After Tian Fuzhen directly sealed with "Nobody Knows", the album really has such a top spot?

Last night, Tian Fu Zhen successfully won the 32nd Golden Melody Award for Best Female Singer.

album "Nobody Knows" also successfully picked the best producer and best lyricist.

must admit that this is a very high-quality music album last year.

This is her fifth album after leaving the group as an independent individual. I listened roughly when

was first launched, but I was not particularly impressed. After repeating

several times, I feel that this album is worth seeing. If you only listen to

, many people will not be able to feel the charm of the album. "Nobody Knows" is not an album that makes people fall in love at first sight.

It is slower and needs to be chewed slowly.

No matter what, it is a rare Chinese album, and it is also a tonic for Tian Fuzhen's road ahead.

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"Nobody Knows" is a studio album released by Tian Fuzhen at the end of September last year, and it is also the first album left by his old company Huayan. The addition of

Golden Melody Award producer Chen Jianqi adds a thin layer of gold to this album, making its style unique.

"No one knows" is like a literal meaning, no one knows the truth.

For Tian Fuzhen, she is trying to find other aspects of herself. This is true whether it is people or music. The whole album

straddles popular and independent music , both commercial and artistic attributes.

retains his original appearance, but also explores a different self.

Through the album, she unreservedly shared with us what no one knew about her. The concept of high-quality albums of

is certainly not limited to the singer's self-expression, it will inevitably rise to social value.

maps the universal values ​​of every ordinary person from Tian Fuzhen’s personal values.

The self in our eyes may not be the most real existence, so we cannot easily define it.

In this weird world, we should have the courage to explore the unknown and create uniqueness that belongs to ourselves. The album cover of

is also designed according to these values.

It is a surreal black and white photograph taken by Dutch photographer Astrid Verhoef.

across three continents to find the desert of no man’s land, using basin terrain to break the ridgeline of the sky.

The picture of the harmony between the world and the earth creates an unknownThe sense of mystery seems to be detached from the real world.

seems to be free, but you can feel the pressure in the geometry. The design of

through black and white tones, equivalent composition, and graphic collage, makes people feel a kind of loneliness of exploring themselves in rigorous logical thinking.

can clearly feel the music concept Tian Fuzhen wants to convey from the album name and cover design.

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This album contains a total of 10 works, and there are also some designs in the order of the music. "Intro" at the beginning of

is the introduction to the entire album. It intercepts the chorus at the end of "Or a Song".

as the introduction, it points out the core concept of the album, an unknown Tian Fuzhen is coming soon. The lyrics of

are her inner monologues. I hope to feel the difference in her in the following 10 songs. The style of the

album is still very obvious, and it can be divided into independent music and pop music.

The individuality of independent music is very obvious. It does not have the commercial attributes to follow the trend, but is trying to guide independent aesthetics. Since

is not popular music, the melody is naturally not easy to understand, and the chord direction is also elusive.

"Prophet" is the prelude released in July, it is the theme song of the movie "Freaks". The lyrics of

were created by well-known Taiwanese lyricist Ge Dawei . He has collaborated with Cai Jianya , Eason Chan, Elva Hsiao , Rene Liu and others.

retro psychedelic rock style with Tian Fuzhen's lazy, sticky singing to reveal the humble opinion of the prophet in love.

through the continuous superimposed arrangement, the level of this song is very rich. The success of the song

lies in the unconventional melody trend and the audibility of the song.

Compared with "Prophet", "Tian" is to challenge the audience's aesthetics of independent music. The lyrics, melody, and arrangement of

sound like pretending to be a ghost. If you don't use your brain, this song will sound like a sound. The lyrics of

"the myth of crop circles you know" is actually talking about the phenomenon of crop circles.

uses an unknown force to press the wheat field into a geometric pattern. Many people associate this phenomenon with aliens.

Tian Fuzhen likened herself to a wheat field, and those who wanted to walk into her heart as aliens.

However, these "aliens" left after they left irresponsible totems in her heart.

Tian Fuzhen wants to keep these people, let them immerse in this, even "dead" in this wheat field.

She used an unsolved mystery of the world to tell the audience her other side that nobody knew. The

melody is not very friendly to the general audience, and the audibility is not very high, but it has great connotation.

"Diriches" is a jazzy work, seeking oneself in a relaxed atmosphere.

