reported on August 23 that -what is a story novel? The famous screenwriter Liu Yanwu of
: Drama novels are a new category of sound literature.
I adapted the literary script of my series of movies and TV dramas into a sound studio version and made a sound work. And named: story novel. There are the following reasons. The biggest difference between
plot novels and traditional novels is that the "God's perspective" has been removed, and the "storytelling-style commentary" has also been removed. Drama novels are dramatists who use drama structures to create drama situations, and the characters in the drama themselves interpret their own life stories. In other words, it is not the writer who tells the story or the characters there, but the characters in the play themselves complete the function of shaping themselves. Traditional writer. Generally speaking, it is used as a home perspective to express his characters and their stories. The story novel is to put the characters that the playwright wants to perform in a specific scene, push the characters in front of the audience, build a stage for the characters in the play, let the characters in the play perform themselves, and let the characters in the play tell by themselves Your own happiness, anger, sorrow and joy. Although the works of some novelists are also very dramatic, the text of the novel is still the structure of the novel after all. The text of a plot novel is a literary script of a movie or TV drama. The script is characterized by no psychological description of the characters, no objective explanations, only scenes and characters, and events that touch the fate of the characters. In the huge emotional impact, impermanent fate ups and downs, unexpected turn of fate, and dramatic changes in the relationship chain of the characters, a thrilling dramatic effect is achieved. The rhythm is tight, the characters are lively, and the suspense is full of suspense. Drama novels give the audience an immersive sense of substitution, which can infinitely expand the audience's imagination. Because there is no subjective intervention of the writer, there is no inner analysis of the characters that the writer is talking about, and at the same time, the subjective description of the writer is also removed. The audience is left with a huge imagination and sense of participation. Therefore, there is no nonsense in the plot novel, which saves space and also saves the listener's listening time. The audience can face the characters in the play directly and participate in the inner world of the characters in the play immersively. In this way, it will undoubtedly make the audience's sense of participation and resonance more smooth. The difficulty of
plot novel creation is the grasp of the timeline and the accurate design of the characters' lines. Just like the opening of a big drama, the playwright can only grasp the rhythm of the drama, cannot interrupt the movement of time, let alone describe it in retrospect for the first 30 years, and openly discuss it in the next 50 years. Therefore, the creation of plot novels requires the writer to have a skilled drama structure ability, the ability to create scenes for film and television creation, and a solid foundation in lines. Each character in a story novel is themselves, and they have to say lines that only they can say. Therefore, the playwright is required to have a good line knowledge. The
plot novel is a brand-new literary category that integrates the creation essence of a variety of literary works. Drama novels do not abandon the creative essence of traditional sound works. The plot novel adopts storytelling narration, the role division of radio dramas, and the creation of scenes for movies and TV dramas. Plot novels are laid out in a novel way, the plot is structured with the structure of drama, and the scene is brought into the scene by the way of film and television. Only in this way can the audience listen to the story and feel the inner state of the characters at this time. , So as to enter the character's spiritual world, the audience can get through the resonance box with the characters in the play. The
plot novel has undoubtedly expanded the auditory experience of voiced literature. Drama novels are also a brand-new attempt to sound literary works. The online data of my plot novels "Hou Hong Lou" and "Da Shun Fang" show that the audience's sense of participation in this category of audio works is very positive, and the satisfaction is also gratifying. Maybe this is a unique way to innovate in audio literature? Is it also a breakthrough for audio literary works out of traditional barriers?
famous professional screenwriter-Liu Yanwu brief introduction
ancestral home in Shanxi. Born in October 1957 in Fengzhen, Inner Mongolia.
was admitted to the Inner Mongolia Art School (Inner Mongolia Art College) in 1975. Learned the erhu major under the erhu master Liu Changfu.
1978 Graduated from the Inner Mongolia Art School and assigned to the Inner Mongolia National Opera Troupe. Ren ErhuPlayer.
In 1979, he was appointed as the screenwriter of the Inner Mongolia National Opera Troupe.
From 1983 to 1985, he was admitted to the Inner Mongolia Institute of Management, majoring in literature (cultural business management). After graduation, he returned to the Inner Mongolia National Theatre Company to continue to work as a screenwriter.
settled in Beijing in 1994. Engaged in professional screenwriter so far.
Member of Chinese Dramatists Association. Member of China Television Artists Association.
(responsible editor: Han Chong_NBJ11345)
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