I don’t know if there are friends who are like me. I usually have a slightly higher tear point for ordinary movies, but strangely, the tear point for sports events is surprisingly low.
, a sporadic individual who is trying his best for the honor of the collective goal, has no reservation in trying his best, which really hurts my weakness.
So when watching "Win the Championship", you don’t have to wait until the final China-Pakistan battle. Just watching the old women’s volleyball girls as a whole fight for their backs in the training hall and on the China-Japan battle, I have tears in my eyes Up.
For audiences who are used to watching dramatic feature films, "Winning the Championship" may seem a bit thin, because the whole movie is three games connected by characters. But for a Chinese sports film, I am really satisfied. When
released the preview material in the early stage, I often looked for Gong Li while watching the video clips, and found out after a long time, oh, it turns out that this "Lang Ping" is Gong Li.
like, it's too similar. Director Chen Kexin of
said that when there was no script, he determined that Gong Li was the first choice for "Lang Ping" and there was no second candidate. With age, status, aura and acting strength, he couldn't think of anyone more suitable than Gong Li.
But Gong Li has always refused. She thinks that Lang Ping is such an important figure for the Chinese people, and she is still active in front of the audience, and she can be seen when she turns on the TV every day. Without sufficient psychological development, there is no way to take over this. Role. She said: "I grew up with the glory of this team."
Fortunately, Chen Kexin was persistent. He did not consider a second candidate, but continued to communicate with Gong Li while writing the script. He has absolute trust in Gong Li: "As long as you come, you can stand there, absolutely no problem." If you don't pick up
, you can do it with twelve minutes of effort. The crew of
was preparing to film the old women's volleyball scene in the 1980s. Gong Li went to Ningbo Beilun Volleyball Base by himself. Because the women's volleyball team had to prepare for the World Cup and had no time to communicate, Gong Li tried not to disturb the women's volleyball team training, just all day long. Sit around and observe and learn.
finally appeared on the screen. Everyone has seen the hairstyle, eyes, hunchback posture, walking style, movement habits, pronunciation style, Gong Li is trying to get closer to Lang Ping.
Of course, acting is not just imitating, Gong Li is also in control of the interpretation of literary drama and inner drama.
This reminds me of director Zhang Yimou’s evaluation of Gong Li in an interview two years ago. When asked about the best, "best talented actor" he met in more than 30 years of work, after a short period of time After recalling, Zhang Yimou replied firmly: "I think the actress is still Gong Li."
"Gong Li is this piece of material. He learns things, expresses it, and interprets it. It is vivid, and it is very real and natural... It is really like, it can be completely real." Zhang Yimou recognized Gong Li in this way.
has been questioned by the original Mo Yan before acting "Red Sorghum", "the eyebrows are not suitable for'Nine Children"', and before acting "Qiuju's Lawsuit" by screenwriter Liu Heng protested "I can't write Gong Li's'Qiuju'" "Go down", because of the appearance of the "vase", there are many doubts, a large part of which was still protested by the creators. However, under Zhang Yimou's rejection of public opinion, Gong Li can always make them admire: takes "Red Sorghum" Go back to the "Berlin Golden Bear Award", use "A Lawsuit in Qiuju" to get back the "Venice Golden Lion Award", and later cooperate with Chen Kaige, use "Farewell My Concubine" to get back the "Cannes Palme d'Or" and complete three major international film festivals Grand Slam .
From a personal point of view, Gong Li also sits on many laurels such as "Venice Film Festival Queen" and "Hong Kong Film Awards Queen".
The "earth to drop" village girl, the domineering queen, the dull demented old man, the elegant and paranoid geisha, the hard and confident women's volleyball coach, each classic role is different, and Ruki Sanfen, such an actor, is a lore weapon for industry directors, and for the audience, it is also a kind of enjoyment to constantly communicate with new characters.
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