Scenery fans, the weather is warm, and Beijing’s cultural activities are just like the prosperity of all things, and the fruits are multiplied. On the evening of May 16, an extraordinary "Dialogue of Film Masters" event was successfully held in Beijing.
In the process of human civilization, civilization has always been an open concept, which is surging because of tolerance. The splendid Asian civilization has become an important part of world civilization because of mutual respect, maintenance of characteristics, and equal exchanges. Movies are a representative embodiment of civilization in the 21st century and play an increasingly important role in world exchanges.
is an important film and cultural exchange event during the "Asian Civilization Dialogue Conference". The "Film Master Dialogue" invited 14 Asian filmmakers who have rooted in their creations and whose works are internationally renowned. They were named "Asian Film and Cultural Heritage" and " Dialogue was launched on the theme of "Mutual Learning between Asian Films and Civilizations", aimed at exploring the innovation and inheritance of Asian film civilization.
cultural inheritance and colorful
cultural survival, there is the China of the past, the inheritance of culture, the China of today, the development of culture, and the China of the future. The capture of the dots in the torrent of time is the moving part of the movie, like China, Asia, and the world. The guests participating in today's dialogue are all such capturers and inheritors.
is the host of this event is the well-known director Jia Zhangke. His work pays close attention to the changes in Chinese society and cultural development, and is highly regarded at the Asian International Awards, the Cannes International Film Festival and the Venice International Film Festival. The six directors invited in the first dialogue of
are also outstanding representatives of the Asian film industry. They are Chinese director Chen Kaige, Japanese director Yoji Yamada, Indian actor, director, and producer Amir Khan, and Russian director and producer. Man, actor Fedor Bondarchuk, Iranian screenwriter, director, and producer Majid Majidi, and French Vietnamese director Chen Yingxiong.
In the dialogue, Chen Kaige, the representative of China's fifth-generation director, described the influence of the Chinese nation's "cultural spirit" on a film worker with his forty years of experience in filming. Japanese director Yoji Yamada, who is respected as a "teacher" by director Chen Kaige, summarized the changes that have taken place in Japan over the past 50 years. In today's continuous progress, how to portray the lives of modern people is what he thinks about.
Amir Khan, who has a strong box office appeal in China, shared his experience as a director. He believes that movies are the best way to tell stories. He is looking forward to reshaping the methods of telling ancient Asian stories and injecting fresh vitality into traditional culture. Fedor Bondarchuk, known as the director of the Russian "war faction", said: "Russian philosophers and writers have been arguing about the development path." Today, he found the answer to the question in the ancient Taimiao: Although Each is different, but you can live in harmony.
Iranian director Majid Majidi, who used a "Little Shoes" to touch the global audience, agreed with this, and he emphasized the importance of dialogue. He said that no art is more suitable for telling the culture of a country than movies. In his view, film is a bridge connecting different nations and can enhance the friendship between people of different countries. The Vietnamese director Chen Yingxiong who immigrated to France at the age of 14, is as good at expressing the simplicity of life as director Yoji Yamada. He said that the dual cultural identity of Vietnam and France allowed him to explore Vietnamese culture more clearly and express this culture to the world more clearly. He also mentioned that movie language is not to use a camera to take beautiful pictures, but to convey the inner and spiritual world of a culture. How to use more precise film language to express the common Asian culture and consciousness is a question that Asian filmmakers need to think about.
Five colors complement each other. The eight-tone ensemble is finally peaceful and peaceful. The uniqueness of culture has created the world's film masters—their creations with far-reaching influence around the world have taken root in the unique and profound civilized soil of their respective countries. Civilization is expensive because of harmony, and culture is wonderful because of difference. It is the colorful backgrounds bestowed by different cultures that give the people of the world a charming film art.
Mutual learning among civilizations, all-inclusive
Zhang Qian goes west, the Silk Road is interconnected; Zheng He goes south, and Yingya is full; Jianzhen travels east, Zhaodi is strong; Bodhidharma crosses north, Songshan Temple is completed. The emergence of movie art condenses the distance of time and space, and brings together the depth of the wise. Every light projected on the screen is an extraction of the essence of civilization from all corners of the world, from ancient times to the present.
in the second session of the "Asian Film and Civilization Mutual Learning" dialogue session ofHolder Jia Zhangke raised the question of "how to maintain cultural diversity through film practice", which aroused the guests' thinking. The seven filmmakers invited to participate in the discussion are Chinese actor Chen Daoming, Chinese actor Zhang Ziyi, Japanese director and screenwriter Yojiro Takita, Russian director Sergey Podrov, and Thai director Prakya Pinkyao. Singaporean director, screenwriter, and producer Liang Zhiqiang, Kazakhstan director and actor Emil Baizasin.
famous actor Chen Daoming said: In the world, the inheritance of Asian culture is very important. Not only Chinese movies must go to the world, but Asian movies must go to the world. The famous actor Zhang Ziyi used her 20 years of experience in filming to put forward her own views on maintaining cultural diversity. She said: "In the work of an actor, we must accept new things and perceive the new world. Creation cannot lose life. In the final analysis, neither the actor nor the director can lose the elements endowed by the most primitive life. Accurately express the life that the movie wants to convey. Connotation is the key to maintaining cultural peculiarities."
Takita Yojiro is a famous Japanese director. His work "Encouragement" won the 81st Oscar for Best Foreign Language Film. He shared his experience of filming in China and had a enthusiastic collision of ideas with Chinese filmmakers. In the different collisions and fusions, Takita Yojiro said he learned valuable knowledge.
Russia's most internationally prestigious director Sergey Podrov talked about his views on using film to carry cultural diversity. He believes that Asia is a treasure trove of history and legends, and filmmakers from various countries in Asia should unite and cooperate together, and strive to express true emotions through movies and create unlimited possibilities. The famous Thai director Prakiya Pingkeyao once used "Boxing Fighter" to conquer a large number of action movie fans for Muay Thai. Movies from China, Japan, and India have had a great influence on him. He believes that the development of information technology has brought Asian countries closer and closer, and has also allowed the people to see the cultural power of Asia. Today's event gave him full confidence in the future of Asian cinema.
Singapore’s famous artist Liang Zhiqiang said: As a filmmaker, what I look forward to most is to be able to use films for cultural exchanges. He proposed a specific practical plan, that is, to use co-production to complete a work, and then release it in various countries, so that people from all over the world In the movie, I see stories from my own country and other Asian countries at the same time. Kazakhstan's emerging director Emil Baizasin, who was nominated for the Silver Bear Award at the Berlin International Film Festival for his first feature film, expressed his views. He believes that as a film artist, you should not forget traditional culture, should not abandon humanism, and should think about how to make film the epitome of humanity and show different cultures to the world. The continuous deepening of the two dialogues between
gradually pushed the atmosphere of the scene to a climax. The guests participating in this master dialogue, they have different languages, different skin colors, different beliefs, and different aesthetics, but they are all surging because of the movie, and all because of the new historical mission and brilliant prospects of the movie in the process of human civilization. And exhilarating.
, as an art that is becoming the language of the world, movies will certainly use more diversified expressions and a more open spirit to continue to create the bright present and future of human civilization. A China that is heading towards the world of nations will embrace a peaceful and progressive Asia and a harmonious and coexisting world with a more open attitude!
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