This summer, due to the impact of the epidemic, the popularity of movie theaters has dropped significantly. However, after the epidemic eased, everyone went into theaters one after another to watch some relatively high-rated movies. Since the number of people watching the movie is very small, the feeling of watching the movie on the spot is very good. However, the small number of people affects the theater very much.
picture from the network
Let’s talk about a Hong Kong movie "Anger. Serious Case" that I watched in the last two weeks and was rated above 9.0. The cast of this movie can be said to be very strong. The starring Donnie Yen , Nicholas Tse , etc., and some supporting actors are familiar faces that we often see in Hong Kong movies. Needless to say its acting skills. From the content point of view, it also continues the usual performance techniques of Hong Kong police films, justice and evil, punishing evil and promoting good. However, this film also made some new ideas. For example, the predecessors of this group of criminals were all policemen. They were a group of people who had full trust and belief in the profession of the police, but in the end, under the blow of reality, they distorted the three views. Their experience is sympathetic, and it also reflects the coercion and helplessness in their careers. However, it is indeed not advisable to retaliate and deal with injustice in a vicious way. In the film, there are several sets of relationships, which are worthy of our attention, and at the same time, we can analyze a film in depth.
First of all, it is the complicated personnel relations within the police station. In the film, Donnie Yen, the policeman, Abang, is an upright grassroots police officer who has handled many major cases and has high prestige within the police station. However, due to his overly upright personality and his unwillingness to be constrained by regulations in handling cases, his position is It's not high, and it can't be recognized by high-level superintendents. Therefore, when tracking the end of a major case, they are directly excluded. And it is precisely because of this seemingly ordinary police dispatch that I thought it would be possible to capture the criminals securely. Who knew that the colleagues who participated in the arrest were almost annihilated. This made Abang heartbroken and determined to get his colleagues back. Fair. Such a story setting paved the way for the later plot development. Many heroes in the play are naturally blessed with a variety of auras. Treating their wives at home is a kind of iron man; at work, treating criminals is selfless; facing former colleague Nicholas Tse playing Ao, they are compassionate and unbearable, but in Do not perjury in front of principles. It can be regarded as a perfect personality.
picture from the network
Next, there are a group of former police officers who have had a promising future and were forced to be in the dark. This group of personnel is played by Nicholas Tse and others. They are a group of young forces who were passionate about police work and have super ability. In a kidnapping case, due to the request and punctuality of the boss, the suspect was killed when the case was handled and the law was exceeded, and he was eventually expelled and sentenced to prison. From their point of view, there is indeed a grievance of being "selled out", coupled with years of prison life that has distorted his character, coupled with a certain degree of shooting skills, so they are very paranoid in wanting to avenge the police and create social panic.
Third, it is a criminal who seeks to obtain high profits. There are mainly several groups of crimes in the film, one is kidnapping; the second is drug trafficking; the third is bank robbery. This is also a subject often presented in police films.
clarified these three groups of relationships, and then watch this film will be more clear. The series of plots started with a police chase of drug dealers. In this chase, Abang was not approved because he offended a higher-level official. It was this coincidence that allowed him to survive the flames between criminals and the police on both sides. With guilt and remembrance for his colleagues, he desperately devoted himself to the fight against crime, and gradually found out that the criminal who was shot by the director was his former colleague Ao (Nicholas Tse). Therefore, the two sides began a battle of wits and courage. . On the one hand, the police gradually grasped part of the evidence, and on the other, arrogant criminals with certain anti-reconnaissance capabilities. When criminals make use of the arrest (not exceeding 48 hours) regulations to deliberately deal with the police and go away, Nicholas Tse and others' performances are indeed remarkable.
In addition, the fighting plot in this film is designed to be more intense, and it is true that the director and actors' intentions can be seen. These martial arts links really highlight the characteristics of Hong Kong films. However, the excessively frequent fighting design still gives people a feeling of squandering and fascinating. Therefore, if we can collect more and highlight some intelligent and courageous links, I think it will be better. For example, Donnie Yen’s "Po Hao" shot a few years ago, I thinkIt is superior to the film in terms of plot and story. The picture of
comes from the network
. However, this film still touches me a lot, and this touch comes from the spirit of hard work that can be seen in the film. Hong Kong films in the 1990s were once a portrayal of an era. However, with the continuous development of information and the diversification of cultural life, the status of Hong Kong films has gradually been greatly impacted, and Hong Kong filmmakers have not given up their efforts. Many Hong Kong films in the past few years have shown a serious attitude, subtle plots, and a group of dedicated actors. In this movie, the author sees a feeling. This feeling is the sincerity brought to us by a group of Hong Kong filmmakers. However, the author also has deep concerns. The powerful actors in the film are all familiar faces, or a group of old actors. Nicholas Tse's performance in the movie is definitely worthy of recognition, a powerful actor. However, there is a lack of fresh faces and young faces in the film. An industry and industry need to develop, and it also needs to vigorously train new people. I hope that new faces can be seen in the next Hong Kong film.
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