The film's connotation, lens language, and emotional rendering are all very good. It can be seen that the director was Hiroyuki Koreeda and when they were shooting this film, they were subtle and restrained.
movie is tragic, if it is a commercial director, it will definitely be sensational. But Hirokazu Kore-eda did not do this. He has a good grasp of the emotional scale of the movie, so that you will neither withdraw nor cry, and can watch the entire movie with an indifferent attitude. From this point of view, it is not surprising that the film won the Palme d'Or .
The family in the video has almost no blood relationship. On the surface, as "Auntie" Aji said, it is because of money that the family relationship is maintained. But the reality is that grandma didn't want to die alone, so she adopted Dazhi. When Dazhi stole, she found Xiangtai, who had been left in the car by her parents, and Xiangtai picked up Lingling, who was raped by her family. The original family abandoned them and they formed a truly interdependent family of their own. As Xindai said: I am not abducting, I pick up things that others have abandoned... The
movie is also ironic, the family of a thief who has done a good deed and kind-hearted must bear the guilt of "abduction", the parents of domestic violence children Transformed into a good parent who loves their children, ZF staff only know how to ridicule and ridicule Xindai. The real solution to the problem depends on the people at the bottom. Obviously, this situation is the same everywhere. At the end of the
film, Xindai resolutely took all the guilt, she did not fear or flinch, because in her heart, love was forever. ZF can imprison her freedom and take away Lingling, but she cannot take away the love in her heart. Because of love, we can have a future.
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