Sammo Hung "Practice". Simple and private, not to show off your skills, but to show off your status, just kidding. For the director, it is an unforgettable childhood memory, and it is understandable to express it. Qi Xiaofu has indeed brought a great influence to Hong Kong movies.
Xu Anhua "Principal". In recent years, Director Xu has always been used to telling stories in a gentle rhythm. The disadvantage of this is that because it is too stable and too slow, it is often that the emotions cannot be pushed up in the end.
Tan Jiaming "Farewell to the Night". Young and astringent have no good results because of the immaturity of the young parties. In the end, the sound of the ambulance's whistle was a bit confusing. Is it picking up the girl? Could it be that the girl really jumped off the building, and the back is all imagination? My goodness, I cracked.
Yuan Heping "Return". The director is not very good at this delicate expression style - it looks flat, but it is precise. Ping is not plain water. In my personal opinion, the relationship between children and relatives across generations is often easier than the relationship with parents. It may be because parents often link their children's future with their own, so they intervene more.
Johnnie To "Gold everywhere". Obvious Duchenne filter, familiar composition. I tried to recall the plot of Du sir's " death gold ", but I didn't remember it. The financial industry is indeed a very important part of Hong Kong. The participation and enthusiasm of Hong Kong people in stock speculation is indeed much higher than that of the mainland.
Lin Lingdong "Lost". It is about change and passing. After the death of the father played by Ren Dahua and , what the mother and son said while standing in the water may have been what the director wanted to leave to the world: "Happy life is inherently simple."
Tsui Hark "Deep Dialogue". The old monster's creative passion for keeping pace with the times deserves admiration and admiration. Zhang Daming is too eye-catching, the dialogue is dead laughing, the reversal at the end is not a cliché, the director is happy and the audience is happy.
In addition, it is mentioned that on the one hand, science has made a lot of contributions to human beings, and on the other hand, it also shackles human thinking. Personally agree, such as evolution theory , materialism , I think it is a bit absolute, too much emphasis on matter will ignore consciousness, I feel that consciousness can be explored a lot, such as the situation in reality I once dreamed of; The song in your head, the person next to you hums it; and the intuition.
If physical matter cannot be passed through, is it possible for consciousness to pass through independently? Is it possible for consciousness to communicate directly through means such as dark matter and quantum entanglement? Generally speaking, except for Xu Laogua , most of them are reminiscing about the past. Although one movie cannot cover all the elements, I still feel that in recent years, there have been less and less heroism, exaggerated and direct comedy, and witty love sketches in Hong Kong movies. In addition to the themes of police and bandits, it is also a realistic theme. Hong Kong movies are like an uncle who used to be humorous and straightforward, but in recent years, they have become a lot more serious.
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