Life is just like seeing it for the first time, what is the matter of autumn wind painting a fan, waiting for idle change, but the heart of the people, but the heart of the old people is changeable. If life can stay in the beauty of the first encounter, then it is the most beautiful time. A beautiful and moving romance film "My Father and Mother" directed by Zhang Yimou once made many people intoxicated and linger. Now, his emotional return to the masterpiece "Return" highlights his unique and unique artistic ingenuity.
Anyone who has watched this film knows that he has accumulated enough "small cleverness" this time. The emotional change of a family witnesses the prosperity and decline of an era, and completes the emotional return with forgiveness and tolerance in human nature. Throughout the whole film, this film is like a picture scroll of Chinese love in the ink-and-green style that unfolds slowly.
Zhang Yimou has keen insight and unique artistic creativity. His unique grasp of the language of the lens is reflected in the thematic connotation that penetrates from the outside of the lens to the film, which is beyond the reach of ordinary directors. The lens language is exquisite and delicate, and the picture color The gentle and moving, the extreme rendering of music has become a beautiful landscape in this film, embedded in this ink-and-ink painting of Chinese love.
At the beginning, Lu Yan always ate steamed buns in the rainy night. The audience could not see Lu Yan's face clearly. This reflected his hardships in the labor reform process and made the audience feel curious about him; when Lu Yan returned to At home, the people in the room at this time are already non-human. He scanned everything in the room, closing the door and turning off the light on the small note that caught the audience's eyes, and did a good job for Feng Wanyu suffering from amnesia. The foreshadowing. The movie
has repeatedly appeared in the scene of pick-up. When it comes to pick-up, the first thing in our minds is the scene of couples meeting at the train station. However, the pick-up here is a bit bleak, not so warm and beautiful. . Because Feng Wanyu hadn’t seen Lu Yanshi for many years, she suffered from amnesia. Finally, Lu Yanshi took him to the train station again and again, trying to help her find her memory. Although it was a bit unsatisfactory at the beginning, she eventually went through again and again. After pursuing and waiting, they finally reunited.
The gentle and moving color of the picture is also a highlight of the film, which makes the film like a beautiful poem like flowing water. Director Zhang Yimou is a master of color, blue, gray and white, these three colors constitute one of the main colors of the film. Blue clothes, blue bicycles, and blue water glasses make the audience seem to be back to that special era. The gray and white furniture in Feng Wanyu's home reflects the simplicity and innocence in her heart.
These simple and simple colors and Lu Yan know, Feng Wanyu and his wife are fond of each other, and the simple and mellow feelings form a complementary effect. The end of the film is the most touching place. Amidst the white snow, Lu Yanshi pushed a tricycle with Feng Wanyu to the gate of the station to pick up this lover who had actually returned. Such a sad but warm love picture. It's moving. And in the end, their lonely figure in the snow aroused the audience's infinite reverie. The white snow symbolized their purity and love from the end. This scene also created a space for this Chinese painting. The ethereal mood. The music of
also played a vital role in this movie. The first is the ballet "Red Detachment of Women" that reveals the background of the times. In this article, it is like a fuse. Daughter Dandan is also the star The betrayal of his father caused his mother to fall and suffer from amnesia. At the beginning of the film, when Lu Yanshi fled and he was too late to enter the house, the music was sad and sad. When Feng Wanyu grabbed the safflower cloth left by Lu Yanshi, the piano The solo was slow and heavy, highlighting the loneliness and helplessness of the protagonist; when Dan Dan returned home, Feng Wanyu's room was full of orange warmth. At this time, the music was lyrical and soft, yet it revealed a deep sadness. . Director Zhang Yimou invited the top piano prince Lang Lang to score the film, which is enough to show that his emotional return to the film has reached an extreme and peak.
Acacia sees each other without blind date, a pair of people from generation to generation. This ancient poem sums up the gentle love story of the two people, but the director Zhang Yimou used his unique artistic technique to show us a picture of Chinese love in ink-and-wash style, whether he is good at literary films or right. In the exploration of commercial films, director Zhang Yimou has a kind of universal value to tolerate his films, and in this film he has obtained the ultimate experience.Now.
uses small characters to reflect the big era, and family fortunes to reflect the prosperity and heart failure of the era. Through Lu Yanzhi's forgiveness of his daughter and his salvation of the family, it is undoubtedly a need to embody director Zhang Yimou's golden mean in life. Superb artistic skills and superb film techniques.
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