have a happy ending, and the last modern chapter that broke into also shows the happy and peaceful appearance of future generations. Of course, the most important thing is that the CPs who are looking forward to anime fans have all come together as they wished, which is truly true. This work has drawn a full stop.
But content comes to contentment, and we must not forget the cruelty of reality: Money is not omnipotent, but it is absolutely impossible if there is no money, and if possible, there should not be a guy who really regards money as dung. Especially in situations where real transactions often involve multiple stakeholders, there is almost no possibility of the so-called "unilateral interruption of cooperation".
For example, Akira Toriyama, who can be called the super platinum manga artist of "Weekly Shonen JUMP", was repeatedly intimidated by his old owner during the series of "Dragon Ball" and had to continue to create until the devil. Buu was destroyed by Monkey King with a vitality bomb, and only then did he really put the coffin in the coffin---
Okay, the super-platinum cartoonist has to compromise in front of the capital, then you say Wu Shiqing, the new one Jin author, and how can He De, when "Blade of Ghost Slayer" is just beginning to ignite popularity and reputation, use "end" to extinguish the passion of fans? (As we all know, when a work no longer appears in front of people every week, its popularity will soon be replaced by new things.) The problem of
has troubled me for a long, long time. I even guessed whether the crocodile teacher will leave. Going on the old road of Inoue Takehiko , in pursuit of his own artistic conception, he resolutely ignored the threat of capital, and since then he has made a difficult heart knot with "Weekly Shonen JUMP"?
Perhaps for some anime fans, this also represents the commendable spirit of the crocodile teacher who does not forget the original intention. It is a kind of "get it when you see it" and . It is also a wise choice to avoid the end of the work. It is worthwhile Applause and admire.
But if we think about it carefully, this kind of hard touch actually contains some dangerous signals: may be similar to the national competition. After more than 20 years, there is still no TV version coming! Are you afraid of
? Worry is for sure! But fortunately, with the arrival of May 18, the above worries have finally been relieved --- the author of
"Ghost Slayer" has earned 2+ billion yen in 4 years!
The above content comes from an information platform in Japan. They counted the 60 million comic books sold until May of this year, and obtained a generous return of 2 billion yen for Teacher Crocodile based on comic royalties alone.
Do you know what this concept is? Although it is still a long way from the so-called richest man, it is not even as good as the national husband's "Dad gives me 500 million, if I lose it all, I will go back and inherit the Wanguan family wealth" 's ambition Aspiration ---
But this is 2 billion yen, which is about 130 million RMB, and this amount has just stepped on the pass line of "freedom of wealth" in the first-tier cities. In other words, the crocodile teacher does not need to pay unnecessary labor for any material needs for the rest of his life---
Of course, earning more than 2 billion yen in four years is an unimaginable existence for everyone. (You must know that Mr. Crocodile did not use any leverage, and there is no possibility of the so-called standardized production of the results. All the works are created by themselves.) For this reason, the crocodile teacher has also won the envy of a lot of Japanese netizens---
"4 years of hard work, no need to worry for a lifetime"
"Really strange popularity"
"The cartoonist is really amazing"
Believe this, everyone It is not difficult to understand why Mr. Crocodile was able to put the "Ghost Slayer" to an end. In the final analysis,
is a sentence: is 2 billion in terms of self-dimensionEnough yen has been earned, and the crocodile teacher who has realized the freedom of wealth will no longer be threatened by the so-called capital. For JUMP, instead of stubbornly competing with an author who is no longer bound by the mundane rules, it is better to listen to the voice of the crocodile teacher so that the subsequent animation adaptation can continue as scheduled.
After all, everyone knows that so far "Demon Slayer" has only launched the first season, and the remaining more than 100 episodes of comic content can still produce at least 3-4 seasons of animated plots.
put it plainly, the negotiation on whether "Demon Slayer" is completed or not, in fact, with the astronomical royalty income of Teacher Crocodile, his right to speak has gradually turned to the author's side.
What did you think of?
Yes, the recent "hegemony contract" incident also contains the same truth: , instead of entangled in the platform's contract hegemony, might as well try to improve its writing ability and attract fans Force it.
Sooner or later, the right to speak will fall to the writers.
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