Only in the context of globalization will a "movie power" be born

is placed in the context of globalization, and a "movie power" will be born.

Han Haoyue

A few days ago, he participated in the second Macau Laiwu Forum hosted by the Macau Laiwu Group. The forum was organized by the China Film Critic Society Hu Jianli, secretary-general of and secretary-general of the Macao Laiwu Film Critics Association, hosted a chat with famous director Xiao Guiyun, famous actor Zhang Guangbei, young director Tian Bo, chairman of PEN Macao, Liao Zixin, and Macao columnist Mei Zhongming. On the topic of how to expand the genre of film themes and move from a movie power to a movie power.

China's movie theme genres are reflected in some important schedules in terms of market supply, such as summer schedules and Spring Festival schedules. There is often a saying that "the genre is rich". This is indeed the case. In these two schedules that often produce high box office , Domestic films have refreshed the box office records again and again, but after calming down, "abundance of genres" is only a superficial phenomenon created by the temporary prosperity of the market. Domestic films have the problem of clustering themes and single styles, which are often covered up by topics created by high-box-office films. .

War films, comedies, and family emotional films, these three themes have become the absolute mainstream of the domestic market in recent years, especially war films have become popular and have become the pillar types that contribute to the box office; After it became popular, comedy films have emerged one after another in the past 16 years, but after the sudden emergence of war films, comedy films have gone downhill faster and faster, giving up a lot of market space; family emotional films seem to have many creative angles, but in conclusion, Either take the tear-jerking route, or tell stories of terminal illness, or there are tricks. Therefore,

said that to expand the types of film themes, it is very important to let those unpopular themes have better room for growth. The names of the three films that frequently appeared in this Macao Laiwu Forum were "Life Events" and " Hidden". "Into the Dust " and " Liu Qing " were mentioned many times by the forum guests, and they expressed this desire. "Life Events" is a funeral theme, "Hidden in the Dust" is a peasant theme, and "Liu Qing" is an intellectual theme. Their high praise and their entry into the hot topic of movie topics mean that the audience actually wants to have more The right to choose, so that different movie tastes and aesthetic needs can be more echoed and communicated in the cinema.

In my opinion, the distance between the big screen and the auditorium is sometimes very far, sometimes very close, and when it is far away, the audience feels that the screen is a cold piece, full of noise and preaching, and cannot produce more. Resonance; and when it is close, the audience's eyes will be firmly tied to the screen, even when the end credits are released, they are reluctant to leave. When a good movie is shown, the information on the screen has a flowing effect. The joys, sorrows and sorrows it carries will flow to the audience continuously. Excellent film creators will pay special attention to this flow of film stories. Sex, and some filmmakers who tend to create utilitarian creations, their stories begin to solidify on the screen, and gradually lose the possibility of flowing to the audience.

famous actor Zhang Guangbei made a very vivid sentence on the forum. He said: "You only grow one kind of flower, and it doesn't look good. Plant many kinds of flowers, and when this flower blooms, the other flower blooms, which makes it more beautiful." What I want to express is the pursuit of "blooming a hundred flowers". If Chinese film wants to go global, it must first be successful in the local area, but at the same time, Chinese film must find its own global language, not only telling the stories of the Chinese people, but also the emotions that all human beings pay attention to. , emotions, etc., placed in local stories. In recent years, we have had some movies with extremely high box office, but it is difficult to get a reasonable box office overseas. This is the reason. Losing attention to the huge audience in another cultural background means that domestic movies are going out of the predicament later. Difficult to understand.

In recent years, Korean movies include " Parasite ", and TV series " Squid Game ". Almost every quarter, there are Korean film and television works, which have set off worldwide popularity. As a "movie power", South Korea is no longer the only one. A pursuit, but a reality. Chinese films have learned from Hollywood. Under the influence of Hollywood elements, war films are made with more emphasis on the perspective of small people and more epic. Then, can Chinese films learn from Korean films to face reality, gain insight into human nature, and express sharply? Domestic films can learn from Hollywood, just as they can learn fromIn Korea, literature and art know no borders, and good methods and methods will stimulate the enthusiasm of creators.

The 2nd Ao Laiwu Forum is one of the series of activities of the World Film Industry Conference. The theme of the conference is "From Hollywood to Ao Laiwu, Across the Pacific Dialogue, and Build a Community of Shared Future for Global Filmmakers", it also clearly proposes the film industry. To move towards global creation, a film industry placed in the context of globalization can match the words "movie power".