summarized in one sentence: I want to watch it again, watch it again, watch it again, and watch it again. The painting and plot of
are very good. Of course, each has its own advantages and disadvantages. The animation is as smooth and excellent as before, but there are indeed some clips that are too simple, especially when viewed on the big screen. In terms of the plot, I think there are two embarrassing points. One is that when Xiao Hei and Infinite Wandering Sea intersect with the plot of Fengxi Gang's action, I feel that they are not handled well. The other is the characterization of Fengxi, or experience molding, which needs to be improved.
would like to focus on the Chinese core in the film. What I want to talk about here is not how much Chinese style the picture is, or how many common elements we use in the setting. I hope to talk about the plot and character performance related things. For feature films, I think the most important thing is to shape the characters, so they can all fall into the characters.
Xiao Hei's arrogant (subtle and warm emotional expression) and contentment and happiness are the characteristics of our nation, at least in my opinion. There is a fragment like this. After a short time of getting along, sitting in front of the bamboo raft and playing the flute infinitely (or Xiao? I don’t understand it), Xiao Hei’s split hey jumped onto Infinite shoulders, although Xiao Hei has his own independent consciousness, but his emotional inclination should be the same as Xiao Hei's, so it can be seen from here that Xiao Hei has taken off his guard against infinity at this moment. Imagine such a scene, when a Western Xiaozhengtai is captured by a bad guy A who is chasing his family, but in the process of getting along with him, he finds that this A is not a bad person, and even treats himself quite nicely. What will Xiaozhengtai do? What? I think he should ask the ins and outs, and then think alone. On a sunny afternoon, A plays the guitar while Xiao Zhengtai sits next to him and sings in a childish voice. But Xiao Hei wouldn't be like this, he would only let his babble close to infinity, sitting silently in his own territory (behind the bamboo raft), with a typical body that was upright. But our feelings are also warm. For example, Du Liniang in the peony pavilion can entrust her body and mind when she sees Liu Mengmei in her dream. The manifestation in the film is that Xiao Hei’s tears rained down and pounced into his arms at the end, and now it looks cute enough to explode! When Xiao Hei joined Feng Xi's group, he only got a small nest, ate a few bites of meat, and saw the flowers released by Luo Zhu. In Xiao Hei's heart, Feng Xi and the others are family members, and our definition of home So similar, a stable nest, enough food and occasional fun, is enough for contentment.
This is the Chinese core that I can see from my perspective. Xiao Hei is like one of the tens of millions of children in China. He is a little ignorant, but he can also teach, and he is not good at expressing feelings. Of course, when the feelings are gathered to a certain level, they can also burst out. Of course, there is the most important point. We can’t walk when we see delicious food. This is our commonality.
will hope and look forward to seeing more and more animated stories composing our generation. The characters in it are based on the people around us. He/she has a place that we all like, There are also the shortcomings in our personality that we all share. When we see them in cartoons, we feel very kind and happy.
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