"The Long Confession": True love is not between words

watched "'s Long Confession " directed at Zhang Luyi and Ni Ni . In my opinion, the whole film is a very standard literary film in form: no fancy fonts, short dialogues, and the narrative time is torn apart by the transition of images. Exploring the truth of Ah Chuan's departure is not the point, just to show emotion in this exploration. The core of the film can be summed up in one sentence. I think it is "true love does not lie in the mouth", and other angles that can be explored, such as twin shadows, middle-aged dilemmas, and old age and so on. The overall rhythm is very quiet, suitable for slow tasting. The film

tells the story of Lidong in his boyhood who once fell in love with a woman named Yanagawa, but one day Liuchuan's sudden disappearance became a knot in his heart that he couldn't solve for nearly 20 years. As Lidong and his brother Lichun meet again after traveling with Lichun, the truth of many past stories surfaced, and Lidong's deep love for Liuchuan has intensified in this affectionate confession to "her" hometown...

This is a very "movie" movie, a "type of" movie that I like very much - there is no turbulent emotion, but it flows quietly into your heart like water. The film deconstructs "male" - the extroverted Lichun, the introverted Lidong, and the tree in the middle. Lichun's feelings are as warm and direct as his name, but Dong has spent his whole life restraining his deep love. Lidong's love is because someone laughed at Liuchuan's accent, so he stopped speaking Beijing dialect; when Liuchuan was abandoned, he accompanied her to see the full moon on the last day; although he only got along with Liuchuan for two years, but in ten years. In the long years of five years, I stayed alone; it was the joke that I couldn't tell; the tape that didn't broadcast the sound... There is such a kind of person in the world who loves you everywhere, but can't say it. .

The color of the film is light and the rhythm is slow. Everyone sits and talks and chats, and the film ends slowly. I sat in my seat, watching Liuchuan singing under the lights, watching her dancing on the street, watching Lichun fuck a Beijing movie, it really makes people want to beat, watching Lidong always silently chatting with others, and then sometimes Take a look at your phone. But when I came out and recalled the plot inside, I suddenly became very good. Watching such a movie with the cool breeze blowing in the hot summer afternoon really enjoys it, like having a dream of going to Liuchuan.

It turns out that a person can talk so much with strangers, but not a word with the person he likes. It turns out that a person is domineering outside, but he is obedient at home. From the past, to the present, to the future, she may always be alone. But as grandma said, am I lonely? Actually, not at all. There are so many things I want to do that I can't do. People, as long as you are full of enthusiasm and exploration in life, you should not feel lonely. But when she asked if she was a bride or a bridesmaid, did she ever feel a little love? The prospect is completely different; when I look back, it is very sad.

Hunan Qifa Culture Media Co., Ltd. Tingting wrote in her commentary that this is a movie worth recalling, with seemingly no logic, arbitrary behavior, and memories of her youth. The reserved and reserved Lidong, the young, flamboyant and middle-aged Lichun, and Yanagawa is... the first love is the secret love is the most beautiful youth. Beijing dialect, Mandarin , Japanese, English, Korean ... Through the distance between people, those who can speak their sincerity are given to those who can't communicate with words, but their favorite since childhood has been from He didn't say anything to her, even if he came across the country and came to her, he still followed behind her.

"The Long Confession" restores the unforgettable, unforgettable but unexpressed love into the details and normality of life, mixed with fantasies, memories and dreams, with Li Shangyin "This feeling can be reminisced, but it was lost at that time" of despair and helplessness. The boy's "random" but now greasy older brother, the inextricable younger brother trapped in his memory, the British "friend" who is afraid to face reality, three men, disgraced. When they were young, there were many men who were alone but now more comfortable, the proprietress of the izakaya , and the hostess who said goodbye to the free and easy-going hostess in the past, sitting together and laughing at life. Men die in the past, women dance alone and live into the future.

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