The much-anticipated Mid-Autumn Festival book "There is Her in the World" has handed in the worst answer among these female films. The film now has a score of only 5.5 points on Douban, and the box office is only about 40 million, and it is showing a downward trend of daily new box office.
gathers the luxurious lineup of "There Is Her in the World" starring Chen Chong , Zhang Aijia , Li Shaohong , Zhou Xun , Zheng Xiuwen , Huang Miyi , Xu Di and others. A "plattery" movie of 1 unit, the story background is the early stage of the epidemic, and a series of stories about family, family, and love that occurred from this. The key characters in these events are inseparable from the "her" in the movie. But the final presentation is "rotten" appalling.
First let's take a look at the first story of the film. The story of can be said to be the biggest "failure" of the film. 20 At the beginning of 20, an epidemic swept through Wuhan, and Shen Yue (played by Zhou Xun) and her mother-in-law (played by Xu Di) were infected one after another, and the conflict between the two of them also broke out at this time, and the focus of the conflict was the men in this family— - Husband (played by white guest ) and son had to move out because they were infected with the virus, and the two people who were used to taking care of them had problems in their daily lives.
And the vulgarity of this story is that it did not grasp the main contradiction, but tried to exaggerate the sense of sacrifice of women in the family. The mother-in-law's sentence "If I don't do it for them, I think I live in vain", the mother-in-law is extremely rigid The image of the painting is vivid on the paper, but also makes the viewer feel like a thorn in the back.
The final reconciliation between the two was also because the mother-in-law saw the grievances revealed by her daughter-in-law when she was on the phone with her parents. Is this group of women moving? It just makes people feel suffocated and sad.
What is the man who is the focus of the conflict doing? First it was a bystander-style "useless" mediation, "Can't you be considerate of women?", and then there was another mother crying in the car when she was seriously ill and saying, "I'm Ma Baonan. I'm used to being served by you." Confused speech. The patriarchy emanating from this story makes it hard for me to believe this is a film in the name of women's care.
Let's talk about the second story directed by Chen Chong. Aside from other factors, the narrative, audio-visual language, etc. of this story are complete and distinctive.
The couples Li Zhaohua (played by Yi Yang Qianxi ) and Zhou Xiaolu (played by Huang Miyi), who are separated from each other due to the epidemic, contact each other through video phone chat every day, but one day, Xiaolu could not contact Zhaohua. Hua was quarantined for the epidemic, and finally the two finally got in touch. When Xiaolu was about to go back to see Zhaohua, Zhaohua passed away due to the aggravation of her condition.
This story tells us a story of regret and grief through the current fashion of video calling. The color processing is also very delicate. The tone of the film is black and white (indicating the atmosphere shrouded by the epidemic), but the mobile phone used in the video of the two is in color tone, full of literary atmosphere. But the big question with this story is, what does this have to do with the film's theme about "her"?
The last story is arguably the only eligible story in this movie. Liang Jingsi (Zheng Xiuwen) and He Daren ( Feng Delun ) are both journalists. When they were both busy with their careers, the sudden epidemic caused problems in their marriage and family: the two children were too busy to take care of them, the husband and the The wives do not understand each other. The biggest feature of this story is the truth, If there is a problem, we will face the problem head-on, and if we want to quarrel, we will quarrel.
The turning point of their problems came after the quarrel. After the quarrel, the two still depended on each other, and both began to make concessions and changes. The scene in which the two quarreled is also a highlight of the film. Zheng Xiuwen's life-like acting skills made people feel very immersive and immersive.
Another detail in this story is the Filipino maid. Although she is a migrant worker in a foreign land, she is also a mother; although her work does not require skills and thresholds, she is kind and sincere, and she cannot buy it. However, she took out the masks sent by her family to share with her employer, and the "she" of the little person also shines in this story. If this story is shot separately from the film, it will not end up being "implicated".
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