, the song god Xu Guanjie is the forever C in the Hong Kong music scene, and also the object of worship of Leslie Cheung and Jacky Cheung .
In 1992, Xu Guanjie's farewell party shocked the entire entertainment industry, and even Run Run Shaw personally attended the event. What
did not expect was that such a music master was later questioned: "Is it worthy of the word "God of Songs"?
In the 1970s, various industries in Hong Kong gradually emerged. Because they were born in a family of quyi, Xu Guanjie and his three brothers were very fond of music.
In 1971, the eldest brother Xu Guanwen became a famous director, the second brother Xu Guanwu has been doing the behind-the-scenes work of the movie.
The third brother Xu Guanying is a smash hit comedian, well-known by audiences on both sides of the Taiwan Strait.
Xu Guanjie is the youngest, but he first entered the showbiz.
He imitated "Elvis", formed a band, and released the album "just a little", which exploded overnight.
did not last long. In order to complete his studies, Xu Guanjie's band finally disbanded.
Until two years later, he signed to Polygram on his own.
It was this experience that allowed Xu Guanjie to take the first step in his career.
He sang a song " Tower Lingyun " on the stage, and then opened his own music era.
can say that this song is the pioneering work of Cantonese opera song, which reflects the life style of the people in Hong Kong at that time, and also sings the vision of ordinary people in the market. After
, Xu Guanjie held a personal concert at Hong Kong City Hall , officially opening a new era of Hong Kong music .
In 1976, the three brothers collaborated on a film called " ".
Xu Guanjie's works present a thorough civilian perspective (not only language, but also the perspective and starting point of looking at problems), which is almost unique in the entire Chinese music scene . In China, literary and artistic creators who are literate but have no sense of elite are often wonderful creatures who grew up in a special historical environment. Guan Hanqing can only be produced in the Yuan Dynasty; similarly, characters like Xu Guanjie can only appear in Hong Kong in the 1970s.
His songs that reflect the world are concise and concise, to the point, reflecting keen observation and excellent generalization and expression skills. Someone once said on YouTube that nearly half a century has passed, and many of the phenomena that Xu Guanjie satirized still exist, and there is no such thing as humanistic progress. (Actually, the content reflected by the half-pounds has not changed for more than 50 years.) Xu Guanjie can not only use the way of laughter and scolding to write this subject in a lively and delightful way, but also achieve resentment but not anger but not hurt, and retains the irony while retaining With a positive optimism, this sense of proportion is difficult for many creators of the same type to match.
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