yesterday re-watched the 1981 Northern film "Sea Prisoner", and remembered Shao Wanlin, an old actor who played the lunatic Pan Yuankun. Although Pan Yuankun is not the protagonist, he is a suspenseful character throughout the film. At the beginning of the film, there were several floating corpses floating on the sea, and then Pan Yuankun, who was holding a wood, was rescued by Tang Jinlong. Pan Yuankun went ashore and ran away, and met his relatives on Stone Bridge. He couldn't speak, he would just laugh and fear fire. As the plot unfolded, it became known that the reason for his madness was that all the people on the boat were burned to death, and he became a lunatic after being stimulated. Both Tang and Pan, who were fighting with weapons, were caught on a boat selling Chinese workers, and everyone was lost in confusion and pain. At this time, Pan Yuankun woke up, exposed the ugly face of Pan clan chief and comprador Pan Rufei, and provoked the truth about the fighting between the Tang and Pan clans. The fighting between the Tang and Pan tribes was caused by Pan Rufei's instigation and incitement. The purpose was not only to cause bloodshed, but also to traffic in human beings, even his cousin nephew. As a result, the brothers of the two races opened their eyes and united to stage an uprising on the ship.
The lunatic character on the screen, I don't have much impression. One is Hua Ziliang of Cai Songling in "Eternal Life in Fire", pretending to be mad and lurking, circling in the yard, passing news to the inmates, his eyes are determined and composed. The other is Kong Nina of Xie Fang in "Tears", a returned overseas Chinese who pretends to be crazy, and her response to such gang minions played by Shao Wanlin is to draw a clear line and make a clean break. Another is the "sports" lunatic Zhu Shibin in "Furong Town". Once the situation changes, he knocks on the broken gong and shouts "exercise, exercise". As a lunatic, I feel that Shao Wanlin's performance is not ordinary. He performed the character of Pan Yuankun's unsteady and sluggish vision. Shao Wanlin's movies, I remember a few movies with contradictory or problematic characters in the 70s and 80s.
Dongshanwu Village is rushing with waves, violent storms and rain, "Sunny Sky" kicked off a class struggle. Production team leader Ma Lianfu and militia platoon leader Xiao Changchun were class brethren who used to work long hours at the landlord’s house before liberation. Today, Ma Lianfu has forgotten their roots. He was bewitched and instigated by the hidden counter-revolutionary Ma Zhiyue and the landlord and rich peasants. He not only drove to abandon agriculture and business, smuggled the wheat seed loaned by the state, and followed the evil ways of capitalism, but also acted as a spokesperson for land dividends and food troubles. After saying things that Ma Zhiyue and others did not dare to say publicly, they did what they did not dare to do publicly and was used as a gunman. It is unforgettable that Ma Lianfu made a big noise at the village cadre meeting, and his impulsiveness when he was arguing about land dividends. After being criticized by the poor peasants played by Guo Zhenqing and others, he gave up his words. He was both dejected and stubborn. It was a wonderful performance with appropriate benefits and relaxation. . After all, he was a comrade in the team who was used by the enemy. Before Xiao Changchun was crushed by the village, he was both serious and enthusiastic about helping him, and finally made Ma Lianfu burst into tears and wake up.
The Jinxian County Party Committee in "Tearstain" has three gang minions. Fang Hui’s Xu Feixiong is a typical villain who robbed his home during the Cultural Revolution, while Yu Shaokang, played by Yu Wenzhong, is a profit-only speculator. See Shao Wanlin playing Zhang Wei walked into Xu Feixiong’s house and saw that Xu Feixiong and Yu Shaokang were pouring their sorrows over wine, panicking, his face was gloomy, he sternly scolded, slapped Yu Shaokang’s face a few times, and the curse was ruined on you. I was a little surprised when I taught you to bear with these people. It turned out that the director of the county party committee office was the leader of the gang. He rebelled and seized power during the Cultural Revolution, killing Cao Yi, the former secretary of the county party committee, and condemning Cao Yi's death as suicide, deliberately making unjust, false and wrongful cases, so that Cao Yi's wife could only pretend to be mad and protect herself. The new secretary Zhu Keshi wanted to thoroughly investigate the truth. He also killed the insider of Cao Yi's case, creating a false appearance of a car accident to cover people's eyes. I was deeply impressed by this gentle-looking, but insidious and insidious gang member who not only resolutely carried out the wrong line, but also trampled on the law, ransacked human lives, and finally committed suicide with fear of sin and repentance.
If speaking purely from the perspective of professional skills, I think Su Zhe is a very good police officer. You must know that Liu Jie is a battle-tested old policeman. He was almost killed by him twice in the life-and-death struggle. Not to mention that the crematorium miraculously came back to life. It is estimated that Su Zhe was thrown out of the window by Su Zhe on the high-speed train. Death is wounded, and the hero on the screen is of course safe and sound, ha. This also shows from another angle that the stealing of state secrets and foreign secret agents are no longer waiting. He was cruel and cruel, not only killed his wife, cleverly forged the scene, and attempted to blame the old policeman who was being criticized. In addition to showing a few traitors in the final fight with Liu Jie, I personally feel that this spy has not been masqueraded. In the movies at the beginning of reform and opening up, it was a good contradiction.
Shao Wanlin (born in 1939, a native of Laizhou, Shandong) became associated with the film in 1958. He stood out from more than one hundred long film actor training class students that year. He once played the male protagonist Nan Songyun in "Xiu Jiangshan" directed by Lin Nong. The theme was inconsistent with the re-education of the poor and lower middle peasants by the intellectuals at that time, so it was not released. If this film is released, maybe Shao Wanlin's journey from the shadows will have another scene. In the process of watching the film, I felt that in 17 years, in addition to "The New Show of the Circus", he played some dragon-like roles, such as the lumberjack in "Wan Muchun" and the traitor agent in "Having a Descendant". The policeman in "Express Train", the unknown youth in "Jingpo Girl", and the passengers of "Goose Hongling". The Cultural Revolution film "Sunny Sky" was originally to play the role. The change of actors who played Ma Lianfu was recommended by the teacher Huang Ling. Including his transfer to North Film in 1974, the underground worker Pharaoh who appeared as a guest in "The Scout" is also a legend.
Shao Wanlin from 1960 to "Kunlun Iron Horse" in 1960 to 2016 China Film Association "Nankou 1937", in more than 50 years of film career, participated in about 35 films, almost all supporting roles. Perhaps as an actor, he is more passive. He has also tried directing work. He has served as an assistant director in films such as "White Dove" and "The Clay Figure". He felt that his personality was inappropriate and gave up. The roles played are both pros and cons, basically the same. He has a wide range of operas, workers, peasants, soldiers, academics, and business performers, workers such as "The New Show of the Circus" and "Wan Muchun", farmers such as "Sunny Sky", "Red Rain" and "Bull Horn Stone", and soldiers such as "Kunlun Iron Horse" and "Cong "Slave to General", intellectuals such as "Embroidered Jiangshan", "Clay Man Chang Chuan" Mr. Liu, businessmen such as "Love and Hate", "Lost Bronze Gui", and other types of roles, he can control, simple and natural performance , Without facial makeup, the characters are just right, personally feel that Teacher Shao Wanlin is an old actor whose acting skills are underestimated.
-
-
-
-
-
-
-
-
-
-