In the 1970s and 1980s, Hong Kong’s music scene was extremely brilliant. The streets of Guangdong and Guangxi were full of flowers, from the god of song Jacky Cheung to the queen Faye Wong, from the legend of the evil wolf to the queen of the next stop, it may only depend on the name of the song outside the Guangxi and Guangxi. I don't know what song it is.
But if you hear the climax, "I'm like a hungry wolf, how can I hug it to sleep, if I walk in and play with it, it will appear fierce." The familiar melody, the familiar lyrics "see me fly, I am singing in" the sky." Even if I don’t speak Cantonese, I don’t know that this is not an English song, but a Cantonese song when I hear this melody.
When it comes to the music scene in Hong Kong, one has to talk about the four kings of Hong Kong. In terms of singing, Jacky Cheung is the head, a classic film and television song, which has consolidated the status of the four kings. Andy Lau's "17 years old" tells his own experience along the way. That familiar melody is also deep in the hearts of many people.
"When I was seventeen, I was shameless and participated in the challenge." When I sang the previous sentence, I had the next sentence in my heart, and it naturally emerged.
The summer love at dawn is also unique to that era. Sweet songs are sent to sweet ta, "I love you, will you hear me? You will hold me and wait for the distant midsummer every second."
The youth melody of "Para Para Sakura" by the dancer Aaron Kwok coupled with a dancing body has become a classic, so much so that many movie clips are used to make music.
And the famous song of Jacky Cheung, a generation god of song, needless to say. Maybe many years ago, my friends thought he was famous because of the emoticon of Brother Flies, and didn’t know his indifferent song "Your Name I "The Last Name", the song "Li Xianglan" that even the star is paying tribute to the movie has already spread throughout Asia.
In that era, the Cantonese music scene not only produced a lot of moving songs, but also expressed their feelings to the people at that time. In the past, cars and horses were very slow, there was no advanced mobile phone, and there was no large-screen color TV. You can listen to a song through the radio. A song can always find spiritual sustenance.
Following the steps of the Queen of Heaven, in the 1990s, Eason Chan, Lin Feng, Deng Ziqi and other young music rookies gradually stepped onto the big stage, and the most popular in Guangdong and Guangxi is undoubtedly Eason Chan.
A " ten years " is popular all over the country, "If those two words don't tremble... ten years later, we are friends." How many young people's hearts have been sung, and this song is also in Cantonese While Eason Chan caters to popular tastes, many songs are available in Cantonese and Mandarin.
"Ten Years" and " Next Year, Today and ", " Long Time No See " and "Why Not See You" they seem to be separate but interconnected. This is Eason Chan's most unique feature.
Even today, many people say that only Eason Chan stays in the music scene in Hong Kong. The previous sunrise and sunset concerts also brought comfort to the hearts of fans.
"Yes, but please love" is multi-lingual, using Cantonese culture to the extreme, with different angles and different moods, and what you can understand from the song is also very different.
sang the scene of long flowing water and my company with gray hair in "Long Live We", "The lover travels around the world, changing luggage in the sun and the moon, if I am amnesia, I am eager to know you again and say something boring to you. Thousands of miles." Cantonese sings delicately and life-like, which can often make people feel in it and think with their own thoughts.
Maybe this is the charm of music, and that music can always stir people's hearts, and Cantonese songs should not be buried, but should be understood by more people.
-
-
-
-
-
-
-
-
-
-