"Floating in the Wind" world premiere, film and television adaptation of Alai's novel attracts attention

poster of the movie "Drifting in the Wind"

1905 film news On October 30, the film "Drifting in the Wind" had its world premiere. The premiere site was full of audiences and applauded the film many times. The Tibetan culture and the awakening of female consciousness expressed shock and movement. After the screening, the film director Dan Zhenwangjia shared his creative experience with the audience through the video connection, and at the same time answered questions about the film-related content, and the audience received a warm response.

"Floating with the Wind" is the first feature film directed by Dan Zhenwangjia. The film starring Cairang Zhuoma, Suolangwangmu and Gendeng Phuntsok, tells the story of the female growth and development of a mother and daughter. Bravely break the "fate" story. The film perfectly blends Tibetan culture and feminism, hoping to help women through the form of film. The

film is adapted from the novel "Dog Boy Gera" by the writer Alai. The script attracted much attention before the filming started, and it successfully won the Best Creative Script Award in the minority theme unit of the 27th Golden Rooster and Hundred Flowers Film Festival. The original film Alai said in an interview that the film, like the original film, focuses on the theme of breaking prejudice. Regarding the film, he said: "I think it’s very good. It’s a little bit like watching the movies (made) when Jia Zhangke just debuted. Very simple and sincere.” Alai also spoke highly of the film’s clear narrative and sincere expressions of the actors.

"Disperse with the Wind" placed in the Tibetan context encompasses the spiritual core of feminism, emphasizing women's self-identity and self-liberation. After the film ended, the audience received rave reviews and expressed that they were touched by the full three-dimensional characters and the exciting storyline, especially by the awakening process of the female consciousness of Sandan and Gera. The film cuts from the perspective of women, and uses delicate lens language to show the transition from being dependent on others to being self-reliant by the mother and daughter of Sandan and Gera. Among them, the plot of Gera breaking the gender taboo and insisting on going up the mountain for sacrifices pushed the entire film to a climax, announcing the rise of feminism.

When it comes to character creation, Dan Zhenwangjia said that Guerra’s actor made Zhuoma feel very surprised: “Her eyes have power and tension, which is very consistent with Guerra's character. Although Zhuoma Not a professional actor, but her performance was unexpected. She has the shadow of Guerra.” The audience also sighed in the same way. They felt that Zhuoma's excellent performance had added to the film a lot, and the resistance and growth of the little heroine Guerra The interpretation is vivid and vivid. This film is also the third collaboration between male and female starring Solang Wangmu and Gendeng Phuntsok, and their rivalry is also a highlight of the film.