Even if the whole world says no, I still have to be hysterical.

She put this foreign word in reverse, and she can also see a trace of rebellious consciousness towards the world.

and the song "One One" can also be classified as indie music, which is a song produced by alternative music styles representing Mars radio station . The song

is one of my favorite songs in indie music style. It shows very delicate emotions with a lazy singing voice.

Her biting and pronunciation makes people very comfortable, one by one can be understood as "all", trying to forget everything, starting a new start. Although the above five works of

are distinctive and unique, they are not far from the public's aesthetics.

In the direction of certain melody, the audience should easily feel the beauty conveyed in her music.

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If the first 5 songs can be classified as independent music, the last 5 songs can be classified as pop music. Styles like

are relatively popular, with clear melody and regular use of chords, so they have strong audibility.

"Jieke" is written by Lan Xiaoxie and composed by Lin Jiaqian. It is a heavy and introspective work. The decomposed chords of

piano add to the heavy atmosphere, Tian Fuzhen’s voice is too suitable for singing this song.

showed the charm of her voice to the greatest extent, and the processing of whispering, breath, and transphony were all in place. The song

makes me feel that her voice is emotional, rather than forced to join through subjective feelings. This feeling of

can also be clearly felt in "Nobody Knows", which is also the work of Ge Dawei's participation in the lyrics.

is also unexpectedly good as a song on the album. He sang the saddest bitterness that no one knows in the relationship. The melody of the chorus part of

can be said to be quite high-quality, which is the chord direction I want to repeat for the single.

"Satiric Love Letter" is the most relaxing work in the whole album. The brisk melody makes me want to sing along.

Although the lyrics are slightly sad, she did not use a sad melody to express it, but faced the predicament in love with a sudden candid mood.

"People are the most troublesome" has made an auditory challenge, left channel is the accompaniment, right channel is Tian Fuzhen's vocals.

followed the minimalism in the arrangement, and only used two balladsAccompanied by guitar and chorus.

"Unwilling to reveal her helplessness, but eager to be taken care of", she played back and forth in this contradiction, seeking an exit.

Speaking of minimalism, "The Hanging Sun" is naturally indispensable. The plucking sound of

makes people want to return to the simplest days. This simplicity is actually Tian Fuzhen's desire for love.

She knows that this love is like a hanging sun, it will fall sooner or later, but she always has the mentality of "the sun never sets". The last song of

is the epilogue of "Nobody Knows", which echoes "Intro" perfectly.

This was created for her by the Taiwan Deca Joins Orchestra. When Tian Fuzhen heard the demo, she was attracted by the melody.

and after we heard her recorded version, it was naturally difficult to escape the music that hit the soul directly.

"I give you my soul, or a song takes you into the deep sea. I lend you my secret, some lonely talking to myself." The lyrics of

are the core of the album. It is also the attitude Tian Fuzhen wants to convey to us through "Nobody Knows."

When faced with a relationship, very often only the person involved can experience the ups and downs.

Tian Fuzhen interprets an unforgettable love with a relatively introverted and gentle tone.

is calm on the surface, but in fact, my heart is already turbulent, full of entanglements and contradictions, and I don’t know how to deal with this feeling.

She is willing to show her heart this time, let us walk into her most real inner world, and explore her little emotions that no one knows.

She seems to be sharing with us, everyone will encounter a love in life, no matter whether this emotion is good or bad in the end, it will become an unparalleled beauty in life.

"Nobody Knows" has in-depth thinking and insight into love. There is actually a lot of information in the music waiting for us to dig. This is undoubtedly a high-level album this year.

Although the theme of love is closely related to us, we still hope that the following albums will break through the shackles of these themes, and we can try to start from a higher and deeper perspective, which may be more contemporary.

The current popular music is mostly love-oriented, which is somewhat aesthetic fatigue.

The melody can be ever-changing, but the lyrics content is difficult to have other new angles.

Tian Fuzhen’s album is still convincing in this year’s Chinese music scene. After all, the production team is a regular guest of the Golden Melody Award.

is a painstaking effort from multiple angles such as album name, album cover, song sequence, work, etc., and strives to perfectly fit the theme of "no one knows". The album

also allows us to see the more refined Tian Fuzhen, whose music began to change from quantity to quality.

Of course, this process is extremely difficult, as for whenWe will wait and see when the transformation is completed!