: Ji Lina
had the popularity of "Strategy of Yanxi Palace" before, and now "Ruyi's Royal Love in the Palace" is also on the air. The two dramas have the same historical background, but the characters and events described are quite different. , Why Wei Yingluo's father is Su Peisheng? In the aired episodes of "Ruyi's Royal Love in the Palace", have you ever been caught in the eye with the three-piece Western-style bow on Taobao's Taobao?
Of course, the big production of "Ruyi's Royal Love in the Palace" has done homework, and diligent netizens helped them find the source.
Of course, netizens will not let Qianlong wear a "green vest", after all, his aesthetic is like this.
comes from an enthusiastic netizen
Today, let’s talk about the "Caiyu" of the Qing Dynasty. In the Qing Dynasty, the feudal ruling class was strictly hierarchical, and the clothing was luxurious and complicated. The quality of clothing accessories varied with status and occasion, which was one of the main signs that distinguished status and hierarchy. Caixuan, also known as Caixuan, is a scarf worn by imperial women in the Qing Dynasty. It is a colorful silk ribbon that hangs on the chest and embroidered with various auspicious patterns. It is mostly made of silk and satin. It is often worn on the chest of women's court clothes. On the two buttons, the shape is mostly narrow at the top and wide at the bottom, with sharp corners at the bottom and about 1m in length. The top is usually equipped with hooks, coins, jade rings and other ornaments. zhì refers to sewing decorations such as pouches containing needles and thread, etc., which form a full set of women's court dresses with dress accessories such as crowns, golden yokes, Er, neck yokes, and beads, and are the main symbol of the status of the dresser. The origin of
Caishen
Caishen is a kind of scarves, which is different from the hermit's horned scarf. It looks more like the present handkerchief. Some experts believe that it originated from the towels of the pre-Qin period, which was later divided into wipes or bundles. Hair scarf, and a scarf tied around the waist. It can be verified that the earliest records in ancient books such as "The Book of Songs" and "Book of Rites" recorded "帨", and "Mao Zhuan" recorded "帨, wear a towel." Ancient women went out to wear a towel on the left side of the waist. "帨帉", "帨巾" and "帨缡" also express the meaning of wearing a scarf. Su Shi's "Chenxiang Shanzi Fu" in the Song Dynasty: "Fortunately, I placed this place in a few seats, and nourished the tranquility in the palace.之氤氲." Among them, "帨帉" is a towel napkin for wipes, "帨帨" is a napkin for trial hands, and "帨缡" is a decoration when a woman gets married.
In ancient times, there was the etiquette of "setting up a palace". When women were born, they had to hang a scarf on the right side of the door, and men who were born to hang bows and arrows on the left side of the door. On the day of a woman’s marriage, her mother wore a sling for her, and the sling became a symbol of a woman. The evolution of
Yongzheng Xingle picture
color 帨
color 帨 is the combination of hand towel and decorative sundries. Decorative sundries originate from the "dié xiè" seven things that men used to facilitate horseback riding during the Wei and Jin Dynasties. They have been popular among women since the Kaiyuan period of the Tang Dynasty, using ear digging and other cleaning tools. The jade lotus flower worn on the chest of the princess was unearthed from the tomb of Princess Chen of the Liao Dynasty. There are six golden chains hanging from the bottom, which are jade scissors, ear spoons, files, knives and other small life objects.
During the Ming Dynasty, "Shier" was also called "falling collar". Mr. Shen Congwen’s "Research on Ancient Chinese Costumes" mentioned that the accessories of the Ming Dynasty included falling collars or seven things, using gold and jade to make hundreds of things, and there were mountains and clouds or flower shots on them. It also retained a little ancient miscellaneous meaning, but the position has been different. The one worn on the chest is called the "falling collar", and the one worn on the waist of the skirt is called the "seven things". During the Ming Dynasty, such sweat towels were everywhere and were daily necessities for women. "Forbidden step" is the use of colored threads to pass through jade ornaments of different shapes, making noises as you walk. The rhythm of the noise is also an expression of whether the gait is solemn, and the "seven things" hang small objects of life, which is convenient Get it at any time. For the convenience of women in the Qing Dynasty, this form of handkerchief was developed a lot. Eight Banners women hang handkerchiefs on the buttons of their clothes daily, which is both decorative and practical.
The color pattern of the Qing Dynasty
In the early Qing Dynasty, there was no pattern on the color pattern, which was a symbol of the status of a woman. There were different decorative patterns according to level and occasion. In the Qianlong period, the pattern of phoenix wearing peony was generally adopted. The use of the patterns of Caixuan is clearly recorded in the "Dai Qing Huidian". The empress and imperial concubine Caixuan are green with embroidered grain patterns, and the silk ribbon is bright yellow;The concubine embroiders the Yunzhi Ruicao pattern, and the other parts are the same as the imperial concubine, the silk ribbon is golden yellow; the color palace used by the concubine does not embroider the pattern; the prince Fujin uses the color palace moon white without embroidering the pattern. The prince Fujin, Prince Fujin, and Princess Gulun used moon yellow for the color of the prince Fujin, Prince Fujin, and Princess Gulun.
Early Qing Dynasty Caizhen
Qianlong period paintings
Xiaozhuang Queen's court dress like
Chongqing Queen's court dress like
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