I have a shadow about the sequel and the end of the series. In the end, this director is very good at shaping the world of agent angle, the details are very smooth, the logic control feels that there are no major problems and is very comfortable, although it is not comparable to the third film, but it is above the standard line in the genre film .
5, " My Family Bought a Zoo "
This movie is obviously a family and animal warmth line running through it. It is warm, mediocre but true. I think it is easier for people who are often unhappy to feel and move. Undoubtedly, for me, the most profound thing is "20 seconds of irrational courage." When I look back on my 20 years of experience, do I also have 20 seconds of irrational courage? Dylan confessed to Lily, yes Because of irrational courage, Benjamin confessed to his dead wife because of 20 seconds of irrational courage. I was moved by this.
6, " Thunder on the Earth "
is a bright and desolate film... I like Mattie so much, tough, smart, poisonous, a little crazy, when she keeps looking at you with eyes full of thunderous power At that time, an era that belonged to , the western cowboy , was ups and downs in her eyes. As long as there is one person who remembers, then this world of flying yellow sand has not left.
7, " makes things happen "
Overall, I feel that the ZZ line narrative is more charming than the sports line narrative, and even the line between Mandela and the captain is more successful than the sports line. From this team And in terms of the ZZ meaning carried by this champion, it is understandable. But how does this team improve all the way to winning the championship is almost blank. It can't be Mandela's handshake covered with potion, physical fitness, captain's motivation, tactics, tacit understanding and unity among the players, all are Unknown, so the feeling I felt when I finally won the championship was nothing but the reintegration and condensation of an emerging country, or Mandela's great tolerance and respect. from a sports fanFrom the point of view, it is even absurd. The soundtrack is very flaming, and the narratives of all the lines except the serious sports line are relatively complete and warm.
8, " Good Will Hunter "
I would call it a near-perfect work within the Hollywood narrative framework. Usually, a movie has a wonderful and touching line in the structural position of the film. It can become a classic. This film has three or four paragraphs astonishingly. Looking back, I'm not at all surprised that the movie won the Oscar for Best Original Screenplay, but what surprised me is that the winners, the screenwriters of the film, are Matt Damon, and Big Ben!
9, " genius Ripley "
genius criminals are separated by a wall: every time he kills a lover, he kills a certain part of himself, and those who escape the French Open can't break free from the cage of the soul; Indifference and avoidance of self-identification, he can be genius, gentle, timid, evil... but he is always Ripley. The difference between contemporary audio-visual and classic narrative is that the evil and the unrestrained are turned into extreme fear, the iceberg theory and the multi-dimensional radial structure; the trauma of the original family is reflected through the hints of a few words. The beauty of 's legacy in the ancient city of is in the collision of opera and jazz . That crazy soul has fallen too deep to feel the tenderness of humanity anymore.
10, " Rainmaker "
does not have any fancy things, and tells a good court story. The fledgling new lawyer finally won the lawsuit by not relying on the rapid progress of debate, but also relying on the assistant of the little slippery. At the end, although the bamboo basket is empty, it is also the only choice to keep the "boundary". Otherwise, the male protagonist will be the next lawyer he hates. I don't quite understand why the bug's clues are missing.
Matt Damon starred in ten classic blockbusters, and each character created is an unsurpassed classic!
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