The great director Li Hanxiang made the Peking Opera "Noodle Cylinder" into a blockbuster movie in Hong Kong and Taiwan


(April 18, 1926 - December 17, 1996)

from Huludao, Liaoning, China, Hong Kong director, screenwriter, producer, actor. Graduated from the National Peking Academy of Fine Arts, majoring in painting. He directed about 80 productions and supervised and produced about 20.

In 1955, he independently directed " Snow Red " and entered Shaw Brothers Pictures. He has written and directed many costume films. In 1958, Li Hanxiang launched his first Huangmei tune film - " Diao Chan ", the film was successful, the market responded well, and won 5 awards at the Asian Film Festival . The talented Li Hanxiang is not complacent. For him, "Diaochan" is just a market test, and a good show is yet to come. In the second year (1959), he released "The Beauty of the Land" directed by him. This is a film that made Li Hanxiang famous. According to the scale at that time, this film was regarded as a luxury blockbuster. The popular movie star Lin Dai and Zhao Lei starred, causing a great sensation, and several classic songs in the play have also been sung in Hong Kong and Taiwan. "Beauty in the Country" won 10 awards at the Asian Film Festival, and Li Hanxiang was in the limelight for a while.

"The Liang Zhu" made Li Hanxiang the director with the most box office value in Asia. The Chinese in the entire Southeast Asian region are chasing this film, which is far more popular than "Titanic" 30 years later. It led to the boom of Huangmei tune movies in Hong Kong and Taiwan in the 1950s and 1960s.

In 1983, he directed " Burning the Yuanmingyuan " and " Hearing the Politics " and won the Ministry of Culture's Outstanding Film Award. These two films are the most authorized films in the Forbidden City in history. They have both interior and exterior scenes, and the actors wear Some of the clothes and jewelry worn are from the collection of the Qing Palace. In the scene of Emperor Tongzhi's ascension to the throne, all the interior and exterior scenes were shot in the three halls of the Forbidden City and the Palace of the Qing Dynasty, and the Qing Dynasty cultural relics collected by the Palace Museum were used as props. Mr. and others provided the crew with all the information on the emperor's enthronement ceremony in the Qing Dynasty and the floor plan of the location of all personnel. For example: when Emperor Xianfeng was critically ill, Zai Yuan and others went to check the coffin camp prepared for the emperor. This scene was directly filmed in the Forbidden City's Tiren Pavilion, which was used as a cultural relic warehouse at that time. in the camera was neutralized Shaole musical instruments, the emperor's shoulders and the coffin are all real things. For example, in the play, the scene of watching a play in the Chengde Mountain Resort Theatre was shot in the Changyin Pavilion of the Forbidden City, reproducing the scene of the play in the Qing Palace.

On December 17, 1996, Li Hanxiang died of illness at the age of 70 while filming the costume TV series "Burning Efang Palace" in Beijing.

Li Hanxiang represents a distant era, he is familiar with Chinese traditional culture , and also represents the glory of Hong Kong Shaw Brothers movies. Li Hanxiang is the ace director of Shaw . The ups and downs of his film career are closely related to the fate of Shaw Brothers. Li Hanxiang's films can not only win a good reputation, he is also a great director with great box office appeal. Almost all of the most representative films in his life were filmed at Shaw Brothers. What Li Hanxiang is most proud of is that he not only relied on one type of film to become famous in the film industry, but he was able to shoot various types of films to the extreme. In films of different themes, he made many classic works, worthy of being a master of the generation name. There are three types of films that best represent Li Hanxiang's life achievements, namely Huangmei Diao films, Fengyue films, and court films. He is an important filmmaker in the history of modern Chinese cinema.

The comedy film "The Grand View of Deception" was filmed in 1972. It gathered Li Hanxiang's many friends from Hong Kong and Taiwan, including Zhao Lei, Zhen Zhen , Sun Yue , Zhang Yang, Li Kun, Wu Jiaxiang , Wang Chen, Qiao Hong , Qin Xianglin's and other co-stars also sold well. ShouldThe film tells the story of deceived people being deceived, and deceived people being deceived again.

1st paragraph (Li Hanxiang): It tells the story of Li Hanxiang being tricked by roadside pimps to go to the show, and the anti-deception succeeds; '
2nd paragraph ( Deng Guangrong ): Don't tell the truth to a dying person You must not talk about it when you tell lies, otherwise the consequences will be serious;
3rd paragraph (Zhang Yang, Tang Jing): The story of planning to jump off the building to defraud the onlookers and rescuers;
4th paragraph (Li Kun) : A thief is worse than a thief, in the middle of the night there are no stolen pants left; the fifth paragraph of
(Feng Jingwen): the so-called painless automatic tooth extraction in the street corners; the sixth paragraph of
(Wang Chen, Zhao Lei) ): Firefighters asking for a reward for fighting the fire were fooled; seventh paragraph (Wang Chen, Zhen Zhen): adapted from Peking Opera " Noodle Cylinder ", the story, characters and structure are basically unchanged, with the tune of Nan Gong Deduce a paragraph of Wulong County's grandfather confused officials doing stupid things; among them, Wang Chen plays the county grandfather, Zhen Zhen plays Zhou Lamei , Sun Yue plays Mr. Wang, Jin Chuan plays Zhang Cai;

Eighth paragraph: (Qiao Hong, Qin Xianglin ): It's ridiculous that Zhang San and Li Si are bolder than anyone else. (Follow the public account of "Tianchan Beijing Opera" for more exciting content)