is first and foremost the era the movie reflects. This is the era when the country is committed to poverty alleviation, that is, within the past 5 or 6 years. Because it is reflected in the film that the protagonist Ma Youtie and his wife received strong support from the country, and they only used 10,000 yuan to own the property rights worth 300,000 yuan. This kind of poverty alleviation effort has not happened in the past.
No matter how poor and miserable people are, they also have their own joy, but in " Hidden into the Dust ", we can't feel a little joy. Even if Ma Youtie came to the new house supported by the state, we did not see a trace of his happiness, excitement and gratitude. It just doesn't make sense.
Suffering, loneliness, dullness, depression, and indifference permeate the entire film. This is a distortion, a distortion of reality! There are indeed some poor people and families in the real society. The causes of poverty are nothing more than diseases, disabilities, old age and frailty. People like Ma Youtie, who are strong in body, outstanding in appearance, kind, honest and hard-working, can't live in such embarrassment.
In fact, Ma Youtie's reason for compromising and marrying a sick and incontinent woman is to be assigned to the country's poverty alleviation housing. Although this is not explicitly stated in the film, it is what it is. Because a single person cannot enjoy the poverty alleviation dividend of real estate. The indifference between people reflected in the
film is extremely inconsistent with reality. When Ma Youtie was among the villagers, everyone looked indifferent. Is this the life scene of the villagers in reality? Certainly not.
One sentence: Ma Youtie's life is just like he traveled from the 1950s and 1960s to the present. We are not surprised that
movies of similar style have won awards abroad. We all know the reason.
Many of our writers like to do something rare, strange, old, weird, thinking that's the only way to attract readers and audiences. They disdain for a universal, popular existence and leave mainstream values behind. This is abnormal and dangerous.
should say: Haiqing , the professional actor's professionalism is worthy of recognition, the director's bold use of non-professional actors is also successful, and the director's reflection on the living conditions of the bottom group is also remarkable. Let our audience see: Our film and television works can not only be rich, bungalows, mistresses, and divorces.
-
-
-
-
-
-
-
-
-
-