Korean drama "Little Ladies" female + suspenseful anti-routine, screenwriter's ideas learn

reporter Liu Yuhan

has only aired four episodes, but some people have already started to book "the best Korean drama of the year" for " ladies ". The play spreads out the story line of the three sisters, and then concentrates the thread on the core mystery case, and then merges after the diversion, so that the complex clues of the whole play revolve around a central point, which is complicated but not chaotic. At the same time, "Little Ladies" combines different styles of dog blood, cool drama, and realism. This mix and match firmly captures the hearts of the audience. This female-oriented suspense drama has taught the screenwriters a lesson.

used a very vibrato-style template to introduce the Korean drama "Little Ladies" in one sentence, that is: a good girlfriend committed suicide, leaving 2 billion won in cash for the heroine. Such eye-catching bursts will attract audiences to immediately chase the drama. But opening the first episode will make people mistakenly think that this is a realistic work. The protagonists in the

play are three sisters from poor families, the eldest sister Inju, the second sister Injing, and the third sister Inhye. The two sisters are planning to give their sister a birthday surprise. The birthday that the eldest sister remembers as a child has never appeared on a birthday cake, and her mother will only put candles on five eggs instead, so she knows, "We live a different life from the people we see on TV." The family was in debt, and the two older sisters paid their father's debts for 4 years, but they still saved a sum of money, hoping to send the younger sister to participate in the school's European study trip. The money was stolen by the greedy mother and left home with the money. After explaining her family background, she turned to the work and study environment of the three sisters: the eldest sister Renzhu was an accountant in a large company, and she was marginalized by her colleagues because she was too shabby. She got along with Chen Huaying, an accountant who was also excluded. Getting closer; the second sister, Inkyo, is a TV reporter, and she was criticized by the leaders for being too empathetic. In order to raise money, she bravely went to serve in the house of a mean rich aunt; the third sister, Inhye, is an art school She is a top student, but in order to make money, she is willing to be a gunman for her classmates.

​​At first glance, "Little Ladies" is like a plot arrangement like " Little Women ", unfolding the story lines of the four sisters one by one, and showing a table of stories in the short story of the parents. And "Little Ladies" soon turned sharply-the eldest sister Inju's friend Chen Huaying committed suicide. She embezzled the company's 70 billion won secret fund before her death, and Inju became the only clue. At the end of the first episode, the highlight of the whole show was left: Hwa Young gave Inju a whole mountaineering bag in cash, a full 2 ​​billion won. The secret fund of 70 billion won points to the chaebol group associated with lawyer Park Jae-sang , and the second sister Inkyung is investigating Park Jae-sang's background. At the same time, the classmate who asked the third sister In-hye to be the shooter was Park Jae-sang's daughter. The three story lines meet tightly together, forming a mysterious circle.

took only two episodes to create a suspenseful story in "Little Ladies" with high speed and high energy. I have to sigh that the screenwriter of this drama, Zheng Ruijing, is worthy of being the queen screenwriter of Korean director Park Zanyu . Films such as "'s kind gold " and "Miss", as well as the recent new film "'s determination to break up " starring Tang Wei , are all written by Zheng Ruijing. She is good at writing suspense, and is especially good at portraying dangerous and mysterious women. In "Little Ladies", Chen Huaying, played by Choo Ja Hyun , played the role of this female figure. She became the biggest mystery of the whole play and the soul of the whole play.