"the end of the sea is the grassland " film review: sadness is the marrow of love!
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's recently released emotional blockbuster "The End of the Sea is a Prairie" has become the focus of fans' attention. The film was directed by Er Dongsheng , with Shang Yang and Shi Ling as the screenwriters, and Chen Baoguo , Ma Su , Ayunga as the leading actors. Based on the true historical event of "Three Thousand Orphans Entering Inner Mongolia". The
film tells the story of my sister Du Siheng, who was abandoned by her helpless mother in a Shanghai orphanage in 1959, and then transferred to Inner Mongolia to be raised. And the story of a family hunt in reverse. The plot twists and turns, tragic, it made the audience a lot of tears. "Sadness" is mainly manifested in three aspects:
One is the sadness of the times. The film uses 3,000 orphans to enter Inner Mongolia, showing the ethnic feelings of the Mongolian and Han families, but how the 3,000 orphans were born highlights the sadness of the times. During the three-year natural disaster period 60 years ago, in Shanghai, which is close to the "land of fish and rice", so many families could not get enough to eat and were forced to abandon their children. The pain of leaving home without a child is the hardest decision for every parent. When a grain of sand falls on everyone, it is a mountain. The background of the film, the source of the tragedy, makes people feel sad.
The second is the tragedy of the plot. The biggest success of the film is the ups and downs of the plot, exciting. Every word does not say love, but love goes out of the sky; every word does not talk about sadness, but sadness goes into the bone marrow! After more than an hour of recollection in the film, I thought that Du Siheng ran away from home, fell into quicksand and "died" was the result and culmination of the tragedy, but it was just the beginning. Later, unexpected scenes such as Remuhan saving people and dying, Du Siheng changing his name and changing his surname, and dying on the grassland were staged one after another. The burdens came one after another, making the tragedies climax one after another, challenging the audience's emotional limits, and earning enough tears.
The third is the sadness of fate. In addition to reflecting national sentiment and national love, this film actually reflects the issue of the priority between the grace of childbirth and the grace of nurture. Du Siheng was abandoned by his biological mother when he was young, and was brought up by his adoptive parents. The sadness of his fate makes people sigh. But fortunately, his adoptive parents treated him as their own, which should be a fortune among misfortunes. However, Du Siheng was stubborn, caring about his biological mother wholeheartedly, disregarding the grace of parenting, and deliberately running away from home, which led to a greater tragedy, and staged a life course of "character determines destiny". This kind of arbitrary behavior, regardless of the feelings of others, should obviously be taken as a warning. The author of
believes that it is precisely because of the above-mentioned triple tragedies that the film, in the process of moving people's hearts and making people cry, makes people more deeply appreciate the simple human feelings of "big love without borders". It is indeed a good film with great practical significance. . There is a saying: at the end of the
sea is the grassland, and
grieves into the bone marrow is great love.
Three thousand orphans entered Inner Mongolia,
shared weal and woe to the future!
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